Matthew S – Matteo Scapin

1. Favourite knob/fader/switch on a piece of gear and why?

I love the Cutoff knob on my prophet Rev 2. Thanks to it, I can modulate the sound in a thousand ways.
Aesthetically the monopole is not beautiful, but I have a lot of fun to use it!

Sequential Prophet Rev 2

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Roland MC707

My kit is satisfactory, but I like to change musical instrumentation often. I would love to try as many musical instruments as possible! Collaborating with different brands I have the good fortune to try many different instruments, which I have used a lot, for many of my musical projects.

Arturial MicroFreak

3. What setup do you bring on holiday/tour/commute etc.?

My travel kit consists of Keystep pro + Ableton + Zoom H6.
When I’m on tour or on vacation I avoid carrying too many tools! I like to be as comfortable as possible!

Arturia Keystep Pro

4. What software do you wish was hardware and vice versa?

I always wanted a version of Max by Cycling ’74 in a hardware format, that would be pretty cool. I wouldn’t know what to turn into software, I prefer hardware!

Abletob Push 2 and studio desk

5. Is there anything you regret selling… or regret buying?

Hmmm, I have no regrets.
Maybe, thinking about it, I’m missing my Deepind12 by Behringer a little bit. I used it very little, maybe I underestimated the sound of this synthesizer, it had very interesting sounds for my productions!

6. What gear has inspired you to produce the most music?

In this period I used a lot the prophet rev2. In every one of my productions there is the sound of this synthesizer. I love the sound depth of it. I love it!
This synthesizer together with my pedals creates sound textures that no VST can create! I use VSTs a lot, but the analog heat is unmatched!

Earthquaker Avalanche Run and fx pedals buddies

7. If you had to start over, what would you get first?

Maybe I would have liked to have started with Analog Rytm by Elektron.
A lot of my producer friends recommended this drum machine.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Surely the ZOIA by empress, I love to use this instrument, I often use this pedal/ Synth for my productions. Unfortunately it is very difficult to create presets for my projects!… But I love it.

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

I use the prophet rev2 with the particle by red panda and the FABRIKAT by Pladask elektrisk to create the audio textures for my projects. This is a great kit to create infinite audio landscapes! Every time I use these tools pre satisfied with the final result!


Artist or Band name?

Matthew S

Genre?

Electronica/Ambient

Selfie?

Matthew S

Where are you from?

Italy

How did you get into music?

I started learning to play guitar in my city’s school when I was 13 years old. from there was born my passion for music. Fortunately now is my job!

What still drives you to make music?

I always have a strong need inside to continue to create and communicate through music, my best communication channel is music! I think it’s my addiction now!

How do you most often start a new track?

Usually to start a song I create improvisations with my synthesizer and sampling sounds with Ableton

Matthew S at the MC707

How do you know when a track is finished?

To create a song I take a long time, when I believe that there are no other changes or additions to do I consider it over and ready for the mix and master!

Show us your current studio

Matthew S Studio

Best creative advice that you’ve ever heard?

“Set a goal and don’t give up until you reach it. The professionals do not give up in front of the first obstacle and already think 3 moves in advance. While your teammates are still discussing the reasons for the band’s dissolution, you must already be progressing on your next project: tempus fugit!”

Promote your latest thing… Go ahead, throw us a link.

My Spotify:

https://open.spotify.com/artist/57ZTe0YAuhG04dtH42nM1Y?si=c98CgImcRWSyC3XgIBJ7oA

or my website:

https://matthewess.com/


Caspar Hesselager – Synthful Jebus

1. Favourite knob/fader/switch on a piece of gear & why?

Mighty Macbeth Vernier knobs

Great question. This matters. 100% the Vernier-dials on my Macbeth Elements. Posh answer, I know, but they’re just so smooth and satisfying to turn!

MacBeth Elements

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Probably my Sequential OB-6. It’s so damn good. In a perfect world it’d be 8 or 16 voices. But it’s amazing, and especially if you add the GeoSynths Low Frequency expander (which I definitely will) it’s pretty much all the poly-synth you (I) need. The Make Noise Shared System is close to perfect in a way too. I would make the Erbe Verb have a stereo input, if I could change one thing. Best reverb ever.

Sequential OB-6

3. What setup do you bring on holiday/tour/commute etc.?

I’ve brought my OP-1 and/or Digitakt on several trips and tours, but I usually never get around to using them much. Right now with this whole Corona-situation I’ve assembled a little spot at home with a DFAM, Vermona RetroVerb and a modest 104hp of Eurorack to pass the time and come up with sounds to use later on.

TE OP-1

4. What software do you wish was hardware or vice versa?

I wish there was a Soundtoys multi-fx hardware unit of some sort! Like their Effects Rack plugin. That would be fun, especially for live use. I use Soundtoys constantly (like everyone else?).
The other way around is more tricky, I almost feel like we already have everything? Oh, I know, an iPad Make Noise Shared System would be interesting for jamming in the sofa.

5. Is there anything you regret selling… or regret buying

I regret selling my Prophet 08. I replaced it with the Rev2 because it has some advantages live. But I have to say, the 08 just sounded better. I will be getting a used desktop version at some point again, I think. I usually hold on to things though, since I just know I’ll come back to most things, even if I don’t use them for a while. I don’t really have any buying regrets. Maybe some modules here and there, but hey, that’s part of the journey!

6. What gear has inspired you to produce the most music?

Yamaha upright piano

Definitely the good ol’ piano. But I find the Make Noise Shared System (and modular in general) incredibly inspiring too.

Make Noise Shared System

7. If you had to start over, what would you get first?

Starting out today with synths on a relatively modest budget, and wanting to get into (semi) modular,  I would probably get a 0-coast, Mother 32, or Grandmother. For starting in general, get a laptop and Ableton or Logic. All you need, basically.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My computer, by a mile. I kind of hate it, and Logic too (which I the only DAW I use). Don’t get me started on why! And a shout out to my MFB Tanzbär. I use it quite a bit and adore the sound, but man, that interface is something else. Drives you crazy. Good luck getting parameter locks to work, EVER!

MFB Tanzbär

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

More a general piece of advice or tip maybe, but I encourage everyone to get into pedals and hardware effects. It just changes how you approach making sounds, and takes you away from the screen. As much as I love plugins, there’s just no substitution for the hands-on tweaking and interaction on the fly that you get from pedals. And it teaches you to commit to your sounds, because there are no infinite recall and undos. I have this chain that I use very often where every synth I have goes through a small stereo looper, three Eventide pedals + one Strymon, and into a Culture Vulture stereo distortion before hitting the computer. The opportunities with something like that are infinite.


Artist or Band name?

Caspar Hesselager. My Heart the Brave. Palace Winter.

Genre?

Epic widescreen alternative everything.

Selfie

Caspar Hesselager. A man of many knobs!

Where are you from?

Copenhagen.

What still drives you to make music?

Simply discovering new sounds. Infinite options, surprises, and ways to go, even with the same few Legos.

How do you most often start a new track?

Often with a tempo that feels right for that day. After that drum machine and acoustic piano combo, usually. With modular, sort of the same, I have a tempo and a vibe from the beginning that I try to pursue, and then the machine will surprise me along the way.

How do you know when a track is finished?

When it sounds KILLER! 😀 At some point it just becomes this little universe that stands on its on feet, and then you leave it there. I can take a week or 2 months though, to get to that place, that’s the tricky part. But I’d say in general, I don’t have a hard time finishing tracks.

Show us your current studio

Caspar’s Studio

Best creative advice that you’ve ever heard?

Hmm, trying to search through all the bad advice I’ve endured to get to some good, hold on. I heard Knud Romer [Editor: Danish author] say recently when asked, how do you write a great book, that “you edit a bad one”. To me that translates to keep writing and recording until it’s good. Stay at it, eventually you will come up with something cool.

Promote your latest thing… Go ahead, throw us a link.

6 Synthesizer Performances Album:
https://open.spotify.com/album/4YaG8wKDZap9Ge3HF5Snel?si=g0ooOyFCTHGHgq_p4M-5jg

YouTube synth videos:
https://www.youtube.com/c/casparhesselager

[Editor: Do you have any tips, tricks or fun techniques with any of the gear mentioned in this interview? Leave a comment]