Gard Osen – Tilde Elektriske

1. Favourite knob/fader/switch on a piece of gear and why? 

The Davies 1600 on my spring reverb drive/recovery box. It’s a clone of the large knobs used on the old buchla modules. Great size and grip. 

A sweet Davies 1600 perfect for a spring reverb

2. Do you have an ‘almost’ perfect bit of kit? What would you change? 

My Les Paul is my favorite instrument. It’s got a 50’s style round neck, which is just the best thing I ever played. It’s hard to keep in tune and makes weird ground noises sometimes, but I have no plans to change anything on it except the knobs which I switch out at least once a month.

Gibson Les Paul

3. What setup do you bring on holiday/tour/commute etc.?

This summer holiday I brought a mic, mixer, reverb, looper and a recorder. I’m staying at my parents house for a few weeks and there are a lot of instruments here, so I only brought “utilities”. 

TC Ditto X4 and an Shure SM57

4. What software do you wish was hardware and vice versa? 

I have a lot of digital recreations of classic compressors that would be great to have in real life. Of course they are all crazy expensive so that’s never gonna happen, but generally I wish I had more hardware compressors, both pedals and rack gear.

A crappy speaker

For software I would love a “crappy speaker” simulator type thing. Like a combination of eq, distortion, compression, noise and whatever else. Maybe with an overdrive or a “slash the speaker with a knife” option. 

5. Is there anything you regret selling… or regret buying? 

I think both apply for my Lyra 8. I don’t really regret buying it, it’s great and sounds amazing, but I never found a way to use it in any of my setups. I was convinced it would be perfect for me, but I never really became friends with it. It’s been with me for a year now and I think it’s time to let it go soon, but I know I’ll regret selling it. Buying the wrong gear isn’t necessarily a bad thing, you’ll learn about what fits you and what doesn’t. 

Lyra-8

6. What gear has inspired you to produce the most music? 

Loopers. Ditto x4 is my main one at the moment. 

TC Electronics Ditto X4

7. If you had to start over, what would you get first? 

Guitar, amp and a DD-7, just like the first time around! 

Boss DD7

8. What’s the most annoying piece of gear you have, that you just can’t live without

The entry level Acer I’ve been mixing on for the last 8 years. The amount of hardware errors and lack of processing power justified switching it out maybe 5 years ago, but I’ve made it a challenge for myself to keep old computers alive. I can spend money on more creative equipment and as long as it does not slow me down too much and I’m still outputting a fair amount of music, I’ll use whatever switches on. That said, I plan to build a proper production computer this fall. 

Acer PC

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit? 

Relating to the previous question, mixing with very little resources teaches you a lot of tricks. E.g mixing vocals and music for one song in different project files. I do a hip hop project on the side with my friends and it’s just not possible on my crappy computer to mix all the tracks of a hip hop song in one project. What I do is mix in parallel in two different project files, so I do the beat in one project and the vocals in another. Once I have a rough mix of the vocals I export that as one track into the beat project, then do adjustments to the beat, export just the beat and put it in the vocal project, then do adjustments to vocals based on the new beat. And I go back and forth like that several times. 

Bonus: I just discovered a new stereo spread mode on my DD-7 after having owned it for maybe 15 years. 


Artist or Band name? 

Gard Osen 

Genre? 

Experimental and Ambient 

Selfie? 

Gard Osen

Where are you from? 

Bergen, Norway 

How did you get into music? 

Started with guitar when I was 13, playing rock. 

What still drives you to make music? 

The reasons to make stuff change all the time but I still get the same feelings now when I’m making something new as when I first started writing songs. 

How do you most often start a new track? 

Practically, it’s different every time. Sometimes it’s inspiration and sometimes it’s necessity. 

If a sound is inspiring, I start from that. If something just needs to be made, I usually come at it from a mixing perspective, probably starting with drums. 

How do you know when a track is finished? 

Depends on the project. I’m usually happy when there is no element in the mix that can distract you or take you out of the experience, and there is a distinct sound and atmosphere. 

If I do deep and long mixing processes it’s mostly for the learning experience, but that’s a luxury I rarely afford myself. 

Show us your current studio 

My 30m2 apartment functions as both workshop and recording studio. A lot of stuff gets packed up and down from storage boxes on a daily basis, so I don’t have a permanent setup. This is my current writing/playing stand: 

Gerd Olsens Studio

Best creative advice that you’ve ever heard? 

Something that television creator Dan Harmon said in an interview really resonated with me. 

It’s about writing for television but it can definitely apply for music as well. He talks about how one source of procrastination can be that you have too high expectations of yourself and on which level you should be able to produce. Working a lot with music but creating very little output was definitely a problem for me for a long time and I think he hits on some great points that I have thought about a lot. 

Listen to it here: https://youtu.be/u6DDCA0GwU4?t=292 

Promote your latest thing… Go ahead, throw us a link. 

Besides making music I also make music equipment under the name Tilde Elektriske Kretser. I’ve made a lot of guitar pedals, but the latest thing is the Fjærlett – an audio feedback instrument using reverb springs. Check it out here: 

https://tilde-elektriske.com/fjaerlett


Project Null – Noise and Dropouts

1. Favourite knob/fader/switch on a piece of gear and why?

The speed selector of the Uher 4000 Report-L. You have to push it down and drag it like a gear lever, so satisfying.

Uher 4000 Report-L

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

The Tascam Portastudio 424. It’s a 4 track tape recorder, you can adjust the pitch by more or less 4 semitones, you can switch the speed from « high » to « normal » and to « slow », that’s pretty unsusual for a tape recorder, it distorts well when you record a hot signal, it has a good and effective EQ, panning for each track. Only regret is that there is no xlr input and no phantom power to use condenser mics with it – but this is not really a problem, I use a portable phantom power supply -.

Tascam 424

3. What setup do you bring on holiday/tour/commute etc.?

For sure my Volca FM, a tape recorder or a dictaphone, my shortwave radio and a Zoom MS70. (However, when I’m on holidays (which is rare), I don’t do music that much (if I do, its generally field recording))

Volca FM, tape recorder, shortwave radio and Zoom MS70

4. What software do you wish was hardware and vice versa?

I don’t use that much my computer when I produce music. Of course, I edit/mix my tracks with it, especially when tape recorders are too noisy using a denoiser or to compress a little bit using Klanghelm’s MJUC, or to arrange the stems. However I tend to say that iZotope’s Iris 2 would be great in hardware.

5. Is there anything you regret selling… or regret buying?

Not really a regret because it’s objectively a great synth, but the MS20 (mini) doesn’t really suits me. It’s the first synth I bought when I started – because it looked cool with the patch panel, I felt like a mad scientist or some shit – but I rarely managed to use it in my music, even though some patches are unique and amazing. Sold it 1 week ago because I’m low on money.

Korg MS20 mini

6. What gear has inspired you to produce the most music?

The Minilogue has definitely inspired me a lot, especially the mono voice mode – highly underrated imo -. You can bring a sub oscillator, detune you 2 vco a fourth, a fifth or just a little bit, affect your lfo to the pitch or the shape – to get some shifting in the sound – at a really slow rate and you get a massive sound on the lower notes. Also, the sweet spot on the Q of the filter is really nice. The built-in delay is incredible too, noisy as hell and dirty, absolutely perfect.

Korg Minilogue

7. If you had to start over, what would you get first?

I would get the Yamaha VSS-200. The sampling section is insane on this one, I use it a lot in my music production. I sample basically anything and everything, from other synths to acoustic instruments such as flute, guitar, even my voice, and it sounds so gritty, lovely. I made this demo on my YouTube channel, to show how it sounds like: https://youtu.be/vxlvFDanYbo

Yamaha VSS200

8. What’s the most annoying piece of gear you have, that you just can’t live without?

The Casio CZ-101. I love this synth, great evolutives sounds and has a warm character for a digital one, but it erase all the presets you’ve done if you don’t use it for two days. It uses those big expensive batteries (type D I believe), and I didn’t figured out yet how to mod it so it can use standard AA’s batteries. It’s a pain to program too, especially the enveloppes, so I use my iPad and Patch Base to edit my presets and manage them.

Casio CZ101

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

The generation loss technique. It’s mostly known for vhs, but it works with regular cassette tapes as well. When you record something into a tape, and sample it back into another tape, you experience the generation loss. And each generation sounds « worse » than the previous one, with more artifacts. I use it a lot with my two vcrs, but sometimes I also use two walkmans and bounce my stem from one to another. Experienced it on this little snippet on my Instagram : https://www.instagram.com/p/CBLj1X9o4De/

(you can hear the dropouts and the subtle wow and flutter as soon as I engage the vcr)

VCRs

Artist or Band name?

PROJECT NULL

Genre?

Electronic

Where are you from?

Draveil, France

How did you get into music?

When I was 17 years old, I watched on YouTube a drum solo by Joey Jordison, drummer of Slipknot, I was impressed and I wanted to play drums.

What still drives you to make music?

Making stuff that I would like to listen to, I mean, I put a lot of pressure on myself, I don’t want to share anything if I am not ok with it.

How do you most often start a new track?

I start by finding a chord progression or a melody. Then, I work the sound on a synth, depending on the type of sound I’m looking for I’m gonna use a different synthesizer or a different effect chain. Finally, I record it into my tape recorders, reel to reel or vhs, and if I want to give it some mood I resample it again and again, degrading it until I like the result. Then, I add other stems, like some noises, samples from my own stuff, some radio interferences, field recordings… Recently, I even tried to add subtle rhythm (recording real drums/various percussions mixed with electronic sounds) but I’m not really satisfied by the result.

How do you know when a track is finished?

Honestly, I don’t know, I am never satisfied by how my track ends.

Show us your current studio

Project Null Studio
Project Null Studio
Project Null Studio
Project Null Studio

Sorry for the bad light, its a very tiny room (less than 7 sqm) without any window, so no natural light. Lots of mess too, especially on the last photo, and the « light spots » I use for my videos are two Ikea’s light with tissue to avoid too much reflection (hmm I should buy proper lights at some point)

Best creative advice that you’ve ever heard?

Less is more. I often want to add too much but I realised that, sometimes, when I « clean » my Ableton session by removing stems, it sounds much better.

Promote your latest thing… Go ahead, throw us a link.

I released my first album on march, you can listen to it on every streaming platform you use – I put a Spotify link here but it is on every streaming services -.

https://open.spotify.com/artist/2c52lcjvCs1T7mKbXA2fFS


Chris Petra – Ambient via metal & hiphop

1. Favourite knob/fader/switch on a piece of gear and why?

Lyra 8

As of recently, the pitch knobs on the Lyra-8. They make the unit sound like it’s gearing up to combust, and they add such chaotic energy to whatever I’m working on. They’re also kind of destructive by nature since they’re nearly impossible to get back to the correct starting pitch without stopping what you’re doing and re-tuning. I both live in fear of and respect the pitch knobs on the Lyra-8.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I would say the Multivox Multi Echo MX-201 is about as close to perfect as any of my gear comes. It sounds fantastic, and the whole unit is so aesthetically pleasing to look at. If I could change anything about it, I would probably make it a bit smaller and lighter, as it dominates my workspace when I have it out (which is almost always). 

Multivox Multi Echo MX-201

3. What setup do you bring on holiday/tour/commute etc.?

OP-1, Koma Elektronik Field Kit FX, and a Zoom H4N are my go-to for when I’m away from my studio space. It’s a bit limiting, but like so many others, I really enjoy narrowing down my options sometimes. I’m also kind of obsessed with battery-powered gear, despite rarely being in a situation where I don’t have access to an outlet. 

OP-1, Koma Elektronik Field Kit FX, and a Zoom H4N

4. What software do you wish was hardware and vice versa?

I really wish that Native Instrument’s Maschine was a stand-alone unit. I love the software, but lately, I’ve been spending a lot less time in front of the computer so I find myself using it less and less. I don’t know if NI would ever consider doing it since I imagine the production cost would skyrocket, but it would really be a dream come true for me.

Native Instrument’s Maschine

It would be pretty cool if there was software capable of emulating a tape loop accurately. There’s a lot of great tape emulators out there, but I’ve never come across anything that really captures the sound of a tape loop specifically.

5. Is there anything you regret selling… or regret buying?

I just sold my SP-404 a few weeks ago, and I’m already kind of wishing I hadn’t. I have to keep reminding myself that I love the idea of the SP-404, but in reality, I rarely found myself reaching for it.

Tascam PortaOne

I bought a broken Tascam PortaOne last year, and I totally regret it. To this day, I still have not figured out why it’s not working properly. I overpaid for it since at the time I was confident that all it needed was a belt change and some re-soldering, but I’m totally in over my head. 

6. What gear has inspired you to produce the most music?

I would say I’ve put more miles on my Korg Minilogue than any other single piece of gear in my setup. Among many other things, I really love its onboard sequencer. It allows me to work fast and sketch out ideas without menu diving and getting too caught up in the technical stuff. The Minilogue as a whole is just so intuitive and intelligently designed, especially for its price point. 

Korg Minilogue

7. If you had to start over, what would you get first?

I started out with a Tascam Porta02 and a Casiotone MT-540 and looking back, I don’t think I’d do it any differently. Having such a minimalist setup really forced me to get creative to find the sound I was looking for. Starting out with an OP-1 would have been pretty cool, though that would be quite the investment for my very first piece of gear.

Tascam Porta02

8. What’s the most annoying piece of gear you have, that you just can’t live without?

I have an old reel to reel that I inherited from my grandfather that drives me a bit mad at times. Processing sounds through it really adds some beautiful warmth and flutter, but it’s pretty clear that it wasn’t designed for recording music. The master volume knob doubles as an input gain knob, and it doesn’t have a meter to monitor the input level. It takes me an unreasonably long time to get my levels correct when I use it, but the end result is always worth the frustration. 

Reel to reel

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

When recording tape loops, I like to leave the front-facing half of the cassette off altogether. This allows me to physically mess around with the tape a bit, adding some really interesting artifacts and pitch fluctuations to the recording. 

Cassette tape loop on a Tascam 424

Artist or Band name?

Chris Petra

Genre?

Ambient / Experimental 

Selfie?

Chris Petra

Where are you from?

Long Island, New York

How did you get into music?

I started out playing tenor saxophone for the jazz band in grade school, then at around 13 years old I got my first electric guitar. I went on to play guitar for a Death Metal band in my late teens, then spent a number of years producing hip-hop.

What still drives you to make music?

The act of creating music has become very therapeutic for me. It’s also given me a sense of purpose that I’m not sure I would have found elsewhere. 

How do you most often start a new track?

I usually start out by working out a melody on whatever instrument I’m drawn to at the moment (most often my OP-1). I also keep a dictaphone in my car that I find myself humming ideas into from time to time. 

How do you know when a track is finished?

This might be what I struggle with the most. I’m currently working on an EP that is taking me an exceedingly long time to wrap up because I always find something I feel I need to adjust. 

Show us your current studio

Chris Petra Studio space

Best creative advice that you’ve ever heard?

Take any and every musical opportunity you can, no matter how big or small. 

Promote your latest thing… Go ahead, throw us a link.

I’m currently working on a record, but in the meantime, I have two tape loop sample packs for free download on my Bandcamp. I also update my Instagram with little tape jams pretty regularly if you’re into that sorta thing!

https://chrispetra.bandcamp.com/music

https://www.instagram.com/chrispetra/?hl=en