Kumie – Battery Powered Fun

1.  Favourite knob/fader/switch on a piece of gear and why?
Currently, I love the buttons on the Elektron Digitakt. I’m not a gamer, but in the past couple years, I have gotten super into mechanical keyboards. The Digitakt’s keys have that same feel.They have such a satisfying click and light up quite nicely. They aren’t velocity sensitive, but I actually don’t miss that feature on the device.

Elektron Digitakt
Elektron Digitakt

2.  Do you have an _‘almost’_ perfect bit of kit? What would you change?
The OP-Z is sooooooo close to being perfect for me. It’s tiny, portable, the synth engines are solid, it samples, the step components and performance effects are a blast, and the encoders are a close second for favorite knob/fader/switch. But, the sampling could be better. In a perfect world, it would have a little more memory to store samples in a bank the way the Digitakt does. Then using the OP-Z app, I could access and load them for a given project. I’d also make some tweaks to how it sends MIDI because right now lots of crazy things happen when I try to control other hardware.

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Teenage Engineering OPZ

3.  What setup do you bring on holiday/tour/commute etc.?
The OP-Z is with me, always. Though, I did just get a Roland MC-101, so I may start carrying that around too.

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Roland MC-101 and Teenage Engineering OPZ

4.  What software do you wish was hardware and vice versa?
I wish there was something a little more Ableton-like in the hardware world in the $500 range. Looping pedals are nice and in the moment, but not good (in my mind) for planning and arranging finished songs. And, most other samplers I have seen are a little half baked in the loop/slice/time stretch department.

5.  Is there anything you regret selling… or regret buying?
I am a gear hoarder. I hate selling things. I just put them in cold storage until something inspires me to use them again. For example, I got a Yamaha QY70 the summer of 1997. I used it for a couple years, then got really into Reason and Logic and never touched it. About a year ago, I was inspired by someone else’s Instagram post to pull the QY70 out and use it to sequence other gear. Turns out, it is the perfect companion to the Volca line.

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Yamaha QY70 and Korg Volca Drum

BUT, there is one device that I bought and hated so much that I returned a day later: The Boss DR-202 Dr. Groove. I got it around the time it was released. I had this fantasy that it would be my core groove production tool. It wasn’t. Sounds were meh, sequencer was meh, even the buttons were pretty meh.

6.  What gear has inspired you to produce the most music?
I spent about 7 years barely making music even though I had Ableton Live and Reason just sitting loaded on my computer waiting to be used. I just could not get excited about sitting down with a mouse and staring at a screen for fun after staring at one for work all day. Then, the OP-Z came out and thought that maybe it was time to give hardware a try again, which led me to all sorts of other battery-powered music-making devices. It’s exciting to be able to just turn a device on and start instantly making beats and sequences. 

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OPZ with iPad app and Volca Drum

7.  If you had to start over, what would you get first?
Even though bang for your buck answer would be an iPad (so many good music apps), I’d start with hardware. Since I love grooveboxes so much, that would be my starting point. Maybe one of the recent Electribes or a Novation Circuit. Or, of course, an OP-Z.

8.  What’s the most annoying piece of gear you have, that you just can’t live without?
Ableton Live. It is really hard for me to stay focused on a piece of software, but it is just so essential for finishing tracks.

9.  Most surprising tip/trick/technique that you’ve discovered about a bit of kit?
It wasn’t really a surprise, but the most welcome technique I have found in recent hardware (like the Digitakt, OP-Z, and Volca Drum) is parameter locking. It opens so many creative possibilities.


Artist or Band name?
Kumie

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Scott Kumis

Genre?
Soundtracks for sci-fi stories that don’t exist

Where are you from?
Currently, Northern Virginia

How did you get into music?
I started taking drum and percussion lessons in the 5th grade and kept going from there.

What still drives you to make music?
It’s an itch that just needs to be scratched. One of the only places in my life where I can fully focus on something for hours without the urge to check my phone or surf the web.

How do you most often start a new track?
Drums are my original instrument. So things almost always start with a beat.

How do you know when a track is finished?
I’ll let you know when I figure that out.

Show us your current studio
It’s a bit of a mess now as it doubles as my office for telework and also a closet.

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Scott Kumis’ studio

Best creative advice that you’ve ever heard?
Make as much art as you can, no matter how bad. The more you create without holding back, the better you get over time.

Promote your latest thing… Go ahead, throw us a link.
You can fine me in a few places here: https://kumiemusic.com/kumie-links/

[Editor: Hey, anyone else got a good battery powered setup? Using PowerBanks? SolarPanels? HamsterWheel Generator? Leave a comment]


Published by Martin

Martin

Is a composer of ambient lofi beats with soundscapes on top, also sometimes a writer of alt-folk songs with a unique lyrical shock.

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