Stegonaute – Lofi Thought

1. Favourite knob or fader or switch on a piece of gear and why?

Redson EC25 Repetition knob

I’m in love with the “repetition” knob (in French on the device) of my Redson EC25. It turns most chord progressions into space travel. The result can be extremely soft, with ethereal echoes, or very violent with destructive feedback. I use this (very lofi and cheap by the way) echo chamber as an instrument in its own right.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I don’t have ONE perfect kit, I like to navigate between my different devices. I will consider a perfect kit for one week before using another exclusive for the next. That’s what I like and that makes me never get bored.

3. What setup do you bring on holiday or tour or commute etc.

Travel setup

I like to travel with the Arturia Microfreak because it is small, light and runs on usb battery. And when my children give me permission, I use their Nintendo 3DS with the Korg DSN12 program, which is a surprising emulation of the Korg MS10. I also bring a Sony TCM200 tape recorder to play with the different playback speeds. And of course on my Zoom H5 to record.

Nintendo 3DS with the Korg DSN12 program and a Sony TCM200 tape recorder

4. What software do you wish was hardware and vice versa?

I would love to have the equivalent of Arturia’s “Fragments” plugin in pedal format. It’s a very inspiring granular processor, which can totally change a drum beat or a synth pad. I don’t use it as much as I would like because the computer is almost completely absent from my creative process now.

Arturia’s Fragments vst plugin

On the other hand, I haven’t found an echo plugin as dirty as my Redson EC25, all the space echo emulations that I have tested sound much too clean, even with an old tape simulation. So I would say a cheap tape echo plugin.

Redson EC25 Tape Echo

5. Is there anything you regret selling… or regret buying?

I have a love-hate relationship with the Arturia Minibrute (MKI), which I’ve bought, sold and repurchased several times. So I would say it is perfect to answer the 2 questions haha.

Arturia Minibrute

6. What gear has inspired you to produce the most music?

It’s hard to choose between my Fostex X14, which introduced me to the world of tape looping, and between the Arturia microfreak which allows me to compose outdoors, whether in the forest or on the top of a mountain.

Fostex X14

I have the Fostex for 18 years, and the Microfreak for 2 months. This makes me happy because I think there are always new things to discover and explore.

Microfreak

7. If you had to start over, what would you get first?

I think I would take a Mac and a UAD interface directly. I lost too much time with the computer, with my current system I almost forget it.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Except my computer, nothing bothers me yet !

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

I recently discovered that with a tape multitrack recorder like my Fostex I could play tapes recorded on normal devices in reverse mode. Combined with the different tape speeds, it’s pure happiness !


Artist or Band name?

Stegonaute

Genre?

Euuuh… Lofi, Trip Hop, Ambient ?

Selfie?

Stegonaute

Where are you from?

I live in a small village in the south east of France

How did you get into music?

I started at the age of 12 with the bass, then with the guitar.

What still drives you to make music?

I like exploring new sounds, traveling and letting myself be carried away. It’s my main way of expressing myself.

How do you most often start a new track?

Stegonaute’s piano covered in FX

I start most of the time on my acoustic piano, even if I don’t know how to play it. I like the fact that there’s no need to turn it on, it’s even faster than plug and play!

How do you know when a track is finished?

NEVER ! I stop working on it at some point in order to move on. Releasing EPs on the platforms allows me to say to myself “it’s over, I’m not touching it anymore!”. Otherwise I’ll still be working on it…

Show us your current studio

Stegonaute’s studio

Best creative advice that you’ve ever heard?

Put your phone in airplane mode.

Promote your latest thing… Go ahead, throw us a link.

Instagram @Stegonaute

Here is my latest EP : https://stegonaute.bandcamp.com/album/freefall

and my YouTube Channel


[Editor: There are affiliate links to the relevant gear throughout the articles. It helps to support this blog. In fact, should you be needing some patch cables or guitar strings. Then clicking on one of the above links and buying any product that you prefer, will help the blog… doesn’t even have to be the ones in the link. Thx]


Kevin Paul Cahay – EuroGuitaRacker

1. Favourite knob/fader/switch on a piece of gear and why?

Teisco Rack Delay

My favorite knob is the volume knob on my old Teisco delay rack, you can be really precise with a knob of that size.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Fender Jaguar

With years spent playing music I never felt the feeling of perfection, I always change and so does my instruments/gear. Yesterday was my lovely Fender Jaguar, today is my modular synthesizer, tomorrow… I don’t know yet. It’s difficult for me to focus on one genre/project, I want to know and to do everything. And my modular synthesizer is the proof, at the beginning I wanted a sort of a west coast synthesizer, after focusing on textures and now a little bit of everything. But now I’m more confident, so I’ll say my modular synthesizer, because I can change a little thing to do utterly beautiful things.

Suitcase Eurorack Modular

3. What setup do you bring on holiday/tour/commute etc. ?

ID700 Buchla iOS app

Either I go on holiday or for a walk (even at work, but don’t tell anyone) I always bring a tape recorder with me.

Also my iPad, with some granular devices, Quanta or the new emulation of the Buchla 700.

4 track and walkman

I like compact gear, recording sounds in the daytime and processing them at night time.

Night time processing

4. What software do you wish was hardware and vice versa?

I’d really like the Music Mouse from Laurie Spiegel in a hardware form for sure, it’s easy enough to program something lovely and yet complex enough to explore a lot of different paths. 

Music Mouse from Laurie Spiegel

5. Is there anything you regret selling… or regret buying?

« Regrets, I’ve had a few, but then again, too few to mention » 

All gear eventually fades to bokeh

I don’t regret any purchase or sale, it was the right time for every separation or acquisition. But who knows ?

Kalimba and Big Muff

There is an adaptation time for everything, especially electronic devices, you see a video or test it for fifteen minutes, and then at home it’s not the same. So you have to delve into it and learn it better to find out if you really like it. Not taking enough time is a common mistake that I made several times…

But don’t feel ashamed or guilty, it’s the right path. Once you know, what you don’t like, it gets easier.

A glutton of gear from above

6. What gear has inspired you to produce the most music?

I think it’s my newly acquired Akai tape recorder, I’ve been messing around with cassettes for quite a long time, but to have a bigger tape to work with, cutting, editing, staring at, is absolutely marvelous.

Akai Reel to Reel tape recorder

7. If you had to start over, what would you get first?

Korg Kaossilator

I think a kaossilator and a cassette tape recorder. You can do plenty of things with the kaossilator. Also if you fool your tape recorder to do it, it’s possible to overdub without erasing anything. So yes, with these two you have a lot of different sounds in your pocket.

Cassette tape recorders

8. What’s the most annoying piece of gear you have, that you just can’t live without?

I think it’s my MicroKorg, it was my second synth (the first one was a Yamaha CS15 that broke). It has a peculiar sound, not the best keys, but I love it anyway.

Korg MicroKorg

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

A very long tape loop, I saw someone doing those kind of things on Instagram (hello, @robotmammal) and I tried for several days. After a lot of effort and moaning, I finally managed to do it ! And… it broke.

Cassette Tape Loops

Artist or Band name?

Kevin Paul Cahay.

Genre?

Free jazz ? I always wanted to say free jazz.

Selfie?

The many faces of Kevin Paul Cahay

Where are you from?

I’m from Paris/France.

How did you get into music?

Since I was born, my parents were listening to music loudly, and I remember dancing and jumping everywhere to Rage Against The Machine and Weezer.

But at the age of ten I told myself that rather than listening to music I could play it ! So I asked for an electric guitar on my birthday and began to compose some songs and record them with my phone or on Audacity (via the computer microphone…) After that I created my artist name « tomorrow massacre » (tomorrow because one of my favorite song is called tomorrow by The Human Instinct, and massacre because of the Brian Jonestown Massacre) and had a band for a couple of years going on tour, recording albums.

After we broke up, I was alone and wanted to do something else, so I began to have an urge to play modular synthesizer, explore new sounds and embrace experimentation without the intro/verse/chorus thing.

I did my first EP at the beginning of 2021 and I’m planning to have another one out this year as well.

What still drives you to make music?

Everything.

Grundig EN3 Dictaphone… shaving the sky

How do you most often start a new track?

Nothing is really planned, I always want to try a lot of things (like a video I did with 5 delay pedals) and then something that I like appears (and sometimes not).

How do you know when a track is finished?

Nothing left to add

When I want to add something, but it doesn’t sound good at all.

Show us your current studio

Analog goodies
…and eurorack buddies

Best creative advice that you’ve ever heard?

My French teacher in high school always told me « when there are three words there are two too many » , and I apply this to my music.

Promote your latest thing… Go ahead, throw us a link.

For the moment it’s my EP called « Ruina Sequenti » : https://music-is-kevinpaulcahay.bandcamp.com/album/ruina-sequenti

… but check my personal Bandcamp soon enough:

https://kevinpaulcahay.bandcamp.com


[Hey YOU my dear Reader, it’s Martin the Editor here: I gotta ask, coz it’s been bothering me for a while… how would you suggest that I could encourage more commenting on the this blog? There’s like zilch happening and it’s kinda bumming me, as well as the google search algorithm, out 😉 ]


Vincent Ligny – Analog Gr’ Owl

1. Favourite knob/fader/switch on a piece of gear and why?

Moog Filter Knobs

It’s more emotional than technical. My first machine was the MOOG Mother-32. Experiencing the Moog sound in such a small object, put me in a certain state. The first knob turned was the cutOFF (not boring at all) and resonance. Discovering this sound palette, its depth confirmed to me, the idea that musically and emotionally, I had made the right choice.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Moog Matriarch

I recently acquired the Moog Matriarch which to my eyes represents the perfect synth. A sublime musicality, a grain that is both historic and modern and semi-modular! Accessibility is total. The stereo mode, combined with spacing, stereo delay and modulations, allows you to create beautiful sweeping effects without external effects.
A rediscovery every time.

3. What setup do you bring on holiday/tour/commute etc.?

For the holidays, OP-Z, OP-1 and my Master and Dynamic MH40. Travel light for a maximum of possibilities. 

OP-Z, OP-1 and Master and Dynamic MH40

4. What software do you wish was hardware and vice versa?

I fantasize about the Valhalla VST in a physical multi-effect box. We know their precision, but aesthetically, putting steel around these effects would be magical.
Surely the OTO Biscuit as digital software would be great! Unique ability to mute or invert each of the 8-bit converters, not to mention the effects sections: Waveshaper, Delay, Pitch Shifter and Step Filter … a beast.

[Editor: I’ve just been told on instagram that there is in fact a software version of the Biscuit by Softube … All hail ye great internet brain!]

Oto Biscuit

5. Is there anything you regret selling… or regret buying?

I sold a few years ago a Fender Coronado 2 Rosewood Sunburst from 1966. Ultra thin neck and a fantastic clarity in sound, crystalline even. A twinge of heart every time I cross paths with a photo. I’m trying to find one in lake placid blue.

Fender Coronado 2

6. What gear has inspired you to produce the most music?

My Moog Matriarch and modular system. It is just easy to get lost with these two machines and I easily arrive at hypnotic sequences, percussive arps, pads without necessarily messing around. I like it to be instant and not overly thought out. The best often happens through mistakes, little misses.

Eurorack modular

7. If you had to start over, what would you get first?

I think I would turn to the Korg Minilogue (XD).
An easy to understand deck, a clean, polyphonic look.The pleasure is immediate.
The OLED oscilloscope shows you, in real time, how your waveform changes as parameters change, giving you visual feedback on how to shape your sound. Perfect for beginners.
Considering all of its features, this synth alone unites all the advantages of a vintage synth, but with an elegant and practical interface that is decidedly modern. The price is also within the budget of a musician today (very affordable).

Korg Minilogue XD

8. What’s the most annoying piece of gear you have, that you just can’t live without?

The Yamaha Portasound PS-1, piano, organ, clarinet, sustain > (deplorable) but coupled with a Microcosm (Hologram Electronics) and / or an OTO BAM reverb, you get to draw sublime ambient pads. I love it, I bought it for my son, I hope he will love it too.

Yamaha Portasound PS-1, Oto Bam and Hologram Electronic Microcosm

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

The Midi/config Shiftmode allowing onto to completely destroy the pattern and do lots of soundscaping, press then FUNC + No to reload pattern and we are back to the original. The ultimate live combo, but it’s also just an ergonomic pleasure. Thank you Elektron.

Elektron Digitone

Artist or Band name?

Vincent Ligny

Genre?

Ambient / Cinematic atmospheres

Selfie?

Vincent Ligny

Where are you from?

France. Bois-colombes, small town next to Paris.

How did you get into music?

My grandfather played classic guitar, my father played folk. I naturally started bass and guitar.
I listened to a very wide spectrum, different musical genres, but I crossed into electronic music and started to experiment with that, about 6 years ago now.

What still drives you to make music?

It’s just inexplicable. It is inseparable from my way of living or rhythm of my daily life. It is a need. Electronic music opened me up to wider fields. There are no limits.

How do you most often start a new track?

There is nothing written, nothing parameterized. The first notes are imperfect. I ask myself, I run a sequence, then I develop, I make mistakes. Sometimes it doesn’t work, sometimes it’s a wonderful surprise.

How do you know when a track is finished?

When I hesitate to bid, to drown. Now is the time to stop.

Show us your current studio

Home Studio

Best creative advice that you’ve ever heard?

It is not necessary to know the music, only to feel it.

Promote your latest thing… Go ahead, throw us a link.

I appeared on a vinyl compilation from a young german independent label Deeptape Records: 
Deeptracks Vol1
Vincent Ligny – Velvet
https://deeptaperecords.bandcamp.com/album/deeptracks-1-2
 
I’m working on a 3 track EP – Pio’s journey which should be released normally at the start of 2021.


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]