Kumie – Battery Powered Fun

1.  Favourite knob/fader/switch on a piece of gear and why?
Currently, I love the buttons on the Elektron Digitakt. I’m not a gamer, but in the past couple years, I have gotten super into mechanical keyboards. The Digitakt’s keys have that same feel.They have such a satisfying click and light up quite nicely. They aren’t velocity sensitive, but I actually don’t miss that feature on the device.

Elektron Digitakt
Elektron Digitakt

2.  Do you have an _‘almost’_ perfect bit of kit? What would you change?
The OP-Z is sooooooo close to being perfect for me. It’s tiny, portable, the synth engines are solid, it samples, the step components and performance effects are a blast, and the encoders are a close second for favorite knob/fader/switch. But, the sampling could be better. In a perfect world, it would have a little more memory to store samples in a bank the way the Digitakt does. Then using the OP-Z app, I could access and load them for a given project. I’d also make some tweaks to how it sends MIDI because right now lots of crazy things happen when I try to control other hardware.

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Teenage Engineering OPZ

3.  What setup do you bring on holiday/tour/commute etc.?
The OP-Z is with me, always. Though, I did just get a Roland MC-101, so I may start carrying that around too.

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Roland MC-101 and Teenage Engineering OPZ

4.  What software do you wish was hardware and vice versa?
I wish there was something a little more Ableton-like in the hardware world in the $500 range. Looping pedals are nice and in the moment, but not good (in my mind) for planning and arranging finished songs. And, most other samplers I have seen are a little half baked in the loop/slice/time stretch department.

5.  Is there anything you regret selling… or regret buying?
I am a gear hoarder. I hate selling things. I just put them in cold storage until something inspires me to use them again. For example, I got a Yamaha QY70 the summer of 1997. I used it for a couple years, then got really into Reason and Logic and never touched it. About a year ago, I was inspired by someone else’s Instagram post to pull the QY70 out and use it to sequence other gear. Turns out, it is the perfect companion to the Volca line.

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Yamaha QY70 and Korg Volca Drum

BUT, there is one device that I bought and hated so much that I returned a day later: The Boss DR-202 Dr. Groove. I got it around the time it was released. I had this fantasy that it would be my core groove production tool. It wasn’t. Sounds were meh, sequencer was meh, even the buttons were pretty meh.

6.  What gear has inspired you to produce the most music?
I spent about 7 years barely making music even though I had Ableton Live and Reason just sitting loaded on my computer waiting to be used. I just could not get excited about sitting down with a mouse and staring at a screen for fun after staring at one for work all day. Then, the OP-Z came out and thought that maybe it was time to give hardware a try again, which led me to all sorts of other battery-powered music-making devices. It’s exciting to be able to just turn a device on and start instantly making beats and sequences. 

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OPZ with iPad app and Volca Drum

7.  If you had to start over, what would you get first?
Even though bang for your buck answer would be an iPad (so many good music apps), I’d start with hardware. Since I love grooveboxes so much, that would be my starting point. Maybe one of the recent Electribes or a Novation Circuit. Or, of course, an OP-Z.

8.  What’s the most annoying piece of gear you have, that you just can’t live without?
Ableton Live. It is really hard for me to stay focused on a piece of software, but it is just so essential for finishing tracks.

9.  Most surprising tip/trick/technique that you’ve discovered about a bit of kit?
It wasn’t really a surprise, but the most welcome technique I have found in recent hardware (like the Digitakt, OP-Z, and Volca Drum) is parameter locking. It opens so many creative possibilities.


Artist or Band name?
Kumie

Me.jpg
Scott Kumis

Genre?
Soundtracks for sci-fi stories that don’t exist

Where are you from?
Currently, Northern Virginia

How did you get into music?
I started taking drum and percussion lessons in the 5th grade and kept going from there.

What still drives you to make music?
It’s an itch that just needs to be scratched. One of the only places in my life where I can fully focus on something for hours without the urge to check my phone or surf the web.

How do you most often start a new track?
Drums are my original instrument. So things almost always start with a beat.

How do you know when a track is finished?
I’ll let you know when I figure that out.

Show us your current studio
It’s a bit of a mess now as it doubles as my office for telework and also a closet.

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Scott Kumis’ studio

Best creative advice that you’ve ever heard?
Make as much art as you can, no matter how bad. The more you create without holding back, the better you get over time.

Promote your latest thing… Go ahead, throw us a link.
You can fine me in a few places here: https://kumiemusic.com/kumie-links/

[Editor: Hey, anyone else got a good battery powered setup? Using PowerBanks? SolarPanels? HamsterWheel Generator? Leave a comment]


Dr. Sauce – Rollin’ in Roland

1. Favourite knob/fader/switch on a piece of gear and why?

Moog Minitaur Frequency Cutoff

Moog’s Minitaur holds a big spot in my heart, this analog bass synth is the perfect size, vintage looking giving them a classy look and smooth travel; not to mention a phenomenal FILTER CUTOFF KNOB, with freaks ranging from 20Hz to 20KHz allowing me to reach deep down underground and talk to HERMES.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

With all these fantastic magic boxes out for purchase it’s difficult to come to a point of satisfaction. I go weak in the knees for gear, specially gear that is portable and gear that allows me to play without the need of a DAW. I’d agree that my synth collection is ‘almost’ perfect, the couple of things I’m lacking is a polyphonic keyboard synth to lay down proper pads and keys.

Arturia DrumBrute and MicroFreak

3. What setup do you bring on holiday/tour/commute etc.?

The portable synth that I take with me on Holidays/Tours/ & Commutes is non other than Teenage Engineerings OP-Z. The OP-Z is a powerhouse, this synth allows me to arrange and create complex tracks within five minutes time. The foot print is of minimum real estate, generously leaving space for other gear and nonsense in my backpack.

4. What software do you wish was hardware and vice versa?

I’m a DAWLESS Artist, all my gear is physical, no need for software.

Korg Electribe and Volcas

5. Is there anything you regret selling… or regret buying

I’m not one to sell my gear, but I have some regret of not buying a Subsequent 37, the DFAM and Mother-32

6. What gear has inspired you to produce the most music?

The gear which inspired me to produce the most music has been the Roland’s MC-707, SH-01a, and TR-09.

7. If you had to start over, what would you get first?

Roland’s TR8s, MC-707 and Korg’s Monologue DX

Roland Grooveboxes

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Roland TR-9

My most annoying piece of gear is Roland’s Boutique TR-09, this has ben the most challenging piece of gear to learn and operate, the manner in which the synth is programmed to delete patterns in step mode is a pain in the ass, not to mention laying down the steps for the track write mode is alien when you try and learn to use this part of the synth. Even though it gives me headaches when I don’t play it for a while and forget the procedure to delete patterns and tracks, I just can’t live without it, this machine holds the classic clap and hats sounds of house and techno.

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Teenage Engineerings OPZ along with the Pocket Operators have a sort of subtractive synthesis when applying effects to patterns, I really like this, stimulates creativity, but it can be a double edge sword, once you move on its nearly impossible to reproduce the same sounds.


Artist or Band name?

DR.SAUCE

Genre?

Techno, Deep House and House Music

Dr. Sauce

Where are you from?

Currently I reside in San Diego, California – Born in Delicias, Chihuahua, Mexico.

How did you get into music?

In 2004 depression preceded by a night out to a famous night club in Ciudad Juarez, Mexico called La Serata, Dj Carlos Elizondo laid down a phenomenal set that pulled me out of the depression instantaneously; that night the Dj and his underground electronic music saved my life. Days following that night I purchased a pair of Pioneer 200 CDj’s and a Djm 400mixer, this was the start to my Dj career. [Editor: the healing power of music is the closest to real-life magic]

What still drives you to make music?

Currently I’m finishing up a medical degree, soon to graduate this June I’ll become a full fledged Doctor of Naturopathic Medicine; Balance is why I make music, it allows for me to engage the artistic side of my brain allowing for a break and disconnect from the more analytical/logical side.

How do you most often start a new track?

Four to the Floor

How do you know when a track is finished?

Around minute six after the second drop past the last break, all layers removed allowing for a kick solo without the bass.

Show us your current studio

1222_Records Studio

Best creative advice that you’ve ever heard?

Limitations lead to enhanced creativity

Promote your latest thing… Go ahead, throw us a link.

Follow me on IG @1222_records for updates

[Editor: Anyone else experience the healing power of music? Leave a comment]