Vincenzo Gabriele – Estelle Avenue

1. Favourite knob or fader or switch on a piece of gear and why?

Akai s612 sampler

It would have to be the start and end sliders on the Akai s612. I love the immediacy of playing with those sliders and reversing the sample with my fingers. That tactile feel lets me feel more connected to the sample.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

It would have to be the EMU Command Station. I love the sound it puts out. Plus the 16 track sequencer and hands on real time sound manipulation that can be had. If I could change something about it, it would be to save presets and programs better.

EMU Command Station

3. What setup do you bring on holiday or tour or commute etc.?

Just my iPhone running Koala sampler with either AUM or EG Nodes. I usually can create something I’m happy with using that, without the worry of having expensive pedals/synths/samplers broken, lost, or stolen.

Koala sampler

4. What software do you wish was hardware and vice versa?

BACKMASK by Freakshow Industries. It’s some type of reverse, but more than just a regular reverse. Whatever it’s doing is usually pretty wild, but sonically pleasing.

Backmask by Freakshow Industries

5. Is there anything you regret selling… or regret buying?

My brother and I bought a Studer A820 8 Track 1 inch machine from a local radio station. Low hours, pristine condition. We made some great recordings, just recording super hot at 30ips. We never did any maintenance on it and so one day (surprise, surprise), it stopped working. I definitely don’t regret buying it, and we haven’t sold it, so I can’t regret selling it. LOL!!
I regret not being able to fix it. (but hope to one day)

Studer A820 8 Track 1 inch machine

6. What gear has inspired you to produce the most music?

The Hologram Electronics Microcosm. Once I got that, it allowed me to start thinking outside the box. Giving old cheap keyboard/samplers a whole new lease on life. It inspired me to try and run different things through it to see the outcome.

Hologram Electronics Microcosm

7. If you had to start over, what would you get first?

Most likely the most powerful iPad Pro I could possibly afford. I believe they are capable of producing incredible results, in such a fast, efficient, portable, and sonically pleasing way.
I just enjoy plugging and unplugging things more. Twisting knobs and pushing faders is satisfying too.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Chase Bliss Habit. I don’t know exactly what it’s doing, but I need it on all the time.

Chase Bliss Habit

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

If you split your bass into two channels and run one into the mic input of the Akai S612, and the other direct, (essentially using the Akai as a distortion) you get a bass that really rips and cuts through the mix.

Akai S612

Artist or Band name?

Estelle Avenue

Genre?

Experimental Lofi Ambient Sound Texture Moments

Selfie?

Vincenzo Gabriele aka. Estelle Avenue

Where are you from?

Italian descent
Born and raised in Toronto, Canada

How did you get into music?

My parents bought my sister, brother, and I a Casio keyboard when we were young. I didn’t think much about at the time, but it must have had some affect on me.

What still drives you to make music?

I love creating something new when I can. It’s very therapeutic. A creative outlet.

How do you most often start a new track?

I try to go and create whenever I get the itch to.

How do you know when a track is finished?

I don’t really create tracks. Just moments.
Create something. Upload. Gone forever.
I’m not going to play it live or try and recreate it somewhere else.

Show us your current studio

Tempera Beetlecrab Audio
EHX Q-Tron and Memory Man
Walrus Audio R1 and buddy
Rack FX

Best creative advice that you’ve ever heard?

Don’t take yourself too seriously. Enjoy the process and have fun.

Promote your latest thing… Go ahead, throw us a link.

https://www.instagram.com/estelle.avenue


M. Beckmann – Post Droner

1. Favourite knob or fader or switch on a piece of gear and why?

Count to 5 by Montreal Assembly

The “E” switch on Count to 5 by Montreal Assembly, specifically on mode three. I love the eight seconds looping mode and that switch is the one that allows you to add a second and a third playback of the same loop, also reversed and pitched up or down, chromatically or at different intervals. I love the ability to abruptly add some sped-up elements.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Since I primarily loop stuff, I have to go with Blooper by Chase Bliss. Even though it has a 30 seconds limit and it’s mono (which contextually is what I would change), it’s a very powerful and versatile looper, and I could probably perform just with it – and say a guitar and reverb, or OP1, or a keyboard in general – and get plenty of inspiration.

3. What setup do you bring on holiday or tour or commute etc.?

Usually on holiday (since I don’t do many livesets) a backpack with my norns and grid by monome, OP1 field and a stereo pedal – Zoia or Mood MkII, or Walrus M1 – maybe now the latest addition, Chroma Console.

4. What software do you wish was hardware and vice versa?

Ridgewalk iOS app

I recently discovered Ridgewalk by Aqeel Aadam as AU on my iPad and I really love it, an original and accessible take on a looper/delay/granulator. I’d love to have it in pedal form. I guess I would expose my laziness by saying that I’d love to have any Spitfire library on hardware – because I could “just” learn cello or something. Though, since I love portability, I’d love if they could do some cheaper libraries for OP1 or stuff like that. That would be great.

5. Is there anything you regret selling… or regret buying?

I regret selling my 2019 monome norns shield. After I got my hands on the original
manufactured by monome, I kept it for 6 months or so, and then I decided to sell it. I really wish I didn’t, norns scripts are a real source of fun and potential ambient-electronic bliss, and having a couple of units should be really nice in a live DAWless setting.

6. What gear has inspired you to produce the most music?

Probably a tie between the app Samplr (I started 14 years ago heavily using iPad for making music) and the OP1 (I had the OG before the field), mainly for their sample mangling and looping capabilities. I love treating dusty recording as samples or loops, and both excel in that.

7. If you had to start over, what would you get first?

If I had not much money I would start over just like I started 14 years ago, which means an iPad and apps in the AUM ecosystem. I think iPad music making is also a good combination of software flexibility and tactile experience. There’s lots of inspiring stuff to explore. If I had plenty of money I would go modular – always in a sample-oriented way, like granular and looping modules above all. That’s very tempting!

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Zoom H6

My Zoom H6 recorder, it is annoying in that it is old and also for the fact that five years ago or so I decided to set the screen as always backlit when powered on: the constant high brightness level started whitening the corners about 3 years ago and now the display is all white except for a central circle, where I can barely see the levels. I will need to change it some day.

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

Pladask Baklengs

This is not so much a trick or tip on a piece of gear, I probably have very little wisdom in that regard, but something I find useful to balance my dark EQ instinct, so to say. I very often tend to cut a lot the high frequencies while recording, but I do know that “they are good for me”, so I started using Baklengs by Pladask Elektrisk in its octave up mode right after Blooper, which creates a fluffy and digitally-warbly higher pillow of sound to lift up the whole piece. I mix it in as I go.

Chase Bliss Blooper

Artist or Band name?

M. Beckmann / the volume settings folder

Genre?

Ambient-drone-post rock

Selfie?

M. Beckmann / the volume settings folder

Where are you from?

Padua, Italy

How did you get into music?

Gawd, it’s been a journey! I was into techno-eurodance stuff between 7th and 9th grade, then a friend at school lent me a copy of Mechanical Animals by Marilyn Manson, and I was hooked. From mainstream modern metal (here is where I started playing guitar, obviously) I started exploring the fringes – drone, post metal, post rock, ambient, electronica… and here I am!

What still drives you to make music?

I love making sounds and compositions that evoke the feeling of nostalgia, even if it’s not attached to a particular event or person (I recently found out that this is called anemoia, the nostalgia for a time you never experienced). That’s it. Better making this music myself than waiting for someone else to please my taste.

How do you most often start a new track?

By throwing a couple of chords – or a melody if I’m really inspired – into my pedals, start looping and building up from there.

How do you know when a track is finished?

I always finish a track – and by that I mean that since my approach is mainly improvisational and recorded on the spot, I can’t and I don’t want to treat it much further on my DAW (even though I sometimes do it). In fact, the feeling of knowing that I will not need to expand on what I recorded with some post-production is what makes me say that I did something good and I can consider it finished.

Show us your current studio

Table of fx pedals
Studio desk

Best creative advice that you’ve ever heard?

To force yourself into using sounds or gear that you don’t like in principle, or make you uncomfortable, and incorporate even bits of these into your music. I don’t always put it in practice, but I have to admit that when I do the results are very good, more original than usual. I can’t remember who said this.

Promote your latest thing… Go ahead, throw us a link.

Here’s a link to my bandcamp page with the latest releases, and to my social network pages:
https://linktr.ee/thevolumesettingsfolder


Aage Johnson – Sounds like ‘Oh’

1. Favourite knob or fader or switch on a piece of gear and why?

The mighty Hammond Organ

After giving this a lot of thought, I must admit it’s the power switch on almost any piece of gear. If not all gear. Being a Hammond organ player by heart, it’s always a bit of a cliffhanger, if the instrument will work or even turn on from one gig to the other – and with newer synths, the joy of seeing the lights flicker across the instrument when turning on, is pure bliss! The rest seems purely functional, but that first way of making contact with the instrument by turning it on does it for me. That almost sounds wrong.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

What first comes to mind is my Holy Grail (old reverb pedal). It has one knob: reverb amount. There’s absolutely nothing I would change on it. If not that, it’s gotta be the Korg MS-10. Super simple and perfect for what it can do and does. If I could change anything, it might be another oscillator – or the possibility of hearing a polyphonic version of it. Oh, and midi.

EHX Holy Grail

3. What setup do you bring on holiday or tour or commute etc.?

Holidays and commutes is where I bring the outcome of other people’s gear and ideas: their music. Since most of my worklife is based around music, holidays are not really a thing. Other people’s holidays are my busiest times of the year, and… well, as musicians, we don’t really take time off, do we? There’s always some sort of music going on… and this question got me thinking: if there was a piece of gear, I could bring – and this is sort of a dream for me – it would be the Vongon Replay. I don’t own one, and unfortunately never tried one, but wow… just look at it!

Vongon Replay

4. What software do you wish was hardware and vice versa?

I only use Ableton when it comes to software, but definitely wouldn’t wish all my hardware had turned to software overnight.

5. Is there anything you regret selling… or regret buying?

I bought an MS-20 and an MS-10 in 1998 and paid 2100 Danish kroner (about 300 dollars) for both of them. However, they seemed to be broken, ‘cause none of them produced more than one note at a time. Disappointed as I was, I sold them again for 2500 kr.
I did, however, buy an MS-10 a few years back, and love it to heaven and back.

Korg MS-10

6. What gear has inspired you to produce the most music?

The Hammond Organ. No doubt. The simplicity and it’s way of letting it sound like you can actually play, when all you do is just switch between a couple of keys and know your C7.

Hammond Organ

7. If you had to start over, what would you get first?

A band. Definitely. That has always been the main reason for playing music: hanging out, sharing stories and creating music. Dreaming.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

The Roll’or’kari’s (dolly to haul the Hammond B-3 around). It’s heavy as hell, even by itself, and then you slap them on a 150 kg organ and carry them both. Hate it.
If it’s playable gear, it would be the Chase Bliss Mood. Not even the MKII. The first one ‘cause it’s such a beautiful piece of aesthetic wonder. Can make anything sound good and musical. Thing is, I still don’t really know exactly how it works or what it does and when it does it. Sort of like eating food when on vacation. You don’t really know what it is, how it tastes so good or what the consequences will be…
When it comes to annoying gear, that I wish I could sell, it’s the Chase Bliss CXM 1978. I wish I’d just sell it, but it just sounds so damn good. And those motorized faders… (getting chills just typing this)

Chase Bliss CXM 1978

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

Ooooh, this is a great question! Nikolaj Svaneborg from Svaneborg Kardyb taught me this trick for the Juno-6 and 60’s:

Set the resonance at 7 or 8, set the ‘kybd’ knob to 10, turn off all three oscillators, set the filter to 10 and then slide the fader down until tones start to come out. You can tune it quite precisely, but you never get it to tune perfectly – that’s the charm:-)

This sound can be heard on the track ‘Balancen’ from their newest album.

Juno-6

Artist or Band name?

The Orgelheimers, Nairobi Auto Service, Me Llamo Speedos and Hippie Da DA

Genre?

Hammond stuff, Ethiojazz, souljazz, surf, electronica, calm stuff

Selfie?

Nikolaj Aage Høi aka Aage Johnsen

Where are you from?

Copenhagen based

How did you get into music?

Wanted to hang out with the kids playing music in the small town I grew up in. It was an easy transition from skateboarding into music.

What still drives you to make music?

Good question. I’ve been low on drive for a while. The hassle of playing live, working with musicians (who run different notions of time and professionality) and a general “Why do we do this? Why do people need to hear this?”. And frankly, this is still a question for me. The key so far is sharing. Bringing music to people for whatever reason. As long as it means something. As long as it matters.

How do you most often start a new track?

By hearing a melody, beat or bassline in my head.

How do you know when a track is finished?

Usually doesn’t take long. when there are no more ideas that present themselves in relation to the piece I’m working on. Sometimes it’s as simple as others saying: “I think it’s great like this!”, then it’s done.

Show us your current studio

Studio space

Best creative advice that you’ve ever heard?

“No matter how much you practice, you can’t run away from who you really are”. Meaning: you are you, and you’ll sound like you. That’s who people go to see/listen to. They don’t listen to you to hear Bowie or Engelbert Humperdinck.

Promote your latest thing… Go ahead, throw us a link.

Maybe this odd piece:
https://www.youtube.com/watch?v=L6hVgcTTGJg

Thanks for reading:-)