Per Hansen – SongsFromTinPanAlley

1. Favourite knob/fader/switch on a piece of gear and why?

Definitely the structure-knob on the Rings-module in Sympathetic strings-mode. I just love turning it and hear the subtle changes of harmonics! And it’s bigger than any of the other modular knobs I have.

Mutable Instruments Rings-module Structure knob

I also recently got the Microcosm from Hologram and the filter knob is turning out to be a favorite too. Turning it all the way clockwise and the reverb cranked nearly all the way up results in such beautiful and musical textures.

Microcosm from Hologram Electronics

But to be totally honest, then I’m more of a fader-man. I actually think knobs tend to be tedious and not so expressive and musical as faders. Just purchased the Sweet 16 from Tesseract Modular and I love being able to control my Disting ex and especially parameters on my Norns with it. I feel more focused and in control with faders.

Tesseract Modular

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

The Deluge is the mothership of my setup. Even though it has some flaws, like its lack of a decent file structure where you have to scroll through all the synths till you find the one you need, killing the flow, I cannot live without it. In an almost dawless environment, it is essential!

Synthstrom Deluge

And of course, I cannot live without my feelings. I consider feelings my main instrument and 100% my most perfect kit. All compositions start and flourish from the state of mind I’m in and it’s important for me to embrace it and let it unfold without any dogmas and restrictions.

3. What setup do you bring on holiday/tour/commute etc.?

My Oscar Teller guitar and the Deluge! Used to own the OP-Z, but unfortunately had to let it go to finance other gear. The Zed has a more handy size compared to the Deluge, but the Deluge has some other aces up its sleeve, like the fact that you are able to record very long samples on it and its ability to create an endless amount of tracks.

4. What software do you wish was hardware and vice versa?

I’m actually trying to spend the least time possible with software. I get impatient behind a computer screen. What I love about making music is the tactile experience. Tuning “knobs” and “faders” with a mouse doesn’t give me that 😉

Audio Damage Quanta

It could be cool, though, to have the Qaunta by Audio Damage in a hardware eurorack- or synth version, with all the matrix possibilities.

5. Is there anything you regret selling… or regret buying?

Went down the eurorack-rabbit-hole and had to let go of my OP-1. I miss it every day, but they’re too expensive compared to what they can do!

I also sold my two polysynths – Digitone and Novation Peak. Miss them dearly every day. Maybe I have to buy a new secondhand Peak in the near future.

I usually don’t regret buying anything. Cause every purchase is a new adventure for me.

6. What gear has inspired you to produce the most music?

Definitely the Rings module. Whenever I send a sequence to it, it turns out to be a keeper.

I also get very inspired when looping random objects and instruments using the Cheat Codes script on my Norns.

Norns and Grid

7. If you had to start over, what would you get first?

A Grand piano in my own giant palace. Joke. It’s just a dreamers mind speaking, living with four kids in a relative small apartment.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My mini Mac!

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Marantz PMD 222

Thanks to @perbarfot I discovered how cool it is to run an instrument through the Marantz PMD 222, while giving the loop tape a good scratching massage. Love the wow and flutter effect it gives. Also tried it on my Revox B77 using the tension arm with very good results.

ReVox B77

Artist or Band name?

Songs From Tin Pan Ally

Genre?

Ambient

Selfie?

Per Hansen

Where are you from?

Denmark, Copenhagen

How did you get into music?

When I was 15, I got a worn-out classical guitar from my grandmother and my first step was to learn every GNR song from a tabs book! Must have sounded pretty bad because I didn’t know how to tune a guitar 😉

But I really loved it and after learning the basics a friend of mine and I started a band and from there I began writing my own songs.

What still drives you to make music?

I’m always striving for music of chance. That’s my drive. Love the way a simple melody or a sound of any kind of music instrument can turn into something totally mind-blowing! And you end up asking yourself… Did I really do this?

How do you most often start a new track?

I often start a new track while patching my modular stuff and turning knobs. It can be a sound, a melody or just a drone-kind-of-sound that express a feeling or a mood. That’s the foundation. From there, I just try to add different layers to that foundation.

How do you know when a track is finished?

When I press stop rec 😉

I listen to it many times the following days and if it still blows my mind, it’s a keeper.

Show us your current studio

Per Hansen’s Home Studio

Best creative advice that you’ve ever heard?

Don’t think too much. Just play and make a lot of mistakes!

Promote your latest thing… Go ahead, throw us a link.

I’ve just released ‘tænkeRUM’ on bandcamp and not long before that ‘Time’, which is also available on any streaming platform. In a couple of months, my first physical release is a reality. I’m planning on releasing it on cassette. At the moment, I’m calling it ‘autumn lullabies’

https://songsfromtinpanalley.bandcamp.com/album/t-nkerum

https://songsfromtinpanalley.bandcamp.com/album/time

Published by

Martin

Is a composer of ambient lofi beats with soundscapes on top, also sometimes a writer of alt-folk songs with a unique lyrical shock.

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