Ricard Magnusson – Wheel

1. Favourite knob/fader/switch on a piece of gear and why?

The boring answer is the Cutoff! It’s probably my most used knob after all… If I choose to interpret the question from another angle, and discuss the overall feel of my favourite knobs, I’d say the knobs on my Novation Peak. There is a stiffness to them that makes them feel sturdy and reliable, and a rubberized texture that is really great. The Peak feels like it could survive anything! For me it’s really important to connect with a synth on an aesthetical level, an UI level. It needs to look and feel great and be inspiring. For me that’s the whole point of hardware!

Novation Peak

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Elektron Model Cycles

There are two pieces of gear that I have recently owned that I liked a lot, but had some shortcomings. First off – The Elektron Model Cycles. Fun, cheap, and almost everything you do on it sounds good. But I really would have liked individual outs on all tracks and the ability to play it like a 6 voice poly. The other thing is the JU-06A, which also is a fantastic piece of kit that just sounds awesome. But why only 4 voices… Bugged me a lot!

Roland JU-06A

3. What setup do you bring on holiday/tour/commute etc.?

Since my computer is the only thing I can’t do without when producing, I’d have to start off by saying my Macbook Pro. Just bought the 2020 13” which is a perfect size for me. My Keystep usually tags along as well, it has great feel in the keys and a good size. Add my Beyerdynamic DT770 Pro headphones and I’m all set! All I actually really need, holiday or not!

Macbook Pro and Beyerdynamic DT770 Pro

4. What software do you wish was hardware and vice versa?

There is a piece of software I always dreamed of having in hardware form: The Sonic Charge Microtonic drum synth. I use it all the time and in all my productions. I really like hardware drum machines, and would really enjoy getting hands-on with the Microtonic in a fully analog hardware form. I would really like a software version of the Boss Tera Echo pedal. Maybe there is one that I haven’t found? I mainly use software effects to be able to tempo sync easily, automate parameters etc, and the Tera Echo is the only thing I haven’t really found a software equivalent of.

Boss Tera Echo TE-2

5. Is there anything you regret selling… or regret buying?

This is a hard one… I have a complicated relation to hardware (even wrote an editorial about it: https://producerhive.com/editorial/confessions-of-a-compulsive-gear-flipper/). I constantly buy and sell stuff. Basically, I regret buying almost everything. I kind of regret selling the Sequential Circuits Pro One I used to own in my 20’s (by the start of the millennium). I owned early on, when I was just getting into synthesizers. I have realized that I didn’t appreciate it enough when I had it… Would love to turn back time an own it again, a beautiful and fun machine! The only synth by Dave Smith that hasn’t failed me… I had a Prophet rev 2 that I had to replace the main controller board on, even though I bought it brand new. Had a Tetra recently with a dead sub oscillator and bad LCD-display. Also owned a Prophet 08 Desktop with encoders that had a life of their own…

Guts of a Prophet rev 2

6. What gear has inspired you to produce the most music?

I’d have to say Omnisphere. I keep coming back to it. It has a preset library that never ends, and great modulation options. It always leads me to exciting places I didn’t know existed. When it comes to hardware it’s probably my Novation Peak. It has a perfect balance between complexity and easy tweakability.

Novation Peak and Arturia Keystep

7. If you had to start over, what would you get first?

Nothing. Well, not really, but I would try to not get too hung up on getting the “right stuff”. Give me a Mac laptop and I’m good to go. I started out with nothing but my computer, not even a midi keyboard. I just entered notes in the Piano roll (in Cakewalk, at the time).

8. What’s the most annoying piece of gear you have, that you just can’t live without?

I’m trying really hard to live by the code “Don’t get stuff you can’t do without”. But I guess it’s my computer. Can’t do without it when it comes to music making. It’s also many times a source of frustration. I have a new computer now, but the one before it was a real pain. I accidentally poured a cup of coffee (my biggest addiction) over the keyboard, which made it act really irrational. Had it like that for like 6 months before I gave up and got myself a new computer! Computers have historically been a big source of annoyance for me, mostly due to failed hard drives. Nowadays I have a rigorous backup solution, so nothing gets lost.

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Maybe not that surprising, but at the moment I’m really into random waveform LFO’s, that are key synced. I really like making sequences where each note played gets a random modulation of some parameter. On the Peak you can modulate just about everything which is great fun!

Artist or Band name?



Electronic music, mostly quite chill. A reviewer once called it Chill-glitch, which kind of sums it up quite well!


Ricard Magnusson aka. Wheel

Where are you from?


How did you get into music?

Started playing a nylon string guitar, inspired by my grandfather who played classical guitar. My dad and brother also played a little, so there were always guitars around. Moved on to playing with a progressive death metal band in the mid-nineties. Kind of slowly digressed to synth driven, electronic music from there… How did that happen?

What still drives you to make music?

I need to have a creative outlet that is not about demands or goals, just about being creative and reaching a flow state.

How do you most often start a new track?

I’d say with a pad sound. Most of the time it doesn’t stay in the production, but I’ve always been a sucker for pads, and I use them to set the mood of the production and get some basic chord progressions going.

How do you know when a track is finished?

When I can listen to a track and not instantly come up with things I would like to change, it’s probably close to finished. If I feel the same after not listening to it for a day or two, it’s probably done!

Show us your current studio

It’s constantly changing, and I change up my gear all the time. But the pic shows the current state!

Best creative advice that you’ve ever heard?

Wow, there are lots of advice floating around and I’m guilty of a few myself… But the one thing I try to remember is to not overthink my productions. Let go of the fear and just release stuff!

Promote your latest thing… Go ahead, throw us a link.

Sure thing! Make sure to check out my editorials at producerhive.com, where I write about the connection between the mind and music production/creativity. You find it all here: https://producerhive.com/author/ricardm/

The latest single I released is found here:


Close your Eyes – Wide Open

1. Favourite knob/fader/switch on a piece of gear and why?

Feedback knob on my Strymon El Capistan dTape Echo. I like balancing on the edge of a wild totally uncontrollable feedback. Or even crossing this edge sometimes 🙂

Strymon El Capistan

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Red Panda Particle 2.  For me it’s a perfect granular delay pedal. It can go from gentle reversed echoes to the wall of glitch and chaos in sound. And it’s stereo! It is important, as I use to process synths, drum machines or even groups of tracks through it.

Red Panda Particle

3. What setup do you bring on holiday/tour/commute etc.?

I’ll go with Digitakt and Hokema Electro Kalimba. Digitakt is an in-a-box workstation which allows sketching, playing jams on my own or with fellow musicians, and almost to do a finished track, while this kalimba is just tiny magic.

Elektron Digitakt and Hokema Electro Kalimba

4. What software do you wish was hardware and vice versa?

It’s a tricky question, because all of my favorite plugins already have hardware prototypes. At the same time, I’m not a big fan of software to wish anything hardware turned into soft.
Nonetheless, recently I discovered amazing plugins by Puremagnetik. Although they obviously have some hardware inspiration, the plugins are truly unique and have strong personality in sound and usability. So yes, I wish I could have these in hardware.

Puremagnetik Plugins

5. Is there anything you regret selling… or regret buying?

The only thing I got rid of without any doubt was an AKAI MPK249. Don’t get me wrong, it’s amazing midi controller which is perfect for its purposes, it just doesn’t work for me personally, cause I’m not really a controller-kind person. In this case I clearly realised that I cannot rely on computers in creating music. With this MPK249 in setup, I had an almighty controller and a laptop with awesome software, but I couldn’t come up with any idea for weeks.  Being honest, I actually don’t regret buying it, because it helped me finally to understand that midi-controllers are not my thing, speaking on composing workflows.
Talking about selling, I didn’t sell that much to regret something.

APC Key25 (the midi controller that stuck around)

6. What gear has inspired you to produce the most music?

Definitely my piano. If you’d do me the favour to call it “gear” 🙂

Piano money shot

7. If you had to start over, what would you get first?

No surprises — a piano! 🙂

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Definitely any computer. Now I set myself a goal to reduce the computer part in my music production and live sets. However, I’m far from this right now, the computer still does lots of work. I don’t like endless possibilities which computers give, preferring a simple gear which is capable of very limited things — but does it perfectly.


9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Turning a three-headed cassette recorder into a tape echo by creating a feedback loop on a mixer. I do it with my Marantz PMD 222, it sounds lovely.

Marantz PMD222

Artist or Band name?





Close Your Eyes wide open

Where are you from?

Saint Petersburg, Russia

How did you get into music?

Melodica, Ukulele and Xylophone

I was obsessed with the idea of playing guitar in high school, so I tried to self educate. I played several bands, something like indie/funk/rock, we all know this good old story. Then I realized that composing music with the band doesn’t work for me personally, and no matter how awesome the band is. So I quitted all bands and started to search how I can do music on my own. This led me to electronic music — as a field where I can compose and perform alone. Nonetheless I still love acoustic instruments, therefore I use a lot of them in my production. Like ukulele, melodica, kalimba, flute, toy pianos, obviously not to mention guitar and piano. So the outcome is an electronic music filled with tricky processed acoustic instruments.

Pedals and Toy Pianos

What still drives you to make music?

A conviction that for me it’s the very best way to communicate with the world and to release feelings and ideas that I carry inside.

How do you most often start a new track?

I start with a piano or polyphonic synth mostly. The very first thing is the sound. Usually, I need to prepare my  piano with felt because a quiet sound with a lot of rustle going on is what I really like, and also do some experiments with mics positioning. At the same time I may apply some effects like delay or granular stuff because these effects  drastically change the way I will play the piano. When the sound is ready, the next step is to come up with a nice chord progression or/and melody. At this stage I try to catch the idea of the whole track with all its changes and turning points, and then use other instruments to amplify the emotions which are already included in the piano part.

Behringer DeepMind 12

How do you know when a track is finished?

I listen to it a lot. Mostly while walking in the streets, I listen and ask if I want to add something or get rid of it. When everything’s fine, it’s finished.

Show us your current studio

Close Your Eyes Studio

Best creative advice that you’ve ever heard?

There were two actually.
1) Listen to your most inner voice. You have a lot of inner voices, but there’s one that always was there since your early childhood. Find it and listen to it.
2) Start to compose with the opposite of what you used to associate with yourself. You will add all this to your common features later, but the start should be far far away from your familiar territory.

Promote your latest thing… Go ahead, throw us a link.

Well it’s been a while since I released new music, but something new  is coming really soon, so I’ll leave these links in case you want to stay in touch:
(here I share most recent news, studio sketches and some daily music related routine)
(here I share live sets, both electronic or acoustic, gear demos, tutorials and all this YouTube stuff 🙂
And if you want to support what I do, you are always welcome to my bandcamp