A.Trentemøller – Yes! That Trentemøller

1. What is your favourite knob/switch/fader on a piece of gear?

The knobs on my Hohner String Melody II… I just love the colours…

Hohner String Melody 2

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I really like the sound of the drums on the Volca Beats , especially the kick drum, but I don’t like the snare . I would have loved one which was a bit more aggressive and snappy.

3. What setup do you bring on holiday/tour/commute etc.?

Just my laptop, a midi keyboard, my Apogee Duet Duo and the JHS ColorBox v2 for warming up and EQ’ing softsynhs / hardwaresynths or to record bass or guitar through or re-amping . It sounds so great and it has XLR input for mic as well. Perfect!

JHS ColorBox v2

4. What software do you wish was hardware and vice versa?

I wish my Hughes Retriever could be emulated as a plugin, it has such a unique sound and I love the way it opens up the stereo image.

Hughes Retriever and racked friends

5. Is there anything you regret selling… or regret buying?

A lot I regret buying, ha ha… lately the Yamaha Reface YC. It sounds like plastic and not in the good corny way… don’t know why I bought it.

Yamaha YC

I regret selling my Thermionic Culture Vulture, I didn’t use it enough, but sometimes I have experienced actually missing what it did. The plugin version is not sounding as good at all.

6. What gear has inspired you to produce the most music?

I don’t have one specific thing, but it could actually be my upright piano that I have in my studio. It’s where most of my songs have been made. 

Oluf Pedersen upright piano… where the magic is made

I like to NOT sit in front of a computer, but instead using my ears and I love that the sound is coming from the instrument itself , not through speakers. It’s very intimate and I feel more focused on the songwriting rather than the sound. I also use it with the felt on, and I like that intimate sound it produces. 

Upright piano with hammers on felt

7. If you had to start over, what would you get first?

A Mac not a PC. [Editor: Woah-ho! Easy now everyone. Let’s all be friends, ok?]

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My wireless Mac mouse . It loses the connection to Bluetooth ALL the time , and I tried different Mac mouses, same problem! And I just got a new MacBook Pro, so it shouldn’t happen… but it does!! It drives me crazy!!

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Playing with the reels on my Revox while recording. To give it a bit of wow / flutter here and there.

Revox B77 reel-to-reel

I actually had a controller specifically made for that one thing only.

Revox varispeed controller

Artist or Band name?

Trentemøller

Genre?

Indie / electronica

Selfie?

Anders Trentemøller 🤘

Where are you from?

Copenhagen. Denmark.

How did you get into music?

I started playing on all sorts of stuff, from pots and pans to toy pianos, from when I was 3 or 4 years old, and never stopped loving and playing music!!

What still drives you to make music?

I love the playful energy in it and the fact that I can create my own little musical world!

How do you most often start a new track?

At my upright piano.

How do you know when a track is finished?

It’s easier now, it was hard for me earlier. But I need to, still have that spontaneous vibe I had, when I started working on a song. It’s so easy to overproduce or overdo a track.

Show us your current studio

Trentemoller’s studio… knobs galore!
Trentemoller’s studio DAW setup

Best creative advice that you’ve ever heard?

“Use your ears” and “There is no right or wrong way to do things!“

Promote your latest thing… Go ahead, throw us a link.

Trentemoller – Obverse [Editor: Go listen now! Really]

[Editor: I gotta say it! I’m stupidly glad that Mr. Trentemøller has answered these ‘9 Odd Questions for Music Gear Junkies’, on my tiny little 1 month old blog. It’s been a real pleasure to read about his gear and creative processes. If you have any of the gear he uses? Then leave a comment below]


Vincent Ligny – Analog Gr’ Owl

1. Favourite knob/fader/switch on a piece of gear and why?

Moog Filter Knobs

It’s more emotional than technical. My first machine was the MOOG Mother-32. Experiencing the Moog sound in such a small object, put me in a certain state. The first knob turned was the cutOFF (not boring at all) and resonance. Discovering this sound palette, its depth confirmed to me, the idea that musically and emotionally, I had made the right choice.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Moog Matriarch

I recently acquired the Moog Matriarch which to my eyes represents the perfect synth. A sublime musicality, a grain that is both historic and modern and semi-modular! Accessibility is total. The stereo mode, combined with spacing, stereo delay and modulations, allows you to create beautiful sweeping effects without external effects.
A rediscovery every time.

3. What setup do you bring on holiday/tour/commute etc.?

For the holidays, OP-Z, OP-1 and my Master and Dynamic MH40. Travel light for a maximum of possibilities. 

OP-Z, OP-1 and Master and Dynamic MH40

4. What software do you wish was hardware and vice versa?

I fantasize about the Valhalla VST in a physical multi-effect box. We know their precision, but aesthetically, putting steel around these effects would be magical.
Surely the OTO Biscuit as digital software would be great! Unique ability to mute or invert each of the 8-bit converters, not to mention the effects sections: Waveshaper, Delay, Pitch Shifter and Step Filter … a beast.

[Editor: I’ve just been told on instagram that there is in fact a software version of the Biscuit by Softube … All hail ye great internet brain!]

Oto Biscuit

5. Is there anything you regret selling… or regret buying?

I sold a few years ago a Fender Coronado 2 Rosewood Sunburst from 1966. Ultra thin neck and a fantastic clarity in sound, crystalline even. A twinge of heart every time I cross paths with a photo. I’m trying to find one in lake placid blue.

Fender Coronado 2

6. What gear has inspired you to produce the most music?

My Moog Matriarch and modular system. It is just easy to get lost with these two machines and I easily arrive at hypnotic sequences, percussive arps, pads without necessarily messing around. I like it to be instant and not overly thought out. The best often happens through mistakes, little misses.

Eurorack modular

7. If you had to start over, what would you get first?

I think I would turn to the Korg Minilogue (XD).
An easy to understand deck, a clean, polyphonic look.The pleasure is immediate.
The OLED oscilloscope shows you, in real time, how your waveform changes as parameters change, giving you visual feedback on how to shape your sound. Perfect for beginners.
Considering all of its features, this synth alone unites all the advantages of a vintage synth, but with an elegant and practical interface that is decidedly modern. The price is also within the budget of a musician today (very affordable).

Korg Minilogue XD

8. What’s the most annoying piece of gear you have, that you just can’t live without?

The Yamaha Portasound PS-1, piano, organ, clarinet, sustain > (deplorable) but coupled with a Microcosm (Hologram Electronics) and / or an OTO BAM reverb, you get to draw sublime ambient pads. I love it, I bought it for my son, I hope he will love it too.

Yamaha Portasound PS-1, Oto Bam and Hologram Electronic Microcosm

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

The Midi/config Shiftmode allowing onto to completely destroy the pattern and do lots of soundscaping, press then FUNC + No to reload pattern and we are back to the original. The ultimate live combo, but it’s also just an ergonomic pleasure. Thank you Elektron.

Elektron Digitone

Artist or Band name?

Vincent Ligny

Genre?

Ambient / Cinematic atmospheres

Selfie?

Vincent Ligny

Where are you from?

France. Bois-colombes, small town next to Paris.

How did you get into music?

My grandfather played classic guitar, my father played folk. I naturally started bass and guitar.
I listened to a very wide spectrum, different musical genres, but I crossed into electronic music and started to experiment with that, about 6 years ago now.

What still drives you to make music?

It’s just inexplicable. It is inseparable from my way of living or rhythm of my daily life. It is a need. Electronic music opened me up to wider fields. There are no limits.

How do you most often start a new track?

There is nothing written, nothing parameterized. The first notes are imperfect. I ask myself, I run a sequence, then I develop, I make mistakes. Sometimes it doesn’t work, sometimes it’s a wonderful surprise.

How do you know when a track is finished?

When I hesitate to bid, to drown. Now is the time to stop.

Show us your current studio

Home Studio

Best creative advice that you’ve ever heard?

It is not necessary to know the music, only to feel it.

Promote your latest thing… Go ahead, throw us a link.

I appeared on a vinyl compilation from a young german independent label Deeptape Records: 
Deeptracks Vol1
Vincent Ligny – Velvet
https://deeptaperecords.bandcamp.com/album/deeptracks-1-2
 
I’m working on a 3 track EP – Pio’s journey which should be released normally at the start of 2021.


Michael Famiglietti – Wander.Wonder

1. Favourite knob/fader/switch on a piece of gear and why?

Automating the flying faders on the Chase Bliss Automatone is a magical way to explore overdrive and fuzz. 

Chase Bliss Automatone

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Native Instruments Maschine MK3. NI just released a standalone version that somewhat improves upon the MK3. Hopefully the next version will have a touch screen, battery, CV in/out, & more control over what plugins/VSTs you can have onboard. 

Native Instruments Machine MK3

3. What setup do you bring on holiday/tour/commute etc.?

I typically take break from music when I’m away from the studio since I’m immersed in it most days. Maschine MK3, headphones, & a laptop is all I need for a portable writing setup. I also use GarageBand on my phone or iPad to get ideas out. 

iPhone and GarageBand and a pair of headphones

4. What software do you wish was hardware and vice versa?

Like I mentioned earlier, Native Instruments just released a standalone version of the Maschine MK3 so they are working towards perfecting that software into hardware. I think the next version may be the one. I wish Meris would dive into VSTs/plugins. Their sounds are otherworldly but I think their pedal layout makes it tough to dial in their full potential sometimes. 

Meris Ottobit

5. Is there anything you regret selling… or regret buying?

I always regret selling my Meris pedals. I had them all at one point but now I only have the Hedra & Ottobit. I sold the Mercury7 to get a BigSky, Enzo for a C4 and Polymoon for a Timeline. I don’t own the BigSky, Timeline or C4 anymore so I think it may be time to revisit my old Meris friends. 

Meris Hedra

6. What gear has inspired you to produce the most music?

NI Maschine MK3

7. If you had to start over, what would you get first?

A laptop and a Maschine MK3. 

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My Focusrite Saffire 56 interface. It has never worked quite right, but I’ve made it work for the last 10 years. Time to get an Apollo of some sort. 

Focusrite Saffire 56 audio interface

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Cassette recorders are very useful. I use them as an instrument, as a “looper” or to add tape warmth/grit to recordings. The best $100 I’ve ever spent was on the old Tascam Porta02. 

Tascam Porta02

Artist or Band name?

Wander.Wonder 

Genre?

Chillhop meets Post-Rock

Selfie?

Michael Famiglietti aka. Wander.Wonder

Where are you from?

Virginia in the United States 

How did you get into music?

I bought a guitar in high school to start a band with my friends and I never stopped. 

What still drives you to make music?

I love exploring new sounds and seeing where they take me. 

How do you most often start a new track?

Typically with a sound I discover on a pedal or plugin. The algo inspires a riff or progression that I write around. 

How do you know when a track is finished?

When I’ve said enough but not too much.

Show us your current studio

Michael Famiglietti’s home studio

Best creative advice that you’ve ever heard?

Write as much as possible. Whether you’re trying out some new gear or just noodling on guitar, hit record and try to create. Just explore in the moment and then you can refine your ideas later. 

Promote your latest thing… Go ahead, throw us a link.

Just released my second album. You can stream it on your preferred platform in this link. Also check out my gear noodles on YouTube or IG if that’s your thing. 

https://linktr.ee/rednaw.wonder


Laura Katić – Caperooza

1. Favourite knob/fader/switch on a piece of gear and why?

My favorite knobs are the ones from my Modular Synth. Starting to build my own machines was a great achievement for me and I definitely have a special affection for the knobs of my Eurorack type modular system, which I built piece by piece from scratch in CIRCUITO SONORO LABORATORIO a workshop laboratory I started with a colleague where I investigate modular synthesis and perform sound experimentation.

DIY Eurorack modular

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Drumbrute Impact allows me to flow creatively and take advantage of those moments of inspiration to the fullest, it is the most important thing for me. Having powerful rhythms and sounds to create the beat is time won in that process. There are no pauses to make settings or edits and that’s where I can find the perfect sound.

Arturia Drumbrute Impact

3. What setup do you bring on holiday/tour/commute etc.?

COMPUTER AND MINILAB MK2 Each new place I visit has its unique magic, traveling is opening my mind and I cannot miss the opportunity to be inspired by that journey, so I bring my computer with virtual synths, Arturia’s V collection is very complete.
To have control of the Daw and Synths, I also carry Arturia’s Minilabmk2, it’s small and everything fits in my backpack. As a plus I also use the cell phone to record ambient sounds and some concrete sounds I can use later as samples.

Laptop and Minilab MK2

4. What software do you wish was hardware and vice versa?

I would like to have an app version for cell phones or tablets of the pocket operator, I use PO Speak and even though its a small machine I achieve sounds with a lot of character and create powerful beats.

Teenage Engineering PO Speak

5. Is there anything you regret selling… or regret buying?

TC HELICON VOICE PROCESOR – MINITAUR
The TC helicon Voice live touch, not so much to regret selling it, but I would buy it again. I sold it to buy the moog minitaur so it wasn’t that painful haha…

Moog Minitaur

The Tc Helicon is a vocal processor that I really enjoyed using, I used to loop my voice layer by layer and create entire songs adding effects and transforming it into an instrument more like a synthesizer, I came to create my own processes for the voice, very fun.

6. What gear has inspired you to produce the most music?

Sequencers are a “must have” for me. This year I´ve been fortunate to be sponsored by ARTURIA and one of the machines that I use the most to produce now is the Key Step Pro, i was using the Beat Step Pro before, so it was very easy and intuitive for me the change. To Control analog and digital hardware in real time is pure creation i just connect all my synthesizers and I flow, the music takes over me.

Arturia Key Step Pro

7. If you had to start over, what would you get first?

I studied music as a profesional career so i was used to compose my music more in an academic way through sheet music then pass it to the computer in a Daw, recording each instrument track by track until a had a whole structured song and that was it. Now i would say that having Vsts, a good computer and a controller is the easiest way to start. Make your music “in the Box”

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Cables

CABLES!

That is a tiny part of the gear hahaha

Very annoying!!

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

There are no rules, we are rhythm, we are a constant beat by the pulse of our heart, interpreting those vibrations within us and taking them out into the real world is what has led me to make “broken beats” more amalgamated rhythms and finally to feel them as an extension of what music makes in me.

I have many ways of making rhythmic patterns, I use samples, drum machines, I use sounds, I record noises and process them, but in the end the thing is to decide what textures you want to create with all those tools and I always try to create a different atmosphere that reaches the person who is there listening.


Artist or Band name?

Laura Katić / Caperooza

Genre?

House Progressive / Indie Electronica

Selfie?

Laura Katić

Where are you from?

CALI, Colombia.

How did you get into music?

I was involved in choirs and local bands from my town, then i studied music as a career more focused on teaching.

What still drives you to make music?

Self transformation

How do you most often start a new track?

I work as a music teacher and a freelance music producer, also have a project called
CAPEROOZA in which I produce all the music, so I start tracks very often.

How do you know when a track is finished?

When I feel i can dance and enjoy it without thinking of any technical issues. With the music i make for others when they feel happy about the result.

Show us your current studio

Laura Katić home studio
Laura Katić home studio

Best creative advice that you’ve ever heard?

Never stop making the music you love, the music that comes from your soul.

Promote your latest thing… Go ahead, throw us a link.

https://open.spotify.com/track/0npGMjDVMoUYFneiPi0n3K?si=AuFf_EBpRba8n4WMs3OR0Q