Red Means Recording – Jeremy Blake

1. Favourite knob or fader or switch on a piece of gear and why?

The Hydrasynth main encoder knob. It’s huge.

Hydrasynth main encoder knob – it’s lit from beneath

Second place goes to anything that turns up the volume. 

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I wish the Synthstrom Deluge had an OLED screen and I wish the Mashine+ could make actual synth patches from scratch. 

Native Instruments Mashine+

3. What setup do you bring on holiday or tour or commute etc.?

OP-1 or Deluge or iPad for granular apps like Borderlands.

4. What software do you wish was hardware and vice versa?

I used to think a bunch about this, but after getting the Hydrasynth I don’t really care about software in hardware. If I could get Pigments as hardware that would be dope. I would love more wacky probabilistic and self-patchable software stuff.

Slow spagettification of a studio

5. Is there anything you regret selling… or regret buying?

Zero regrets in selling. Selling is freedom. 

A corona lockdown audience

Buying, I dunno. Everything I’ve bought I’ve bought because it had a reason to exist in my setup at that time. When I sell it, it’s because it’s redundant or I’ve outgrown it.

Vivid colors of eurorack

6. What gear has inspired you to produce the most music?

Neatified cables

Up until this year, the Teenage Engineering OP-1. This year it’s been eurorack.

A rainbow in eurorack

7. If you had to start over, what would you get first?

I still think a good DAW with a decent sample library, one good synth VST, and a hunger to learn is the best thing you could possibly start with. So I would do that.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Anything involving my computers, haha. I know that’s a cop-out answer, but like, man. They can do everything, but fuck up harder than anything else.

Can’t get around computers. But you can mount them up high!

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

I think audio-rate modulation, in general, is something that never occurred to me until recently. Everytime I see DivKid do something with it I’m like “oh right, I can do that”. It’s wild.

Audio rate mod everthing… in eurorack

Artist or Band name?

Jeremy Blake for music, Red Means Recording for YouTube

Genre?

Electronica, Downtempo, Alternative Electronic

Selfie?

Jeremy Blake aka. Red Means Recording

Where are you from?

Seattle, WA

How did you get into music?

I started playing the flute in Elementary School. Was lucky enough to be exposed to orchestral playing and jazz ensemble. Flunked out of music performance school because I was spending too much time sneaking into the studio to use the equipment and I didn’t wanna play the flute anymore. Was playing with trackers and anything I could get my hands on. Went to audio engineering school, kept experimenting. Eventually fell into YouTube music production videos. Most recently I’ve fallen hard for modular and I’m having a blast.

Desktop inspiration

What still drives you to make music?

When life gives you cables, make yellow shelving organisers

All the little pieces of things I know can be rearranged to augment some new idea. Everything can be recontextualized and spun into a new idea. There’s no end to the inspiration.

Gratuitios knobalation of the Sequential Pro 3
Knobalicious

How do you most often start a new track?

Lately, a lot. Modular has been a really refreshing platform for experimentation. I’m writing at least one new thing a week.

How do you know when a track is finished?

With modular and hardware it’s easy: when the performance is done and I’ve mixed and mastered it. With DAW-based stuff, it’s when I’ve gone through all my iteration passes, like idea, arrangement, mixing, re-arrangement, ear candy, and mastering. I go by a rule of three approach: if I can listen to a track 3 times and not mess with it, it’s done. If something bothers me 3 times, I change it.

[Editor: That answer is one of the most systematic and quantified approach to that question. That I’ve read. Excellent!]

Show us your current studio

Jeremy Blake’s very red Red Means Recording studio
Blackmagic ATEM Mini and a tuner

Best creative advice that you’ve ever heard?

Limitation breeds innovation, tied with “put a donk on it”.

Promote your latest thing… Go ahead, throw us a link.

I make music performance and education videos here: https://www.youtube.com/redmeansrecording

You can find my music on all platforms here: https://rmr.media/findme


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]


BoBeats – Treats from BobEats

1. Favourite knob or fader or switch on a piece of gear and why?

Since I am a poor keyboard player I really like the Digitakts buttons. Playing on them is for some reason easier to me than playing on regular keys. I guess its because they are just simple on/off buttons. Feels like typing on a keyboard. 

Elektron Digitakt buttons

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I would say that Maschine+ comes very close to perfect. Being in love with the Maschine workflow and now being able to use it without a computer. Its kinda dreamlike. 

Native Instruments Maschine+

3. What setup do you bring on holiday or tour or commute etc.?

It varies a lot. Next summer Maschine+ will 100% come with me to the cabin. Digitakt & Circuit is always nice too. I do like my grooveboxes. 

4. What software do you wish was hardware and vice versa?

Hardware that was software… Maybe a Subharmonicon VST? It is a unique synth and a software version could be pretty epic. Especially if you could play it polyphonically somehow… 

Moog Subharmonicon


Software in hardware form? I wouldn’t mind having an Ableton Push 3 be standalone! That’d be kinda cool having the Ableton Live DAW in hardware form.

[Editor: This too would be my wish]  

Ableton Push 2 (so close)

5. Is there anything you regret selling… or regret buying?

I regret selling my old Yamaha RM1X. 

Yamaha RM1X (photo:wikipedia)

6. What gear has inspired you to produce the most music?

Korg Minilogue. 

Korg Minilogue with custom knobs

7. If you had to start over, what would you get first?

A good audio interface. Something to grow into, with expandability (adat) and decent latency. 

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Octatrack MK2. It is so good, yet at the same time so frustrating at times! 

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

I had a Digitakt beta unit and when I was playing with it I noticed it could make some epic synth sounds. Turning it into a groovebox and not just a drum machine.


Artist or Band name?

Bobeats

Genre?

Mostly electronic stuff, I’ll let others label it.

Selfie?

Nobody beats like BoBeats

Where are you from?

Sweden

How did you get into music?

I watched a friend make music on the Playstation ”game” Music.

What still drives you to make music?

It brings me joy.

How do you most often start a new track?

Usually by going thru sounds and finding something that click. That gets me interested.

How do you know when a track is finished?

You don’t. You have to decide that it is. You learn this from the experience of doing it many times. 

Show us your current studio

BoBeats Studio – Lots of grooveboxes and synths
BoBeats Studio – iMac and speakers
BoBeats Studio

Best creative advice that you’ve ever heard?

”What matters isnt what you do in life but that you do something you feel passionate about”.

Promote your latest thing… Go ahead, throw us a link.

Videos at https://www.youtube.com/bobeatsmusic


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]


Michael Famiglietti – Wander.Wonder

1. Favourite knob/fader/switch on a piece of gear and why?

Automating the flying faders on the Chase Bliss Automatone is a magical way to explore overdrive and fuzz. 

Chase Bliss Automatone

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Native Instruments Maschine MK3. NI just released a standalone version that somewhat improves upon the MK3. Hopefully the next version will have a touch screen, battery, CV in/out, & more control over what plugins/VSTs you can have onboard. 

Native Instruments Machine MK3

3. What setup do you bring on holiday/tour/commute etc.?

I typically take break from music when I’m away from the studio since I’m immersed in it most days. Maschine MK3, headphones, & a laptop is all I need for a portable writing setup. I also use GarageBand on my phone or iPad to get ideas out. 

iPhone and GarageBand and a pair of headphones

4. What software do you wish was hardware and vice versa?

Like I mentioned earlier, Native Instruments just released a standalone version of the Maschine MK3 so they are working towards perfecting that software into hardware. I think the next version may be the one. I wish Meris would dive into VSTs/plugins. Their sounds are otherworldly but I think their pedal layout makes it tough to dial in their full potential sometimes. 

Meris Ottobit

5. Is there anything you regret selling… or regret buying?

I always regret selling my Meris pedals. I had them all at one point but now I only have the Hedra & Ottobit. I sold the Mercury7 to get a BigSky, Enzo for a C4 and Polymoon for a Timeline. I don’t own the BigSky, Timeline or C4 anymore so I think it may be time to revisit my old Meris friends. 

Meris Hedra

6. What gear has inspired you to produce the most music?

NI Maschine MK3

7. If you had to start over, what would you get first?

A laptop and a Maschine MK3. 

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My Focusrite Saffire 56 interface. It has never worked quite right, but I’ve made it work for the last 10 years. Time to get an Apollo of some sort. 

Focusrite Saffire 56 audio interface

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Cassette recorders are very useful. I use them as an instrument, as a “looper” or to add tape warmth/grit to recordings. The best $100 I’ve ever spent was on the old Tascam Porta02. 

Tascam Porta02

Artist or Band name?

Wander.Wonder 

Genre?

Chillhop meets Post-Rock

Selfie?

Michael Famiglietti aka. Wander.Wonder

Where are you from?

Virginia in the United States 

How did you get into music?

I bought a guitar in high school to start a band with my friends and I never stopped. 

What still drives you to make music?

I love exploring new sounds and seeing where they take me. 

How do you most often start a new track?

Typically with a sound I discover on a pedal or plugin. The algo inspires a riff or progression that I write around. 

How do you know when a track is finished?

When I’ve said enough but not too much.

Show us your current studio

Michael Famiglietti’s home studio

Best creative advice that you’ve ever heard?

Write as much as possible. Whether you’re trying out some new gear or just noodling on guitar, hit record and try to create. Just explore in the moment and then you can refine your ideas later. 

Promote your latest thing… Go ahead, throw us a link.

Just released my second album. You can stream it on your preferred platform in this link. Also check out my gear noodles on YouTube or IG if that’s your thing. 

https://linktr.ee/rednaw.wonder


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]