Samplik Prost – Simple Sample

1. Favourite knob/fader/switch on a piece of gear and why?

Tascam 424 Varispeed knob

This is the varispeed pitch control on the Tascam 424. My favorite knob. I like that you can use it to get a completely different song.

[Editor: This is a classic machine and that knob is a personal fave too]

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I really like to shoot music videos on the street and I’m missing some kind of rig/stand for my kit.

3. What setup do you bring on holiday/tour/commute etc.?

Pocket Operators Operating

This is 3x po33 po-32 po-35, two reverb pedals, a bunch of wires, sony TCS-580V stereo cassette-corder and zoom recorder. Everything fits in one backpack

4. What software do you wish was hardware and vice versa?

This is a stereo extender for mono devices

5. Is there anything you regret selling… or regret buying?

Yes, this is rk004 by retrokits. Great device, but I didn’t need it

rk004 by retrokits

6. What gear has inspired you to produce the most music?

This is po-33. I don’t know how it works, but every time when I pick it up, I create a new track.

Teenage Engineering PO33KO

7. If you had to start over, what would you get first?

PO400

I think it’s a modular synthesis. Although it’s not too late to get to know it better.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Ahahahah great question. This is a po-400. It really helps to understand the principles of working with sound, but sometimes I don’t understand anything at all.

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

On the PO33KO, if you select the filter mode, turn the encoder in different directions and hold the record button, you can get an amazing result. An example can be found here 👉  https://www.instagram.com/p/Bt3cRKzlq8y/    


Artist or Band name?

samplik prost / In Russian it means a “simple sample”.

Genre?

Disco house chill hop.

Samplik Prost

Where are you from?

Moscow, Russia

How did you get into music?

In middle school, my friend taught me how to play the guitar. He’s left-handed and I’m right-handed.It was fun. After that, I couldn’t stop making music.It’s always been a hobby. We played punk rock and alternative. It was a long time ago.But 3 years ago when I got my first pocket operator, I became interested in electronic music. I realized that there are no genres and that you can experiment as you want.

What still drives you to make music?

Most likely, this is a search for new ideas and solutions. It’s like searching for diamonds.You know they are there, but you need to dig a lot. But sometimes you find them right away.

How do you most often start a new track?

I start by searching for a nice chord, then drums and of course vocal samples.

How do you know when a track is finished?

When I feel that everything is in its place and I can start making the next track.

Show us your current studio

I want to move some of my stuff to the wall to free up my workspace.

Samplik Prost Studio

Best creative advice that you’ve ever heard?

Steal Like an Artist / True, I haven’t read this book, but I like the title.

Promote your latest thing… Go ahead, throw us a link.

My first experience in creating music in this style  https://youtu.be/X5oRReeCTMQ
But my main experiments I am posting here:

https://www.instagram.com/samplikprost/


Chris Petra – Ambient via metal & hiphop

1. Favourite knob/fader/switch on a piece of gear and why?

Lyra 8

As of recently, the pitch knobs on the Lyra-8. They make the unit sound like it’s gearing up to combust, and they add such chaotic energy to whatever I’m working on. They’re also kind of destructive by nature since they’re nearly impossible to get back to the correct starting pitch without stopping what you’re doing and re-tuning. I both live in fear of and respect the pitch knobs on the Lyra-8.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I would say the Multivox Multi Echo MX-201 is about as close to perfect as any of my gear comes. It sounds fantastic, and the whole unit is so aesthetically pleasing to look at. If I could change anything about it, I would probably make it a bit smaller and lighter, as it dominates my workspace when I have it out (which is almost always). 

Multivox Multi Echo MX-201

3. What setup do you bring on holiday/tour/commute etc.?

OP-1, Koma Elektronik Field Kit FX, and a Zoom H4N are my go-to for when I’m away from my studio space. It’s a bit limiting, but like so many others, I really enjoy narrowing down my options sometimes. I’m also kind of obsessed with battery-powered gear, despite rarely being in a situation where I don’t have access to an outlet. 

OP-1, Koma Elektronik Field Kit FX, and a Zoom H4N

4. What software do you wish was hardware and vice versa?

I really wish that Native Instrument’s Maschine was a stand-alone unit. I love the software, but lately, I’ve been spending a lot less time in front of the computer so I find myself using it less and less. I don’t know if NI would ever consider doing it since I imagine the production cost would skyrocket, but it would really be a dream come true for me.

Native Instrument’s Maschine

It would be pretty cool if there was software capable of emulating a tape loop accurately. There’s a lot of great tape emulators out there, but I’ve never come across anything that really captures the sound of a tape loop specifically.

5. Is there anything you regret selling… or regret buying?

I just sold my SP-404 a few weeks ago, and I’m already kind of wishing I hadn’t. I have to keep reminding myself that I love the idea of the SP-404, but in reality, I rarely found myself reaching for it.

Tascam PortaOne

I bought a broken Tascam PortaOne last year, and I totally regret it. To this day, I still have not figured out why it’s not working properly. I overpaid for it since at the time I was confident that all it needed was a belt change and some re-soldering, but I’m totally in over my head. 

6. What gear has inspired you to produce the most music?

I would say I’ve put more miles on my Korg Minilogue than any other single piece of gear in my setup. Among many other things, I really love its onboard sequencer. It allows me to work fast and sketch out ideas without menu diving and getting too caught up in the technical stuff. The Minilogue as a whole is just so intuitive and intelligently designed, especially for its price point. 

Korg Minilogue

7. If you had to start over, what would you get first?

I started out with a Tascam Porta02 and a Casiotone MT-540 and looking back, I don’t think I’d do it any differently. Having such a minimalist setup really forced me to get creative to find the sound I was looking for. Starting out with an OP-1 would have been pretty cool, though that would be quite the investment for my very first piece of gear.

Tascam Porta02

8. What’s the most annoying piece of gear you have, that you just can’t live without?

I have an old reel to reel that I inherited from my grandfather that drives me a bit mad at times. Processing sounds through it really adds some beautiful warmth and flutter, but it’s pretty clear that it wasn’t designed for recording music. The master volume knob doubles as an input gain knob, and it doesn’t have a meter to monitor the input level. It takes me an unreasonably long time to get my levels correct when I use it, but the end result is always worth the frustration. 

Reel to reel

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

When recording tape loops, I like to leave the front-facing half of the cassette off altogether. This allows me to physically mess around with the tape a bit, adding some really interesting artifacts and pitch fluctuations to the recording. 

Cassette tape loop on a Tascam 424

Artist or Band name?

Chris Petra

Genre?

Ambient / Experimental 

Selfie?

Chris Petra

Where are you from?

Long Island, New York

How did you get into music?

I started out playing tenor saxophone for the jazz band in grade school, then at around 13 years old I got my first electric guitar. I went on to play guitar for a Death Metal band in my late teens, then spent a number of years producing hip-hop.

What still drives you to make music?

The act of creating music has become very therapeutic for me. It’s also given me a sense of purpose that I’m not sure I would have found elsewhere. 

How do you most often start a new track?

I usually start out by working out a melody on whatever instrument I’m drawn to at the moment (most often my OP-1). I also keep a dictaphone in my car that I find myself humming ideas into from time to time. 

How do you know when a track is finished?

This might be what I struggle with the most. I’m currently working on an EP that is taking me an exceedingly long time to wrap up because I always find something I feel I need to adjust. 

Show us your current studio

Chris Petra Studio space

Best creative advice that you’ve ever heard?

Take any and every musical opportunity you can, no matter how big or small. 

Promote your latest thing… Go ahead, throw us a link.

I’m currently working on a record, but in the meantime, I have two tape loop sample packs for free download on my Bandcamp. I also update my Instagram with little tape jams pretty regularly if you’re into that sorta thing!

https://chrispetra.bandcamp.com/music

https://www.instagram.com/chrispetra/?hl=en


Selsey – Dreamy Synthy Pop

1. Favourite knob/fader/switch on a piece of gear and why?

The OP-1 crank. It’s just so loveable!

Cranking the OP-1

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

For me, it’s the OP-1. It’s a minimalist’s dream because it can do everything – drums, melody, bass, all the layers – in such an intuitive way. I’d make it fully MIDI compatible so I could integrate it into my Ableton workflow somehow; I’d make the keys touch sensitive; I’d give it 2.5 octaves instead of 1.5; and I’d give it a sustain pedal. Dream machine.

3. What setup do you bring on holiday/tour/commute etc.?

On a trip, I try to keep it light:

  • Nuraphones
  • OP-Z
  • OP-1
  • SP-404 (sometimes / for longer trips)
Travel music kit

To play a show, it’s more complicated! I add to that:

  • Yamaha Reface DX
  • TC- Helicon Perform VK
  • Shure Super 55
  • Zoom H6 as a mixer
Live music setup

I don’t have a commute, but if I did, I’d consider just bringing my OP-Z.

Teenage Engineering OPZ

4. What software do you wish was hardware and vice versa?

Arpeggios are my favorite musical tool. I really wish you could get the superfine arpeggio controls you have in Ableton on a hardware synth. And as a non-drummer, I would love to find a software drum loop maker as intuitive to me as the OP-1’s finger mode.

5. Is there anything you regret selling… or regret buying?

I bought the Midi Fighter Twister in the hopes of using it to make layered live loops with my iPad the way @KelbyKryshak does, which is totally awesome🤘. I soon realized that I don’t like using apps in my workflow – I think it somehow takes me out of the moment. I’m hanging onto it because I haven’t ruled out making a custom setup for it in Ableton, but that might prove to be more of a challenge than I’m willing to take on. Also, I have the Push 2, so I’m not yet sure what function or value the twister would add to that setup.

Midi Fighter Twister and Olympus camera

I’m kind of an aspiring minimalist, so it’s very possible that at some point soon I’ll say goodbye to it.

6. What gear has inspired you to produce the most music?

The obvious answer is my OP-1 – it gave me an explosion of creativity around learning basic music production techniques with drums and basslines and everything. However! My Reface DX has been my constant companion and workhorse in songwriting. First of all, it’s a joy to play.  The touch sensitive keys feel great, with smooth action. And as I am working through the hardest parts of identifying and defining melodies and chord progressions,  it is the perfect companion for me because its keyboard is small and manageable, while being big enough to play bass notes and chords at once. And the voices are so evocative and inspiring.

Selsey’s songwriting setup: Reface DX, OP-1, typewriter, and sake

7. If you had to start over, what would you get first?

It’s between the OP-1 and the Reface DX. The OP-1 for its all-in-oneness, and the DX for its beautiful sounds, relative portability, and space-pianoness.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My SP-404. The sticky buttons kill me (the phat pads I want are on backorder!), and sampling loops into it is such a pain. I love it to death, but at some point I wouldn’t rule out upgrading to a more robust modern sampler like the Octatrack.

Rolabnd SP404SX

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

The sequencer on the Casio-PT 30 is amazing. You can program it with a melody, and then push one of two “One Key Play” buttons to activate the notes one by one. So when you play it, it’s like you’re playing a solo, but it’s almost impossible to fuck up. You can see me do this in my cover of White Winter Hymnal by Fleet Foxes, around the 1 minute mark: https://www.instagram.com/tv/Bs3KEAyH3k8/. I wish so hard that the OP-1 could do this.

Casio-PT 30 and OP-1

Artist or Band name?

Selsey

Genre?

Bedroom Synthpop

Selfie?

Selsey herself

Where are you from?

Northern California, but I currently live in Hong Kong.

How did you get into music?

Folk singer songwriters in high school got me inspired to pick up a guitar – Iron and Wine, Feist, Regina Spektor, Bright Eyes, Ray Lamontagne, that type of artist. I also learned classical and a bit of jazz piano in high school. Recently, I got really into making dawless synthpop after falling in love with the OP-1 at the MoMA Design Store in New York. I started making videos for Instagram and, well, here I am!

What drives you to make music?

  1. I relish the challenge of learning songwriting and producing music. Sometimes it’s torture but the payoff is addictive.
  2. The community on Instagram has been really warm and kind. People have created a place you really like to hang around.
  3. I just love singing and making music, so I can’t help but want to do it.

How do you most often start a new track?

I am only now learning how to use Ableton (my first DAW), so I’ll talk about my songwriting process instead. I sit down with my Reface DX, my typewriter or a notebook, and my phone to record snippets. I play chords randomly and vocalize until I hear something I like. Record it. Wash, rinse, repeat. Along the way, I try to get a sense of which snippets are more verselike or more chorus-like. Eventually I will have enough snippets to form a song. Then, I write the words, which is the hardest part.

[Editor: Yeah, lyrics are alwyas a huge pain]

How do you know when a track is finished?

When the words don’t make me cringe too hard; when every section feels like it’s part of the whole; and when the transitions between parts are not too awkward.

Show us your current studio

Selsey Studio

Best creative advice that you’ve ever heard?

You’ll suck at first. Keep going.

Promote your latest thing… Go ahead, throw us a link.

I have a few things in the works. But for now, head to my Instagram to see some of the stuff I’ve done!

https://www.instagram.com/selsey._/