Gemini Horror – Hot Ambient Mess

1. Favourite knob/fader/switch on a piece of gear and why?

DIY varispeed knob on a walkman cassette

This is my favorite knob, there is something about making something yourself and peeking behind the curtain that is so magical.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

TC Electronic Flashback

I always go back to this delay, it’s simple and effective and has room to evolve with the toneprint stuff, although I haven’t messed with that yet. I wish the looper had more options, but I think the “X4” one has wayyy more looper options.

3. What setup do you bring on holiday/tour/commute etc.?

iPad with Mood iOS Model D app and cassette tape

Vacation? Holiday? What are those lol? When we’re able to travel again, I’ll probably do something simple like an ipad and a cassette recorder. There’s a lot of untapped power in the ipad world that needs to be explored.

4. What software do you wish was hardware and vice versa?

I guess I wish ableton had more specific controllers, like an operator specific physical controller. I know push offers some control but it would be cool to have all the settings at your fingertips. Honestly though we’ve entered the age where software is like 95% there in my opinion, VST’s and modelers are good enough for me 🙂

5. Is there anything you regret selling… or regret buying?

Korg Volca Modular

I regret buying the volca modular, if you don’t have any modular this is a cool synth to see if you’re interested and there’s some great sounds in this box, but overall I never clicked with it. I would have rather gotten another volca fm or maybe a module.

6. What gear has inspired you to produce the most music?

Telecaster guitar

Hands down the guitar, acoustic or electric. It’s the instrument I learned music on and it will always be my number one!

7. If you had to start over, what would you get first?

I would do it just how I started, a guitar, a DAW, a mic or 2. I think a DAW should be the centerpiece of every musician’s setup along with their “main” instrument.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Nothing really annoys me that much honestly. I don’t really like mixing/mastering and that is always a big road block between me and releasing music. I should just hire someone to do that stuff but I don’t have the funds to justify it.

9. Most surprising tip/trick/technique that you’ve discovered about a bit of gear?

Ableton Live MaxForLive Randomizer

My FAVORITE thing right now is a maxforlive randomizer. I use it on everything, hardware, software, effects, arps, everything. I found myself in a rut and I was creating similar stuff too often but the randomizer has opened the floodgates on what is possible with gear. I think generally we underestimate the power that things have. Like the randomizer on a microkorg will give you a lifetime supply of sounds and effects that will consistently surprise you.


Artist or Band name?

Gemini Horror

Genre?

Currently ambient but really I’d say a hot mess

Selfie?

Gemini Horror

Where are you from?

Florida

How did you get into music?

I took classical guitar lessons in middle and high school along with piano, music theory, and orchestra.

What still drives you to make music?

I’m not sure right now, I think it’s something I have to do to maintain myself and it’s my creative outlet. Without it I think I might die from boredom.

How do you most often start a new track?

There is no one way. Sometimes it’s something I can’t stop playing on guitar and other times it’s an instagram post I liked.

How do you know when a track is finished?

Hahah, tracks are never finished, but they have to leave you at some point.

Show us your current studio

Gemini Horror studio

Best creative advice that you’ve ever heard?

Just do it

Promote your latest thing… Go ahead, throw us a link.

Nothing really to promote right now, but check me out on spotify and instagram 🙂

https://www.instagram.com/gemini.horror/


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw us a comment below…
]


Couleurves – Mathieu Lalonde

1. Favourite knob or fader or switch on a piece of gear and why?

Make Noise Morphagene varispeed knob

Morphagene’s varispeed knob! I’ve got a lot of great feeling knobs, but this one is the only one that has this nice colour window. I used this module a lot lately and I never got bored of that intimate light show. It’s immediate, fun and incredibly inspiring.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

A square of Eurorack

My first modular setup is as close to perfection as I got with a piece of gear. It went through a few phases, but it’s stayed as it was when it got in that wooden case for years. It’s very limited compared to my Palette setup, but it’s what makes it perfect. It’s an incredibly fun mono synth with a ton of tricks up its sleeves. 

There’s a few things that I’d change still. I had this case built and I asked for a deep bottom section. I didn’t know what I’d put in it at the time, so it’s deep enough to accomodate any module. I think the deepest one in there is the Disting. It’s way deeper than it needs to be which makes it bigger and heavier than I’d like. I also temporarily swapped my uVCAII for a ModDemix. It was a mistake and the uVCAII will come back in its right place. Don’t mess with a perfectly good setup.

3. What setup do you bring on holiday or tour or commute etc.?

Elektron Digitone and eurorack

I haven’t toured yet, but I settled on a live setup this past summer. I went and recorded a live version of douzaine with that setup and I found it to be very fun. The Digitone takes care of the sequencing and of the key sounds, while the modular adds another analog voice on top. My guitar is being fed in the Morphagene for some live looping/mangling. 

I also don’t take gear on holidays. Either that vacation time is used to record stuff or it’s used for some time off. I either bring everything or I bring nothing. No half-measures!

4. What software do you wish was hardware and vice versa?

Tascam Porta-02ii

I don’t own an iOS device, but I’ve been very interested in both Gauss Field Looper and Flip. I’ve been looking for a cheap and immediate way to record ideas. A sketch book of some sorts. I’d love for some kind of device which would run these apps, but with a better physical I/O integration. I’d get rid of the touch screen as well, I don’t like those on music things. The OP1 fits in that sketchbook territory, but I did get to try it and I found out that it’s not exactly my cup of tea.

I’d also like to have a clean and efficient way to record tape loops. I sometimes want to use them on a track, but I switch plans as it takes a bit of time to get right. I’d use a digital version if it did the exact same thing. Messy and dusty places don’t go well with magnetic tape.

5. Is there anything you regret selling… or regret buying?

Yes! Many actually. I cheaped out on my first and only mic stand. I bought a very small kick drum one as I only wanted to record my amp. At its lowest, it sits too high to record an amp that’s on the ground. I have to prop the amp on something to make it work. It’s also too small to record acoustic guitars, I need to get a chair for it and it puts me in a weird position. I borrowed one from my brother (thanks Nicolas!) and I haven’t used this one in a while. I sometimes use my Zoom H4n to record amps as it’s easier than using this mic stand.

Life’s too short for a short mic stand

6. What gear has inspired you to produce the most music?

Definitely the Korg Monologue. It’s heavily featured on two releases of mine and it’s been used on many demos as well. I’m still doing the Monologue + looper jams, the last one being my 37th one. I love it very much and I hope it’ll stay with me for ever.

Korg Monologue

7. If you had to start over, what would you get first?

I’d get a decent looper pedal. I used a garbage one for so long and it ruined many early recordings I did. They’re great to experiment with if you’re on a budget but I tried to save a few jams and it’s just too messy. I had the chance to use many great loopers from Electro-Harmonix (22500, 45000, 95000) over the years and I realize now that one of those would have made everything so much smoother.

EHX 22500

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Tascam

Tascam Porta02 MKII. The power cord I have is a foot long, the headphone knob is scratchy and it hurts my ears when it moves, it uses RCA cables for the output, etc. There’s so many things I don’t like about it, but it’s still the only running tape machine I have. Tape loops became pretty much necessary for my workflow and I can’t see this one going away soon.

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?


I recently shared the secret fuzz I found hidden in my Optomix. Running the audio signal through the strike input (or through the CTRL input for a different flavour) crunches the signal in a weird and pleasing way. Messing with the knobs alters the tone as well. It has a nice bit-crush/gated fuzz type of sound. It’s surprising for a module that’s known for its smooth and organic character.


Artist or Band name?

Couleurves

Genre?

Ambient/New age

Selfie?

Couleurves

Where are you from?

Curently living in Montréal, Québec! I’m originally from the surrounding countryside.

How did you get into music?

I played guitar when I was around 14 years old, but I quit as my brother got way better than I did and I felt discouraged. I didn’t practice so that didn’t help.

Records like Plantasia and Oxygene piqued my interest in late high school. I got hooked on that whole thing when I bought a Volca Keys in college. I got into the music that people like Jogging House and R Beny did back then and jumped straight from the Volca to my first modular setup.

What still drives you to make music?

Finding new sounds and trying new things. I dug deep in Sounds of the Dawn‘s YouTube channel over the last year and now I’m really excited to try a new direction. The mixer is the newest addition to the setup and it makes everything fun and easier to handle.

Right now, I’m excited to work with more acoustic instruments. I’m trying to distance myself from sequences to keep it organic and free-flowing.

How do you most often start a new track?

It starts with a riff or with a single loop. It usually flows pretty easily after the first part is layed down. If the rest doesn’t follow, it’s just not meant to be.

How do you know when a track is finished?

I don’t know! I stop working on a track when I can’t add anything else to it or if it feels done. I almost never rework half-finished things. It’s very spontaneous!

Show us your current studio

Couleurves ome studio
Couleurves home studio recorder
Couleurves home studio floor and pedal board
Couleurves studio desk
Couleurves guitars
Couleurves mixer


Best creative advice that you’ve ever heard?

I’ve been told to just show up. You can’t do something good if you don’t do anything. Just being there, without any idea of what to do, is a great start. 

“I have no idea where this will lead us, but I have a definite feeling it will be a place both wonderful and strange.”
― Dale Cooper

Promote your latest thing… Go ahead, throw us a link.

I self-released fils and douzaine over the last few months. They’re available on Bandcamp, on my YouTube channel as well as on a few streaming sites. I also recorded a live session featuring tracks from douzaine which can be watched on my YouTube channel! 

I’m currently working on a new album which, I hope, should be out next year. https://couleurves.bandcamp.com/

I’ll be posting a few behind-the-scenes on Instagram until then! https://www.instagram.com/couleurves


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw us a comment below…
]


Matthew S – Matteo Scapin

1. Favourite knob/fader/switch on a piece of gear and why?

I love the Cutoff knob on my prophet Rev 2. Thanks to it, I can modulate the sound in a thousand ways.
Aesthetically the monopole is not beautiful, but I have a lot of fun to use it!

Sequential Prophet Rev 2

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Roland MC707

My kit is satisfactory, but I like to change musical instrumentation often. I would love to try as many musical instruments as possible! Collaborating with different brands I have the good fortune to try many different instruments, which I have used a lot, for many of my musical projects.

Arturial MicroFreak

3. What setup do you bring on holiday/tour/commute etc.?

My travel kit consists of Keystep pro + Ableton + Zoom H6.
When I’m on tour or on vacation I avoid carrying too many tools! I like to be as comfortable as possible!

Arturia Keystep Pro

4. What software do you wish was hardware and vice versa?

I always wanted a version of Max by Cycling ’74 in a hardware format, that would be pretty cool. I wouldn’t know what to turn into software, I prefer hardware!

Abletob Push 2 and studio desk

5. Is there anything you regret selling… or regret buying?

Hmmm, I have no regrets.
Maybe, thinking about it, I’m missing my Deepind12 by Behringer a little bit. I used it very little, maybe I underestimated the sound of this synthesizer, it had very interesting sounds for my productions!

6. What gear has inspired you to produce the most music?

In this period I used a lot the prophet rev2. In every one of my productions there is the sound of this synthesizer. I love the sound depth of it. I love it!
This synthesizer together with my pedals creates sound textures that no VST can create! I use VSTs a lot, but the analog heat is unmatched!

Earthquaker Avalanche Run and fx pedals buddies

7. If you had to start over, what would you get first?

Maybe I would have liked to have started with Analog Rytm by Elektron.
A lot of my producer friends recommended this drum machine.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Surely the ZOIA by empress, I love to use this instrument, I often use this pedal/ Synth for my productions. Unfortunately it is very difficult to create presets for my projects!… But I love it.

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

I use the prophet rev2 with the particle by red panda and the FABRIKAT by Pladask elektrisk to create the audio textures for my projects. This is a great kit to create infinite audio landscapes! Every time I use these tools pre satisfied with the final result!


Artist or Band name?

Matthew S

Genre?

Electronica/Ambient

Selfie?

Matthew S

Where are you from?

Italy

How did you get into music?

I started learning to play guitar in my city’s school when I was 13 years old. from there was born my passion for music. Fortunately now is my job!

What still drives you to make music?

I always have a strong need inside to continue to create and communicate through music, my best communication channel is music! I think it’s my addiction now!

How do you most often start a new track?

Usually to start a song I create improvisations with my synthesizer and sampling sounds with Ableton

Matthew S at the MC707

How do you know when a track is finished?

To create a song I take a long time, when I believe that there are no other changes or additions to do I consider it over and ready for the mix and master!

Show us your current studio

Matthew S Studio

Best creative advice that you’ve ever heard?

“Set a goal and don’t give up until you reach it. The professionals do not give up in front of the first obstacle and already think 3 moves in advance. While your teammates are still discussing the reasons for the band’s dissolution, you must already be progressing on your next project: tempus fugit!”

Promote your latest thing… Go ahead, throw us a link.

My Spotify:

https://open.spotify.com/artist/57ZTe0YAuhG04dtH42nM1Y?si=c98CgImcRWSyC3XgIBJ7oA

or my website:

https://matthewess.com/


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]