Hors Sujet – MusicMaker & FXbuilder

1. Favourite knob/fader/switch on a piece of gear and why?

Definitely the frequency knob on the Randy’s Revenge from Fairfield circuitry. The pedal has a ton of amazing different sounds, I feel like they chose so perfectly the right potentiometer value to cover such a wide-range amount of sounds for the ring modulator and for the tremolo. Plus, having a big knob makes it even more enjoyable to use, and for once the pointy knob also adds to the feeling of super-precise setting. I’m not that much a pointy-knob guy (just because of its look), but Fairfield circuitry nailed it on all of their pedals : their potentiometers truly have a super precise feeling when changing the settings, even by doing super small adjustments.

Fairfield Circuitry Randy

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I’m really happy about the guitar pedalboard that I’ve build. I like going through years with different tastes, buying and selling gear to find the ones that fit the best for what I like to do. My project went from guitar only to guitar + reel-to-reel machines + tape players + circuit bent toys + keyboards, so I also had to adjust my guitar rig to go along. I can sample a lot, play with modulation pedals, I have different textures of fuzz/overdrive, two pedals that can sustain notes and creates drones…. everything fits into the custom wooden flight case that I’ve build years ago in my tiny student room (musician’s neighbors always suffer I have to say!), it’s somehow a bit crooked and it wears some traces of the past, but I can’t stop trying to improve it ! And if I had something to add it would definitely be more stutter/glitch/looping pedals (I admit I’m lurking on the Stammen[n] from Drolo for a long time now, as much as the Bloopers from Chase Bliss Audio).

Neat treat of a pedalboard

3. What setup do you bring on holiday/tour/commute etc.?

When I play live, I usually bring everything. That means guitars, amps, pedalboards, tape players, synths, drums sometimes, tape/toys/keys and its dedicated pedalboard. And just by reading my answer again I understand why I don’t play that much live! And for holidays, I like to bring a small Zoom sound recorder, and a walkman to capture low fidelity sounds of friends and nature. It’s a bit heavy and it some precious space, but I do the same with photography (I always bring twin-lens reflex during holidays).

Danelectro BackTalk reverse delay

4. What software do you wish was hardware and vice versa?

I don’t have anything digital, I don’t work with plugins & vsts. I record on a multi-tracks DAW of course, but everything has to start as a live composition that I could be able to play solo live, so I try to get rid of the computer as much as possible when it comes to music composition.

5. Is there anything you regret selling… or regret buying?

I regret selling the Danelectro backtalk reverse delay years ago (the old version one), I needed money back then but I’d love to have it back now, even if the pedal is super big, and if the effect can be found on other gear… I really liked its silly look.

6. What gear has inspired you to produce the most music?

Multiple ones of course, but the main one that help me to find a new way of composing was the Tascam 414 (a 4-track tape player) when it came to entering into tape loops. I mainly use it to support now the guitar and other instrument, but when I started with it I couldn’t stop making tape loops of anything around me. I still do, but now that I have find a better use of the instrument, I can still notice how everything often starts from it.

Tascam Portastudio

And tiny mention for the ehx freeze pedal for drones. Amazingly, having one drone and multiples pedals plug right after it open so many possibilities. I love how one sustained note can be developped for hours.

Ehx Freeze

7. If you had to start over, what would you get first?

Learning violin or piano. I’ve decided to add piano in my compositions just couple of months ago (I bought one last year), and the possibilities that are in front of me amazes me everytime. I also bought a violin years ago, and only use it (as the piano) to experiment stuff since I’m learning how to play with them. But I can’t stop having an accoustic set in mind with prepared instruments. A kit consisting of a piano, violin, loopers and tape machines would be something I’d love to start over with.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Probably the whammy 4. But just because it’s too big, it take the size of 2 pedals, and I don’t use it that much except for having an octave below and for down-tuning (sounds amazingly powerful when coupled with a fuzz). I’ve opened it once to see how the pedal was working, and immediately got surprised by the expression pedal’s system. I won’t spoil it (if you have a whammy 4, do it if you’re experienced with opening stuff… I don’t wanna be responsible if you break something!) but this tiny detail also changed my decision to sell it for a smaller version, just because I loved what I saw. And also, every time when I was posting a picture of my pedalboard on a forum or social media, I instantly got that question : “Why do you put your whammy so high? Isn’t that hard to reach it?”. At a point that it started to be my own meme, and some people that followed me were openly asking it again, and again, and again as a joke. The unreachable whammy guy.

Digitech Whammy

9. Most surprising tip/trick/technique that you’ve discovered about a bit of gear?

Nothing too fancy, but recently the unsynchronized loops on the Ditto X4 got me super excited, because I love looping a small phrase on two separated tracks at the same time and stopping the recording with a super slight delay. That way, the two samples will slightly drift from each other and create a whole new rhythm. I’ve always loved doing that with tapes, but trying it as well on a pedal was something new, since I didn’t have a multi-tracks looper. I edited and posted a video on my youtube channel called “Asynchronous loops” where I explain how I play with this technique.


Artist or Band name?

Hors Sujet

Genre?

Instrumental ambient/drone

Selfie?

That’s the only picture that I don’t take unfortunately.

Hors Sujet

Where are you from?

Toulouse, France.

How did you get into music?

My parents obviously have put me on a good path. My father, grand father and great grandfather were drummers, and as a kid I once saw some picture of my mom & dad playing bass and drums with friends, that got me thinking “What would it feel to be in a musical band”. There are some picture of me behind a drumset at age 1, and my grand-father gave me his drum set when I was around 12. I only had one band in my youth, a grindcore band (I was behind the drums), then I’ve decided to start Hors Sujet around 2005.

What still drives you to make music?

I realize that everytime I wanna compose something, I wanna say something or scream it out loud, but I don’t feel able to do so. Mostly inner questions about love, solitude, injustice, anger and desire. So maybe not finding answers to those questions, but trying to liberate a bit of the energy that drives those questions to understand them more.

How do you most often start a new track?

I usually start with unexpected ideas. Some images, a feeling, an emotion, a trip, a book, a voice, anything that can produce in my brain some changes, some new air to breath. I love that feeling of having ideas out of nowhere, and having a carnival brain that never stops help. Wether it happens when I’m on my bike, in the bathroom, in my bed right before to go to bed, I try to write down everything, or record my voice singing a melody, a story…just not to forget them. I’m not that much of a rehearsal person who practice hours before finding something that I like or that could work. Most of the time when it comes, I’m away from any musical gear. Ideas are a real magical moment for me when it happens, when you stop walking just because something caught your attention inside, and when you’re in a hurry to go back home just to try to put in music what you have been thinking about. That’s usually how I start to compose. After laying down a couple of things that sound like what I had in mind, it can be pretty fast to develop afterward.

How do you know when a track is finished?

Things are obviously different when I record for professional contracts or for myself as Hors Sujet. I try to repeat to myself “Better is the worst enemy of good” most of the time when mixing a track. Because I always want to add an extra arrangement, to record something that will make a difference. As the common saying goes : the only rule is that there are no rules. Wether it can work for you in 4 months or in 4 days, then do what’s good for you.
I’ve worked once on an album for a year and this is something I try to avoid as much as possible. Every time that I start a new release I decide a deadline (so also a deadline for each track as well, to have a small agenda for myself), that way I can choose listening days in advance, so during the recording process I can let a track rest for a couple of days, then listen to it again and make a todo list of things that I have to correct/re-arrange/delete/record again, and I repeat the operation multiples times, until the todo list gets smaller and smaller.

Show us your current studio

Hors Sujet Studio

Best creative advice that you’ve ever heard?

I don’t know if it’s related to creation, but I’ve met a sound engineer and a composer a couple of years ago that I’m now close friends with, who both work in a local recording studio, and shared with me their point of view on the music industry after years of work. Finding the proper “use” of your art. That moment when you decide to make a living out of music can be decisive, specially because all of the conditions which can sometimes result from it (way of life, intermittent work, financial issues, depression…), and they totally helped me to focus on the fact that it’s a job like any other job.

There’s a magical liberty of creating music and building a lifetime artwork, but it requiers hard work, dedication, constant efforts, humility, inspiration and sometimes perfectionism.

Talking about this condition helps a lot, in my case being in a one-man project taught me a lot of things and I’m thankful that I’ve also met great minds to help me go forward on my musical journey.

Promote your latest thing… Go ahead, throw us a link.

My latest album : “Avec la distance”

I post most of my music as Hors Sujet, and the handcrafted effect that I build as TATAKI. So you’ll find my music, my musical video clips, things that I build, demos of circuit-bent gear, and some other videos that I make when I feel like it (road trip, thoughts) here: https://www.youtube.com/user/horssujet21

My bandcamp to support me: https://horssujet.bandcamp.com/

[Editor: Do you have any of the gear in this article? Why not share your favorite trick for it? Leave a comment]


Ian Pritchard – Collector//Emitter

1. Favourite knob/fader/switch on a piece of gear and why?

My favorite control is always the lag or delay time control on a chorus, vibrato, or flanger pedal. I think the Caroline Guitar Co Somersault specifically does it really well, but a lot of pedals have the control now. Changing the delay time makes a huge difference to the tone, and I’m really surprised that pedals only recently started giving this control.

Coraline Somarsault Lo-Fi Modulator

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Maybe this is a non-answer, but I honestly can’t think of one. Sure, all my gear has some flaw or limitation, but rarely is it something that gets in the way of working with it. I usually see those limitations as a way of guiding how I work with it, which usually helps me break out of my routine. For example, Digitone could have an output per track, but see question 9 for how I work around that.

Korg Prologue

3. What setup do you bring on holiday/tour/commute etc.?

I’ve been searching for the right thing for a while. It’s a guitar when I can, but when I’m flying I bring something else. First it was an OP-1, then an OP-Z, and now I think the Model:Cycles is the perfect travel synth for me.

4. What software do you wish was hardware and vice versa?

I really wish the SoundToys plugins, specifically Primal Tap, Echoboy, and Little Plate were available as hardware. Those sound incredible, and I’d love to have them on my pedalboard (I’m aware these are modeled on hardwarem but I love their dsp, but I’d love a Prime Time 93).

There are tons of pedals I wish were software, but only if they 100% nailed the sound. For example, the Fairfield Circuitry Shallow Water is an amazing lofi vibrato that saturates in the perfect way, so having that to easily put on mix busses would be incredible.

Fairfield Circuitry Shallow Water

5. Is there anything you regret selling… or regret buying?

I’m a bit of a hoarder, especially when it comes to gear, so I find it hard to sell something unless I really don’t need it. There are a few pedals I’ve sold and miss, but usually I have some pedal that can do something similar. My biggest “regret” would be selling my Sub 37 which I loved. I only sold it because I had no space for it, but I miss it a lot and can’t recreate some of those thick, distorted duophonic sounds.

[Editor: I just sold my Sub37 for the same reason. No space. I miss the sounds, but I also feel strangely free]

Moog Sub37

6. What gear has inspired you to produce the most music?

I’ve recently discovered that what inspires me the most is actually minimal setups. I’ll usually pair one or two pedals with one synth and see what happens. That gets me out of my head thinking about perfect separation of each track or things like that, so I can jump into working on whatever ideas come to me.

Keeley Eccos

7. If you had to start over, what would you get first?

A nice guitar. I’ve played cheap guitars for so long, so when I finally got a nice one (a Bilt Relevator LS) I was blown away. From there, I’d probably get a few pedals (probably Red Panda Tensor and Smallsound/Bigsound Mini), obviously some kind of amp, and an affordable groovebox like a Circuit or Model:Cycles

Bilt Relevator LS

8. What’s the most annoying piece of gear you have, that you just can’t live without?

The old Line 6 DL4 is the best looper I’ve ever used, but they’re also notorious for randomly breaking for no reason. And they don’t use the standard pedal power supply. But I truly love it.

Line6 DL4 and buddies

9. Most surprising tip/trick/technique that you’ve discovered about a bit of gear?

Not sure if this is really surprising, but I’ve recently started doing it – on any groovebox that lets you pan the tracks, you can pan the rhythmic tracks to one output and the melodic tracks to another, and run the melodic output through any effects that you don’t want messing up the rhythm. This helps me record videos with my Digitone or Model:Cycles into a pedal, live in one take with just a two-track interface.

Elektron Cycles into Hypersleep pedal

Artist or Band name?

Collector//Emitter on youtube for all my pedal demos and synth videos, and Collector for my music releases.

Genre?

Kinda all over the place… ambient, glitchy, electronic and/or guitar-based

Selfie?

Ian Pritchard aka. Collector//Emitter

Where are you from?

Originally from Philadelphia, now based in Brooklyn.

How did you get into music?

When I was a kid I loved listening to music, so I wanted to play it. Then I wanted to learn how to record, so I did that and played in bands for a while. Now I am enjoying music as a creative outlet on my own time, with no real motives beyond making music.

What still drives you to make music?

Making youtube videos keeps the muscle memory there for when I want to be creative. Working full-time in a music-related field and then wanting to make music in my free time can be tough, but having an objective and deadline helps keep me going.

How do you most often start a new track?

Maybe once a week, it depends on the week. I usually focus my creative drive on making videos, so weeks when I have extra drive or inspiration I might start 3 or 4 tracks.

How do you know when a track is finished?

I’m really bad about that… I usually struggle with completing things. I guess when I can listen through multiple times and enjoy it, it’s done.

Show us your current studio

Studio with light leak

(This is unfortunately the best picture I have, and I can’t take one at the moment because I left Brooklyn to stay with my parents while NY is still bad with covid)

Best creative advice that you’ve ever heard?

“[The recording] was really noisy. I kind of liked it. That was the way it had to be. Then you stop worrying whether you should have made this decision or that about how things sounded, and just get down to the business of making songs” – Elliott Smith, Tape Op Winter 1997

Promote your latest thing… Go ahead, throw us a link.

My latest release will always be a pedal demo on youtube, since I post them once (or twice) weekly – https://youtube.com/c/collectoremitter

But my latest music release was an ambient thing with the Elektron Model:Cycles and Red Panda Particle V2 – https://distrokid.com/hyperfollow/collector1/particles

[Editor: I recently borrowed a Red Panda Particle v2. And it’s friggin’ spamtatstic. Do you have any tips, tricks or fun techniques with it? Leave a comment]