Peninsula Repairs- LoFi Demolisher

1. Favourite knob/fader/switch on a piece of gear and why?

I love the bass cut on my Fender Jaguar. I’ve personally found that switch to be extremely helpful in quickly solving some tone issues while recording.  

Fender Jaguar

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I’ve fallen in love with the Digitakt over the last 7 months. I have been writing an album where almost every piece of gear is running through it one way or another. I do wish that it had a polyphonic play mode. 

Elektron Digitakt

3. What setup do you bring on holiday/tour/commute etc.?

I usually bring my OP1. There’s a lot to work with right in the box, plus I can create some samples or record into the box wherever I am! 

Teenage Engineering OP-1

4. What software do you wish was hardware and vice versa?

I use the Waves J37 on all my recordings in some way. I absolutely love it. I know it’s originally hardware, but I wish it was something I could afford to use regularly. I’m not really sure what would want to go from hardware to software that hasn’t been covered by a company in one way or another already. maybe a virtual Chase Bliss Audio pedalboard  so I can use the ones that are discontinued or that I just don’t have. 

Waves J37

5. Is there anything you regret selling… or regret buying?

I had the moogerfooger ring modulator for about 10 years and sold it because I didn’t use it much at the time. I immediately regretted that. 

6. What gear has inspired you to produce the most music?

Even though I haven’t used it a lot in my current musical endeavors most of my ideas do stem from my guitar, the main one being a fender jaguar.

7. If you had to start over, what would you get first?

The first instrument I bought was a squier p bass when I was 13. at the time my friend and I were at our local Guitar Center and he spotted a used fender jazz bass which he tried to convince me to go with. at the time I wanted something brand new. I still to this day wish I bought that Jazz Bass. I’d probably still own.  

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Can this answer be software? If so I would have to say Pro Tools. I’ve been using it for 14 years now and although it drives me crazy for many reasons I personally find it to be the best DAW for mixing and editing. 

[Editor: You’ve probably heard this a million times. But I gotta say Reaper is great too… If you’re only mixing music. Sound to film has gotta be ProTools coz of Avid MC]

Pro Tools

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

This past month I have been reamping through the Hologram Electronics Microcosm with the Mix knob at 100 where I feel a part is lacking something. After a bit of tweaking I typically end up with  something that has really enhanced the part for me. 

Hologram Electronics Microcosm

Artist or Band name?

Peninsula Repairs 

Genre?

Ambient/lofi 

Selfie?

Peninsula Repairs 

Where are you from?

Boston, Massachusetts 

How did you get into music?

The first time I ever wanted to play guitar was from seeing Dixie Kong shred after beating a level in Donkey Kong Country 2 on Super NES. I was also obsessed with Nirvana’s MTV unplugged performance at that time. About 5 years later my friends and I kept talking about starting a band, so I saved up for my first bass. 

What still drives you to make music?

Pretty much everything. It’s the one thing I do where I feel like I can completely escape. It’s pretty much become a form of meditation for myself. 

How do you most often start a new track?

I typically have one small idea from either a guitar, piano or synth and then just build from there. 

How do you know when a track is finished?

I’m not sure I ever do. I usually get to a point where what I’m doing feels forced and figure that’s a good time to stop. 

Show us your current studio.

Here’s just a section of the studio. I’m currently in the middle of rearranging and organizing. 

Peninsula Repairs  Studio

Best creative advice that you’ve ever heard?

It’s a pretty simple one, but one of my best friends and old bandmates told me to stop overthinking everything I did. I would hold up songs for weeks or months over something so slight. The advice has helped me over the years appreciate moments of imperfection or even something I cannot control.  

Promote your latest thing… Go ahead, throw us a link.

I released my first full length this past March. It is currently streaming on all platforms and bandcamp.

https://peninsularepairs.bandcamp.com


Andrew Black – Loop De Loop

1. Favourite knob/fader/switch on a piece of gear and why?

That is a tough one but I think I have to go with the filter cutoff on my Moog Sub Phatty. I immediately fell in love with sweeping that filter, it is satisfying both sonically and physically. 

Moog Sub Phatty

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

My Op-1 is pretty close to perfect. At times I wish it had more keys, but the size is part of its charm.

Teenage Engineering OP-1

3. What setup do you bring on holiday/tour/commute etc.?

Op1, sp404, and a pair of beyerdynamic dt 770 s. It all fits comfortably in my backpack.

Beyerdynamic dt 770

4. What software do you wish was hardware and vice versa?

I have a reverb plugin called Valhalla shimmer that I really love, but I wish it was in pedal form so I could have the tactile interaction with it. I use tape and 4 track recorders often and I truly love them, but they break, need maintenance, or shit out on you during a show (it was the worst! haha) so I would love if somehow there was a software 4 track that could actually capture the sound and feel of the real thing… but all the inconsistencies and frustrations with working with physical tape are a part of what make it magical… so maybe I wouldn’t change it after all.

Tascam 4 Track

5. Is there anything you regret selling… or regret buying?

I tend to hold onto all the gear that I procure, good or bad. My father is a musician though and his first guitar amp, a 1964 Silvertone 1484 would have been passed down to me but was accidentally sold in a garage sale by my uncle when I was a kid, so that is probably my greatest gear regret.

Silvertone amp

6. What gear has inspired you to produce the most music?

I would say most recently the 0-Coast by Make Noise, it inspires me every time I touch it. 

Make Noise 0-coast

7. If you had to start over, what would you get first?

I think Ableton. I have used pro tools for years, it gets the job done and I’m fairly proficient in it, but I have been told that Ableton lends itself more to the genre that I work in and therefore may facilitate workflow/productivity. I would really love to learn ableton someday but my patience with new software is short at times to say the least haha.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My microkorg. It was my first synth when I was 14 so I’m attached to it for that reason. It also does have great guts and can make some awesome sounds but accessing the oscillators and making fine adjustments isn’t particularly intuitive and can be frustrating when I have a sound in my head that I’m trying to get out. 

Korg MicroKorg

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

The vinyl simulator on my Sp-404 has been a go to for me lately. At first when I played around with it I felt like the crackles and textures it added were too much, but I started using it on sounds that would be turned into tape loops and I fell in love. The combination of the 404’s crackles, the analog tape hiss, and the tape warble give the sound a perfectly cryptic esthetic.

Roland SP404

Artist or Band name?

Andrew Black

Genre?

Ambient

Selfie?

Andrew Black

Where are you from?

I was born and raised in Salem, Oregon, but i’ve lived in Portland, Oregon for the last decade.

How did you get into music?

My dad is a guitar player and music lover so my introduction to music was immediate in life haha. I started taking guitar lessons from him when I was ten and it has been my passion ever since.

What still drives you to make music?

It is the best way I have found to express myself. I’ve dealt with depression and anxiety all of my life and writing/making music allows me to process those unpleasant feelings most efficiently. I’ve also always just loved it. That combination keeps the drive alive and keeps me writing because it truly makes me happy.

How do you most often start a new track?

Most often the inspiration for a new track for me comes from just experimenting and playing around without any real intention or direction. When I spend some time tinkering with textures a tone or a rhythm will at some point give me an idea for a song.

How do you know when a track is finished?

It is really hard for me to know when a song is finished. I’m rarely if ever 100% sure that the song is done so I just try to trust work it until there isn’t anything obvious that’s bothering me, and then I try to trust myself that it is as good as I can make it.

Show us your current studio

Andrew Black’s studio

Best creative advice that you’ve ever heard?

”Make music you would want to listen to” My friend Sonny Diperri told me that. It kinda seems obvious now, but that advice really changed how I make music. It is how I know when I’m writing honestly for myself and from the heart.

Promote your latest thing… Go ahead, throw us a link.

My most recent album is called “Slow Blood” 

https://andrewrblack.bandcamp.com


Color Moxie – A Bokeh of LoFi

1. Favourite knob/fader/switch on a piece of gear and why?

Verbos knobs. They are red, they are smooth, you can spot them from a
distance.

Verbos

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Tascam Portastudio

My Tascam Portastudio keeps on breaking, it’s very fragile, but I like tape
saturation so much. I wish they made new-old tape cassette 4 track
recorders.

Tascam Faders
Tascam knobs

3. What setup do you bring on holiday/tour/commute etc.?

Laptop, QuNexus and Shure 215 in ears. The QuNexus is super slim and
durable, the in-ears don’t use up much space in a bag and they block out
exterior sound pretty good. All of this fits in my laptop case.

Qunexus

4. What software do you wish was hardware and vice versa?

Sonic Labs Fundamental is my favorite plugin at the moment. It sounds
very organic and has lots of character. The hardware version does exist in
real life, but I do not own it (yet?). I’d also like for a OP1 synth engine VST to exist.

Sonic Labs Fundamental

5. Is there anything you regret selling… or regret buying?

I should not have sold my Squarp Hermod. It was the perfect brain for my
modular setup.

6. What gear has inspired you to produce the most music?

OP1

The OP1. So many functions in a small format. Nice synth engines, 4
track recorder, built in microphone, speaker and built in battery.
Everyone loves the OP1.

7. If you had to start over, what would you get first?

Buchla music Easel and a Wurlitzer.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

If this counts as gear; I hate having to use an iLok. It uses up a usb port for nothing and I’m always scared of losing it. As for real gear, I get pretty crazy about ground loop noise. Very annoying to have to figure out where it’s coming from in your signal chain and trying to fix it. It happens often when I mix eurorack, synths and my computer in a live performance type of thing.

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

For bass-y sounds, crank up the compressor on the OP1’s master, which will add lots of noise. After recording short sounds, add a gate in your daw with a very slow release and you’ll have a nice noise tail to your notes. Which will sound even better if you compress it again. Lofi.


Artist or Band name?

The Color Moxie.

Genre?

Spontaneous experimental compositions (?) I’ve just recently started
making one music video a day. It can be anything. It usually falls into the
synth / melancholic / saturated / overdramatic / noise category.

Selfie?

hi.

Color Moxie

Where are you from?

Melbourne, Australia.

How did you get into music?

Growing up, my older brother played drums. I wanted to make music too,
so I asked my parents if I could get guitar lessons. I had a few rock bands
which led into effect pedals. Fast forward a few years and now I’m into
synths, noise & sound design.

How do you most often start a new track?

I find a drum sample I like, chop it up and mangle it, until I start hearing
what mood the music is asking for. After that, i’ll find chords add synths,
and add some spatial textures to complete it.

How do you know when a track is finished?

When you run out of ideas.

Show us your current studio.

Color Moxie Studio desk

Not an offcial studio spot yet, but here’s what I had setup today.

Best creative advice that you’ve ever heard?

Record everything !

Promote your latest thing… Go ahead, throw us a link.

My instagram is pretty new:

https://www.instagram.com/color.moxie/

I’m also working on an EP which will be announced on that platform when it’s ready