Oriol Domingo – El Garatge

[Editor: This is interview nr. 100! Yay!!! And to celebrate, we’re doing a GIVEAWAY! Oriol has kindly donated an El Garatge expression knob to one lucky price winner. Check out how to enter on my Instagram]

1. Favourite knob or fader or switch on a piece of gear and why?

Moog Sub 37 chicken head knob

My Moog Sub 37 has a very good over all build quality. I like that despite being quite big, the filter knob moves really smooth, but what I like even more, is the pattern type and octave selectors, even the click sound is very pleasing!.

2. Do you have an ‘almost’ perfect bit of kit? What would you change? 

Access Virus Indigo 2

I really like my old Access Virus Indigo 2. Sounds really powerful and offers a lot of sonic possibilities, but due to the metal sides it’s insanely heavy and the keybed feels really cheap for me. I already have a bigger midi controller connected to it, but I like to use the built-in keyboards, especially when I’m just creating new sounds.

3. What setup do you bring on holiday or tour or commute etc.?

Teenage Engineering OP-1

Most of the time, just the Teenage Engineering OP-1. It’s perfect to practice with limitations. It allows me to create full songs without using any other device and I remember discovering some cool melodies that, with another piece of gear, wouldn’t have happened, because of the way it makes me work. Also, I can use the built-in mic, line in or FM radio too, when I want to use a little more elaborated portable setups.

4. What software do you wish was hardware and vice versa?

VST Synthogy Ivory Piano

As a piano player, I really like the VST Synthogy Ivory Piano. Most of the time I do my music without a computer, where the OP-1 is current main device to record with.
It would be really cool to just have that piano sound out of the computer, as most of the time I just want to play and it doesn’t make sense starting up a DAW or even a computer simply to play a sound, when I don’t want to do anything else. In fact, they did release a hardware version, but in addition to being really expensive I think they discontinued it.

5. Is there anything you regret selling… or regret buying?

Yamaha RM1X

Since I first discovered grooveboxes and synths, over time I ended up with a fair amount of devices, but sometimes I was more attracted to the aesthetics or possibilities, than what I really lacked in my studio.
Other times maybe I needed what I purchased, but in the end, the device didn’t fit my preferred way to work. I remember buying (and selling again very soon after) a Yamaha RM1X. It had a really powerful sequencer, but it wasn’t satisfying for me to play with. I also had fun with the Roland MC-303 Groovebox and even though I wouldn’t give it much use nowadays I still miss it sometimes.

6. What gear has inspired you to produce the most music?

Again, the OP-1 alone has given me a good amount of ideas. The workflow and immediacy to record and loop is something really well designed and that works very well in my case, because it really helps me to have visual feedback on what I’m doing.

TE OP-1

7. If you had to start over, what would you get first?

Probably a Korg Minilogue XD. It offers a lot of immediacy and very little menu diving, which is great to design sounds fast. In addition, the sonic possibilities and extra oscillators make it a really good synth to start with. It can easily do everything from drum sounds to bass, leads and pads. I miss a little more of polyphony, but adding a little of the internal reverb or delay effects can help with that.

Korg Minilogue XD

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Despite having some decent synths and quality pedals, I still own, not one, but two Behringer mixers and a Tube Ultra-Q which I have only connected to my Yamaha Reface CP to add some EQ. I have one rack mixer with 8 stereo inputs where I connect all the synths. From that, I connect the main out to the other small mixer. where I add aux effects and additional synths or mics. Both mixers add a considerable amount of noise, especially the small one, depending on levels, but I’m just used to it and I keep using them for now.

Behringer mixers and Tube Ultra-Q

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

Maybe this can’t even be considered a technique, but sometimes I have fun placing piezo microphones between my midi keyboard keys and then amplify and add EQ to the noise while I play. Then I can record piano music with some real noises. I even tried placing the mic on old wood furniture to add some cracking noises while I record, which adds a little more atmosphere in my opinion.

[Editor: That is fantastic lateral thinking technique! I dig it!]

Piezo mic for mechanical noise

Artist or Band name?

I make music as Efímer on YouTube/Spotify. You can find me at youtube.com/efimer where I upload soundpacks and demos of my own devices too.

Genre?

I’d say Ambient/Downtempo, but sometimes I make piano and orchestral music too.

Selfie? 

Oriol Domingo in his studio

Where are you from?

Barcelona, Spain.

How did you get into music?

My grandparent used to take care of another family’s orchard. One day he returned home with one of these little mechanical toy pianos, that the kid of the other family didn’t want. I was 4 years old, but I still can remember what I felt when I played the first notes, I was immediately hooked and I’ve been playing by ear from that age.

The first song I played with that toy piano was MacGyver by the way, haha. When I was 8 my father understood I wasn’t going to stop playing the piano and he bought me a more decent one. From there, I discovered what I really liked was to play by ear and also create my own songs. All the synth stuff and GAS came when I was about 16 when I discovered the Roland MC-303 and Korg Electribes.

What still drives you to make music?

The act of creating something out of nothing, the possibility to create some unique music that could convey feelings to other people makes me happy. Of course it’s complicated to do anything really “new” but even the process of trying to create it can lead to understanding ourselves a little better, by trying to find our own voice. Creating music makes us wonder what do we want.

How do you most often start a new track?

I use two different methods. Sometimes when I’m learning to use a new piece of gear I just want to create some sounds. If during the process a new melody comes to my mind, I try to follow that and see where it goes, and if not, I’ll still have some patches to use another day. The other method I use is just starting with a piano or rhodes sound, which are my favorite, and start improvising while I think about other things.

How do you know when a track is finished?

When even the “worst” part of a track is still acceptable in my opinion. I usually listen to each fragment many times and try to correct the things I still don’t like. Sometimes works well too just listening to it in another moment or another day to realize there are still things to fix. I think it’s good to listen to your own old music too, in order to see if you would make the same decisions again.

Show us your current studio

I don’t have much space so it’s quite fragmented and messy.

Oriol Domingo’s home studio

I love synths with keyboards, so it can be quite uncomfortable sometimes.

The El Garatge home studio keys

Best creative advice that you’ve ever heard?

Embrace limitations. It may seem very common to hear and I think it may not work for everybody. Not just your own creative limitations, but also adding and forcing other kinds of limitations like gear or even time.
Especially when starting new songs, the less options the better for me. It’s easy to get lost in the possibilities when you have a lot of gear, you could be constantly wondering if you chose the right synth or sound to start and which effects add, etc.
If you force yourself to use one synth, sound or even sample, changing is not an option, it’s all you have, so no need to think about that again and you can now start creating.

Promote your latest thing… Go ahead, throw us a link.

In the last weeks I’ve been developing this piggyback LFO knob with extra features for pedals with expression inputs, which will be finished soon I hope!:

https://elgaratge.com/echo-knob/


[Editor: It’s been a wild ride doing this music gear blog this past year and the blog isn’t even over 1 year old. Over 30,000 unique visitors have stopped by and had a monthly readership of between 1500 to 4000 readers.

… And I’d just like to thank YOU, my fellow music gear junkie…. But also, of course, the 100 artists who contributed and made this past year a little more tolerable.

Do you have any suggestions for the future of this blog? Then leave a comment below.]


BoBeats – Treats from BobEats

1. Favourite knob or fader or switch on a piece of gear and why?

Since I am a poor keyboard player I really like the Digitakts buttons. Playing on them is for some reason easier to me than playing on regular keys. I guess its because they are just simple on/off buttons. Feels like typing on a keyboard. 

Elektron Digitakt buttons

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I would say that Maschine+ comes very close to perfect. Being in love with the Maschine workflow and now being able to use it without a computer. Its kinda dreamlike. 

Native Instruments Maschine+

3. What setup do you bring on holiday or tour or commute etc.?

It varies a lot. Next summer Maschine+ will 100% come with me to the cabin. Digitakt & Circuit is always nice too. I do like my grooveboxes. 

4. What software do you wish was hardware and vice versa?

Hardware that was software… Maybe a Subharmonicon VST? It is a unique synth and a software version could be pretty epic. Especially if you could play it polyphonically somehow… 

Moog Subharmonicon


Software in hardware form? I wouldn’t mind having an Ableton Push 3 be standalone! That’d be kinda cool having the Ableton Live DAW in hardware form.

[Editor: This too would be my wish]  

Ableton Push 2 (so close)

5. Is there anything you regret selling… or regret buying?

I regret selling my old Yamaha RM1X. 

Yamaha RM1X (photo:wikipedia)

6. What gear has inspired you to produce the most music?

Korg Minilogue. 

Korg Minilogue with custom knobs

7. If you had to start over, what would you get first?

A good audio interface. Something to grow into, with expandability (adat) and decent latency. 

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Octatrack MK2. It is so good, yet at the same time so frustrating at times! 

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

I had a Digitakt beta unit and when I was playing with it I noticed it could make some epic synth sounds. Turning it into a groovebox and not just a drum machine.


Artist or Band name?

Bobeats

Genre?

Mostly electronic stuff, I’ll let others label it.

Selfie?

Nobody beats like BoBeats

Where are you from?

Sweden

How did you get into music?

I watched a friend make music on the Playstation ”game” Music.

What still drives you to make music?

It brings me joy.

How do you most often start a new track?

Usually by going thru sounds and finding something that click. That gets me interested.

How do you know when a track is finished?

You don’t. You have to decide that it is. You learn this from the experience of doing it many times. 

Show us your current studio

BoBeats Studio – Lots of grooveboxes and synths
BoBeats Studio – iMac and speakers
BoBeats Studio

Best creative advice that you’ve ever heard?

”What matters isnt what you do in life but that you do something you feel passionate about”.

Promote your latest thing… Go ahead, throw us a link.

Videos at https://www.youtube.com/bobeatsmusic


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]


Alexandr – With Meraki

1. Favourite knob/fader/switch on a piece of gear and why?

Microbrute’s filter. First of all, I believe that this Steiner-Parker filter is one of the best I’ve put my hands on. And since the Brute was my first analog synthesizer it holds a special place in my heart. From the first sweep, I fell in love.

Arturia Microbrute

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Hmm it’s really difficult to say that something’s perfect. I will be super super boring and give it to the Launchpad. I work in Ableton’s session view all the time and it makes things so much faster. The only thing I would like to see is a 16×16 version to be able to see my whole project at once. 

Novation Launchpad

3. What setup do you bring on holiday/tour/commute etc.?

I actually was at my summer house for 3 weeks last month and I decided to bring the things I use the least to get to know them. So it was the Volca FM which I haven’t really used since I got it. Although the tiny knobs are horrible, the sounds are excellent. And with that I also used my iPad a lot. The apps you can find on the iPad are simply mind-blowing and highly underrated.

The DRC synthesizer is my absolute favorite iPad app. Beautiful sounds and super easy to program.

DRC Synth iOS app

4. What software do you wish was hardware and vice versa?

Easy one. All the Valhalla DSP stuff. Best effects out there. If they could make hardware versions of their plugins and stay reasonably priced they would just destroy the whole pedal/ effects market. 

Valhalla DSP Vintage Verb

I don’t really think I would want something hardware to become software. The physical connection you can have with a piece of gear is unbeatable in my opinion. 

5. Is there anything you regret selling… or regret buying?

Korg Minilogue

I don’t sell a lot. Even if I don’t use something it’s hard for me to go on and sell it. So from the things I’ve sold through the years, I regret none. And something I regret buying.. If I leave aside all the cheap stuff I got, I would say the Minilogue. I have a love-hate relationship with this synth. It’s great for the price, no argue with that, but it just leaves you every time wanting a bit more. It sounds “ok” but rarely great. So for anyone who’s looking to buy a poly synth, I would recommend to save and get something much better.

Korg Minilogue VCO

6. What gear has inspired you to produce the most music?

Might sound weird but it’s a dirt-cheap Casio digital piano. Having a 61 keys keyboard with full polyphony unlocked so many possibilities. I only use 2 piano sounds that sound decent, but it’s almost on every track I’ve ever released.

Casio digital piano

7. If you had to start over, what would you get first?

Acid Pro 3.0

Ableton Live vs FL Studio. I’ve been making music for 15 years. Actually my first DAW was one called Acid Pro 3.0. Only the 80s kids might know this one.. But my first actual DAW was FL studio. Switching to Ableton was life changing for me. For me, its workflow suits me perfectly and it was a catalyst for me to finish songs instead of just struggling with loops. 

Acid Pro 3.0

8. What’s the most annoying piece of gear you have, that you just can’t live without?

The 4-track cassette recorder for sure. It’s a Yamaha MT100. It’s big, I’ve repaired three times so far but I love using it. Everything is going through tape so I simply cannot live without it.

Yamaha MT100

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Elektron Digitakt screen

I don’t deep dive to my gear. I want them to be simple and I prefer things that do only one thing really well. A nice technique I use for drums is the LFO assigned to sample slot on the Digitakt. I create a project with very few samples on it (10-16) and besides the kick I apply the LFO to the other tracks to come up with new patterns every time. That way you can make cool variations and you also audition sounds for your drum patterns. 

Elektron Digitakt

Artist or Band name?

Alexandr

Genre?

Ambient, IDM, Downtempo

Selfie?

Alexander Voulgaris

Where are you from?

Athens, Greece 

How did you get into music?

I’m drawn to all kinds of art. I take photos, I make videos, I draw, I sculpt.. Music is just another way to express my creative side. And besides that, as a kid I’ve always dreamt to become a rock star but never got into a band. So I’ve decided to have this one man – band thing going on nowadays. 

What still drives you to make music?

I don’t really know. I just can’t wait to get to my studio and start playing around and create something. It is something that relaxes me and I deeply enjoy it. 

How do you most often start a new track?

It always starts with the piano. I write some chords, a melody and start building from there.

How do you know when a track is finished?

Oh that’s so hard.. Once I finish arranging (and this is the hardest part for me) I know I’m really close to call it finished. So when I start mastering and then run it through tape I simply commit and call it a day. 

Show us your current studio

My beautiful mess

Home studio

Best creative advice that you’ve ever heard?

My dad, who is also an artist, always told me that you have to put “meraki” to your art. Meraki is a Greek word that means: “To do something with soul, creativity, or love.”

Promote your latest thing… Go ahead, throw us a link.

My Spotify where I release all my music: https://open.spotify.com/artist/5MPLFK5gfmmo0Tm0EiTnqP?si=cDwtSJ05QXC91wlElXzAAA

I also use Bandcamp a lot and there you can also find the Sample Packs that I create every month: https://alexandristaken.bandcamp.com/music


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]