Andrew Black – Loop De Loop

1. Favourite knob/fader/switch on a piece of gear and why?

That is a tough one but I think I have to go with the filter cutoff on my Moog Sub Phatty. I immediately fell in love with sweeping that filter, it is satisfying both sonically and physically. 

Moog Sub Phatty

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

My Op-1 is pretty close to perfect. At times I wish it had more keys, but the size is part of its charm.

Teenage Engineering OP-1

3. What setup do you bring on holiday/tour/commute etc.?

Op1, sp404, and a pair of beyerdynamic dt 770 s. It all fits comfortably in my backpack.

Beyerdynamic dt 770

4. What software do you wish was hardware and vice versa?

I have a reverb plugin called Valhalla shimmer that I really love, but I wish it was in pedal form so I could have the tactile interaction with it. I use tape and 4 track recorders often and I truly love them, but they break, need maintenance, or shit out on you during a show (it was the worst! haha) so I would love if somehow there was a software 4 track that could actually capture the sound and feel of the real thing… but all the inconsistencies and frustrations with working with physical tape are a part of what make it magical… so maybe I wouldn’t change it after all.

Tascam 4 Track

5. Is there anything you regret selling… or regret buying?

I tend to hold onto all the gear that I procure, good or bad. My father is a musician though and his first guitar amp, a 1964 Silvertone 1484 would have been passed down to me but was accidentally sold in a garage sale by my uncle when I was a kid, so that is probably my greatest gear regret.

Silvertone amp

6. What gear has inspired you to produce the most music?

I would say most recently the 0-Coast by Make Noise, it inspires me every time I touch it. 

Make Noise 0-coast

7. If you had to start over, what would you get first?

I think Ableton. I have used pro tools for years, it gets the job done and I’m fairly proficient in it, but I have been told that Ableton lends itself more to the genre that I work in and therefore may facilitate workflow/productivity. I would really love to learn ableton someday but my patience with new software is short at times to say the least haha.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My microkorg. It was my first synth when I was 14 so I’m attached to it for that reason. It also does have great guts and can make some awesome sounds but accessing the oscillators and making fine adjustments isn’t particularly intuitive and can be frustrating when I have a sound in my head that I’m trying to get out. 

Korg MicroKorg

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

The vinyl simulator on my Sp-404 has been a go to for me lately. At first when I played around with it I felt like the crackles and textures it added were too much, but I started using it on sounds that would be turned into tape loops and I fell in love. The combination of the 404’s crackles, the analog tape hiss, and the tape warble give the sound a perfectly cryptic esthetic.

Roland SP404

Artist or Band name?

Andrew Black

Genre?

Ambient

Selfie?

Andrew Black

Where are you from?

I was born and raised in Salem, Oregon, but i’ve lived in Portland, Oregon for the last decade.

How did you get into music?

My dad is a guitar player and music lover so my introduction to music was immediate in life haha. I started taking guitar lessons from him when I was ten and it has been my passion ever since.

What still drives you to make music?

It is the best way I have found to express myself. I’ve dealt with depression and anxiety all of my life and writing/making music allows me to process those unpleasant feelings most efficiently. I’ve also always just loved it. That combination keeps the drive alive and keeps me writing because it truly makes me happy.

How do you most often start a new track?

Most often the inspiration for a new track for me comes from just experimenting and playing around without any real intention or direction. When I spend some time tinkering with textures a tone or a rhythm will at some point give me an idea for a song.

How do you know when a track is finished?

It is really hard for me to know when a song is finished. I’m rarely if ever 100% sure that the song is done so I just try to trust work it until there isn’t anything obvious that’s bothering me, and then I try to trust myself that it is as good as I can make it.

Show us your current studio

Andrew Black’s studio

Best creative advice that you’ve ever heard?

”Make music you would want to listen to” My friend Sonny Diperri told me that. It kinda seems obvious now, but that advice really changed how I make music. It is how I know when I’m writing honestly for myself and from the heart.

Promote your latest thing… Go ahead, throw us a link.

My most recent album is called “Slow Blood” 

https://andrewrblack.bandcamp.com


Frederico Chiesa – Ooramusic

1. Favourite knob/fader/switch on a piece of gear and why?

Roland TB-303

For years my main instrument was a Roland 303 and the frequency knob was the thing I used to tweak most. I kinda feel that on every synth my relationship with the filter knob has to be great, or I will not feel comfortable. I have given up on amazing instruments just because the responsiveness of the filter was not what I wanted.
Nowadays I’m way more into ambient, so things changed. Lately I love to play with the portamento switch on my SH-101 to create variations on patterns, it’s kinda funny what comes out of it.

SH101 Portamento

I love when brands uses big knobs, I have huge hands and I need a good grip: Death By Audio is great for that, I love touching their stuff.

Death By Audio Rooms

I love Moog knobs too, with that vintagey vibe.

Moog Subharmonicon

I hate most of the eurorack modules knobs and sliders. It’s damn hard to perform and you need to use a level of care that is not really my thing.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I think my mixer is almost a perfect instrument. Its the Play Differently Model-1, and is an instrumental piece for my production and live shows. It is beautifully made, sounds amazing BUT has one thing that was a big compromise for me: no direct outs. Which means that everything I record is always a stereo track, with no possibility of editing later on. It’s kinda good, because forced me to PLAY rather than program, and as a result, I’m finishing way more material. Still sometimes I wish I wish I could mix things better after the fact. Seriously, add direct outs to that mixer and it becomes the best tone shaping tool ever.

Another piece I love to death is the Deluge: that thing can do ANYTHING, it is a brilliant concept, but the decision of not having a screen for such a complex instrument, is sometimes hard to swallow. But I really admire Synthstrom and if their stance is NO DAMN SCREENS, I embrace it. Deluge is at the moment my main brain for live performances.

3. What setup do you bring on holiday/tour/commute etc.?

I hate bringing a lot of stuff when I travel or I’m in holiday. Used to bring many things and never use them. So lately i just bring the Teenage engineering OPZ or OP1. They both let you create full arrangements, even if they have two radically different approaches. Opz works better for electronic / techno stuff, while Op1 is more versatile for ambient pieces (imho , of course).
Lately I’m vey interested in small package synths with lot of power, especially if battery operated. Is great to be creative anywhere and anytime.

Op-1 and Opz

4. What software do you wish was hardware and vice versa?

I would love to have my cassette or tape recorder perfectly emulated in software. That is something that is still really hard to get. The vibe that comes out of real tape is something you need to experience to understand.

Revox Reel to reel

And definitely i would love to have the SoundToys suite as hardware : I use that a lot and I think is brilliant. I can probably mix an entire album only with those plugins.

5. Is there anything you regret selling… or regret buying?

Regret selling …here is the list LOL:
Roland 909, Digitakt, Prophet 6, two Junos 106 (yeah, for a time i had 2…) , the full OTO effects family, my mastering console with the most amazing rack units (API2500, Distressors, Fatso, Bax eq, SSL G comp….)… and so on and on. The list is long and I feel I would cry if I keep remembering…. awh!
Regret buying.. not really, but there is a guy that I bought and sold FIVE times: Elektron Octatrack. I have it at the moment, but it frustrates me so much. Is a brilliant concept and I’m so jealous of people that know how to use it. I’m selling mine right now. Gonna buy again I’m sure.

[Editor: That’s gotta be some sort of record!]

6. What gear has inspired you to produce the most music?

For years all the XOX roland vintage synth. I still own them all, except for the 909. They are simple and straight to the point, I love that in an instrument. No menu diving, no hundreds of functions. They do one thing GOOD.
Recently I think Monome Norns and Op1 gave me a great creativity boost, while way more complex than Roland, they keep an user friendly approach and they are beautifully designed.

Grid, Arc and Norns

7. If you had to start over, what would you get first?

Well, I would buy all the Roland boxes in the 90’s when they were cheap. But probably an SH’101 would have been the right choice to learn the basic of synths. Add a 808 and you are golden 🙂

Roland Ms101

It can be overwhelming starting today : so many things you can buy for cheap. The risk is getting too may synths and never learn to use them in the right way. I have been into modular on and off, and for me that is the most dangerous world: I used to buy lot of modules and then getting lost in them , with very little work done.

[Editor: It’s kinda nice to hear. I’m totally infatuated with Eurorack stuff. But I fear that I’d never get anything done]

8. What’s the most annoying piece of gear you have, that you just can’t live without?

CABLES? I fkn hate cables. I spend a lot of my studio time cleaning and organizing.
Then I hate the need for a computer to record things. Sometime I wish I’d be brave enough to switch to a full on tape-style production.
All of the instruments I use need to have at least one characteristic: do not frustrate me. I only keep things that are easy to understand and give me instant gratifications. I love fiddling with stuff, before reading the manual. If I manage to get something cool, then the instrument is suitable for me.

[Editor: Do not frustrate! That sounds like a good rule]

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Lately I’ve been blown away by using the tape recorder on the OP1 creatively. Sometime i put the tape speed 2x, record stuff and then slow it down 1/2. You drop the pitch 2 octaves and you get into ambient territory instantly. It’s super fun and easy.
Another great trick I’m using is sequencing a 4 voice synth (like the Roland sh01a) with 4 different patterns that have different lengths. you get really interesting pieces that are always evolving.


Artist or Band name?

OORA / Federico Chiesa.

Genre?

Ambient, Dub Techno.

Selfie?

Frederico Chesia

Where are you from?

Italy.

How did you get into music?

When i was a teenager, playing guitar and singing in a Nirvana tribute band.

What still drives you to make music?

I guess music is my favorite language, and the best way i can express myself. The more I learn and create, the more i feel complete. Many other things make the process worth it, not least finding some appreciation from your peers. The final dream would be to make a living only with music, and that idea keeps me focused.

How do you most often start a new track?

I try to record a new idea every day. Not all of them are good, though.

How do you know when a track is finished?

I never know. I put strict rules on the time I spend on a track and after the time is done, I embrace what i got. I like spontaneity and avoid trying to post produce perfection.

[Editor: That is a really interesting approach to finishing stuff and getting music DONE]

Show us your current studio

Best creative advice that you’ve ever heard? Less is more. As basic as it might seem i feel that the real evolution for any creative is embracing limitations ad create art with the least amount of clutter possible. Try to say one thing clearly and use the best tool to do that in the simplest way.

OoraMusic Studio

Promote your latest thing… Go ahead, throw us a link.

My latest album is called “The Subharmonicon EP”. Made only with the Moog Subharmonicon and pedal effects, is a study on simplicity: how, in a time of turmoil, the clarity of a minimal approach can convey the message of beauty.

https://oora.bandcamp.com/album/the-subharmonicon-ep


Matt Lowery – Cinematique Tones

1. Favourite knob/fader/switch on a piece of gear and why?

Easy- the filter cutoff knob on my Moog Subsequent 25. It’s huge, feels great, and what is does sonically is even better.

Moog Subsequent 25 Filter Knob

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

The Vermona PerFOURMer is 99% perfect. I do sometimes wish I could store presets, but I understand why they kept everything completely manual. It’s inspiring to explore and dial in new sounds, but it would also be fantastic to be able to quickly find my way back to a sound I’ve already incorporated in a song (say, if I’m doing pickups in studio

Vermona PerFOURmer

3. What setup do you bring on holiday/tour/commute etc.?

My most fun, expressive mobile music tool is the norns. It can almost fit in your back pocket, but its scope is pretty limitless.

Monome Norns

4. What software do you wish was hardware and vice versa?

I’d sell a kidney to get Sean Costello’s Valhalla Vintage Verb into pedal form. I’d love to see some of Tom Majeski of Cooper FX’s code (particularly the Generation Loss) make its way to plugin land.

Cooper FX Generatioin Loss

5. Is there anything you regret selling… or regret buying?

Oof. This one hurts. When I was 17, I found an old keyboard looking thing in a closet at the local church my family attended. I messed around with it and dismissed it as some kind of work out garbage, and gave it to a friend. It was a Juno 60. That one pains me to this day.

[Editor: Damn!]

6. What gear has inspired you to produce the most music?

There are about 100 answers to this question, and the most honest answer I can give is “go check out my instagram”, because that’s where I document my adventures with inspiring gear. Lately, the most inspiring thing I’ve played is the Instruo Arbhar, which is this incredible musical granular processor. It’s really wonderful.

Instruo Arbhar

7. If you had to start over, what would you get first?

Wouldn’t change a thing! So the official answer is a Squier Stratocaster.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My tape decks. There’s always something to clean, maintain, or fix. But working with magnetic tape is something I don’t ever want to give up. The process itself helps me generate better ideas.

Tape Decks

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Recently I found out I could trigger the gate on my Vongon Paragraphs pedal with midi note data, which lets me set up these super tight rhythmic filter opening sequences. Super cool.

Vongon Paragraphs

Artist or Band name?

Matt Lowery

Genre?

Ambient/Electronic

Selfie?

Where are you from?

Oklahoma City, OK, USA.

How did you get into music?

I picked up guitar when I was 12, and have been at it ever since!

What still drives you to make music?

Music and art are the ways that I process the world. I have to be making something meaningful all the time. When I stop making things, I start having trouble in every area of my life.

How do you most often start a new track?

I try to spend time with music every day. So I’ll usually stumble upon a sound, a vibe, or a progression by accident, and that will be the seed for a track. Sometimes it works out, often it doesn’t. That’s the fun!

How do you know when a track is finished?

When I enjoy it as much as I enjoy other people’s music, I try to just walk away. There’s always more you can do, so it’s more that I put it down, rather than saying it’s done.

Show us your current studio

That would require me to clean my current studio 😀

Best creative advice that you’ve ever heard?

Here’s the best advice I’ve ever read, period:

https://sivers.org/balance

[Editor: Spectacularly good advice! If you feel it applies to you? TLDR: Find a balance between income and art by separating the two]

Promote your latest thing… Go ahead, throw us a link.

You can hear my latest LP “Voyager” as well as my newest single “Nearer Now” at my Bandcamp page (mattlowery.bandcamp.com), as well as on all major streaming platforms.