1. Favourite knob/fader/switch on a piece of gear and why?
Moog Mother-32
I guess Vcf mod amount from Mother 32. They allow you to make some good movement with this juicy Moog filter.
2. Do you have an ‘almost’ perfect bit of kit? What would you change?
The combo DFAM and mother 32. The only think I would change it’s maybe put them all in eurorack case with some effect and output mixer.
Moog DFAM and Mother 32
3. What setup do you bring on holiday/tour/commute etc.?
My three tier rack Moog with Mother 32, DFAM, Malekko voltage block and the Lyra 8 !
Moog and cables
4. What software do you wish was hardware and vice versa?
I learned how use tracker with Renoise two years ago, it was really fun and now Polyend or Nerdseq is here as hardware. I really hope to integrate this kind of sequencer in my set up one day, but actually I don’t really need them now.
Meris Polymin, Zvex Instant Loop Junky and Earthquaker Devices Afterneath
For software I don’t really use a lot, except plugins for effect and mixing. I recently bought a Polymoon by Meris, very fun. Maybe having Polymoon or Mercury 7 as a plug would be very cool, for use as send effect or something like this.
5. Is there anything you regret selling… or regret buying?
I miss my Moog Minitaur and my Digitakt, but sometimes you have to make choices…
Elektron Digitakt
6. What gear has inspired you to produce the most music?
Always DFAM and Mother 32. But Soma Lyra 8 can offer you lot of weird and limitless possibilities, and I really like to use it’s external input for other gear, it’s very exiting.
Soma Lyra 8
7. If you had to start over, what would you get first?
I bought the Arturia Beatstep Pro a few days ago, and I guess if I have to start over I go directly to my Beatstep Pro and control everything in a eurorack system with it. Two voice synth with complex oscillators for example, drums and lot of cool stuff.
8. What’s the most annoying piece of gear you have, that you just can’t live without
Maybe my Minilogue, because I don’t really use a lot actually, but sometimes I just plug it into an effect pedal, play with my own hand and I can trip out for a long time. So I keep it…
9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?
Yeah, I have a some good patches, I used this for my video BuGzZ. It’s on the Mother 32:
noise out in vco lin fm.
Lfo tri out in mix 2
Pitch out (DFAM) in mix 1
KB out in vc mix ctrl
And vc mix out in vcf cut off.
Recently I also used pitch output of DFAM to control Lyra 8 hold gate input. It’s mad!
Artist or Band name?
Stufflandsounds
Genre?
Electronic, experimental, happymess.
Selfie?
Jeremy Hernandez
Where are you from?
From France, in a little countryside town around Tarbes and Lourdes. I live in Bordeaux now.
How did you get into music?
I guess it was when I was child, I took headphones of my uncle to listen some CDs, and I found in his room the album Bjork Homogenic, Massive Attack Mezzanine, MTV Unplugged Nirvana. My mind blow up !
What still drives you to make music?
She always opens my mind to a new infinite world and it’s about shared creativity with other people. I can’t do without, even just listening music.
How do you most often start a new track?
Most of time, I’m thinking in my room, I see my gear, and I feel when it’s a good moment to have fun with it.
How do you know when a track is finished?
I never know… haha.
Filming can help me to say « it’s done », and next I keep my project to have some post production, edit, mixing, etc.
Show us your current studio
jeremy Hernandez’s Studio
Best creative advice that you’ve ever heard?
Stay yourself, stay daydreamer.
Promote your latest thing… Go ahead, throw us a link.
1. Favourite knob/fader/switch on a piece of gear and why?
Moog Sub37
What immediately comes to mind is the cutoff knob on the Moog Sub 37. Not very original, but I love the responsiveness of it, I use the 37 on almost every recording, and I am always modulating it by hand while recording. It’s truly just a very satisfying turn and the warmth that comes from it gets me every time.
2. Do you have an ‘almost’ perfect bit of kit? What would you change?
Roland MC101
The Roland MC-101 is a terribly fun device to work with. I have been only using that thing for the past month to produce Instagram videos while my home studio was in a transitional phase. I love how this device functions, the size and portability is great however, not being able to jump projects while performing is pretty disappointing. I’ve only played a handful of “shows” in my day, mostly when I was younger, but I solely performed on the Korg Electribe EMX-1. It was my first production station, so anything that comes close to EMX-1’s workflow is going to feel ‘almost perfect’. The MC-101 feels like a more updated, compact version of the EMX. Now that I am typing this out, I feel as though the EMX is the proper response to this question. Both have their quirks and work kind of similarly in my opinion. I do think it would be funny to play a show with only the MC-101 only on AA batteries and have the ability to switch projects seamlessly.
Korg Electribe EMX
3. What setup do you bring on holiday/tour/commute etc.?
My last large trip, I took the Digitone, Digitakt, and the Volca Drum. This was a pretty enjoyable setup however the sounds on the Volca are lacking a bit on the low end. Maybe the next trip that will be supplemented with the Roland TR-8S, which also isn’t my favorite device sound wise, but I do love the workflow of it.
Digitakt and Digitone
4. What software do you wish was hardware and vice versa?
I wish there was a plugin version of my Korg KP3. I run my mixer’s master through the KP3 and usually process sounds individually on the fly when recording. Most of the time I use it for the glitchy stutters and reverbs just to add a little variation to recordings. Sometimes when I am mixing tracks away from the studio I do wish I could add a bit more. I realize there are other far superior processing VSTs that can handle this, but I prefer the crudeness of the KP3 and the touchpad surface is very entertaining. There’s no software that I would want to be hardware, because I don’t really use VSTs. Generally, I don’t like being in the DAW so there are no VSTs that could even capture my attention long enough to invest enough time in.
Korg Kaoss Pad KP3+
5. Is there anything you regret selling… or regret buying?
The only thing I regret buying is the Arturia Rackbrute 6U. I wanted to get into modular gear so I purchased one and filled it with some gear until I could diversify it a bit more however, I had some power cycling issues with the Make Noise Morphagene. I was informed by the company and other people on Instagram that this is a common issue. I really wasn’t willing to constantly be flipping the power switch on and off simply to get one module to work. I also realized that I made more use out of the Moog DFAM and Mother32, so I decided to purchase the Subharmonicon and just replace the Rackbrute with the 3 tier Moog Semi-modular rack.
Moog DFAM, Subharmonicon, Mother-32 and a sneaky Lyra-8
6. What gear has inspired you to produce the most music?
Percussion has always piqued my interest so I would have to say the Roland TR8-S has inspired me the most over the past year or so. There’s nothing super spectacular about it, it just has a really easy workflow and I love punching random rhythms into it, hitting play, and then constructing synth voices around that. That’s pretty much how most of the tracks are made. I did however recently acquire a DSI Tempest, so I am hoping to get more familiarized with that device and devote a bit more energy to that piece when mapping out songs.
Roland TR8-S
7. If you had to start over, what would you get first?
I would immediately get a nice drum machine such as the Tempest along with a solid Moog as well. At the beginning I tried to supplement those higher fidelity options with cheaper pieces and ended up purchasing more as a result of that to find the sounds I was searching for. If possible, I believe the move is to save up for a few higher end pieces, instead of cheaper devices with weak builds and lacking synth engines. I also didn’t expect to get this into synthesizers though, so when I began making short videos on gear I was only looking for unrefined devices to just make quick songs on. But if one day I need to get rid of all of this, I would probably just keep the Tempest and the Matriarch… or something along those lines.
Dave Smith TempestMoog Matriarch
8. What’s the most annoying piece of gear you have, that you just can’t live without?
Everything that has annoyed me I have gotten rid of almost immediately, especially all of the devices I have received broken (which has been a lot). The setup needs to be easily accessible so that tracks can be created in a matter of minutes if necessary. The only somewhat ‘annoying’ thing is the sequencer on the Sub37. I really dislike that sequencer. Luckily, that was remedied when Novation sent me the Launchpad Pro to try out. If you have a Sub37, I highly recommend pairing it with the Launchpad Pro.
Novation Launchpad Pro
9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?
The retrigger function on the Digitakt definitely changed the way I approach sampling a bit. Anything that randomizes patches or samples in an effortless manner will always catch my attention. The best part of electronic music is letting the machines take control of the song.
Elektron Digitakt
EDIT (Hindsight):
Upon looking back at these questions I have noticed that a lot of big pieces I wrote about have been replaced or are in the process of being replaced. These pieces include the MC101, Matriarch, Digitakt, Tempest, and the Launchpad. There’s a lot more that has been moved out of here, but those were unmentioned previously.
A few things that have entered the studio that I have been enjoying as of late are the Tascam Model 24, Polyend Tracker, Polyend/Dreadbox Medusa, Roland MC 707, Novation Afx Station and Peak. I have been trying to size down quite a bit as a result of tentative future plans. The goal is to have a somewhat sizable and versatile studio that may load into a few separate road cases, if mapped out correctly. Another goal I have set for myself has been becoming more efficient in the producing and recording department hence the acquisition of the Model 24 and replacing the Tempest with an MC 707 and TR8S. Even though the Tempest is hard to part with, I noticed it immensely slowing down my production speed, which I really can’t afford at the moment. The Tempest is such a powerful device, but it was consuming a lot of my studio time and limiting me from moving around the studio more than I would like. Generating tracks on a fairly quick basis is something that I really value. Maybe one day a Tempest or Rytm will cycle their way into the studio, but as for right now I need to focus on not becoming so attached to devices and the fluidity of a home studio.
Artist or Band name?
Ikoseveta
Genre?
Electronica
Selfie?
Ikoseveta
Where are you from?
Middle America
How did you get into music?
My family had encouraged me to take guitar lessons when I was 8 years old. I pursued that until my guitar teacher got arthritis when I was 16. At that point I decided to move on to electronic music by purchasing a Microkorg and the EMX-1 mainly because Rou from Enter Shikari had those.
What still drives you to make music?
I’m not sure, I am just drawn to producing sound by any means. It’s not a conscious effort, I like picking things up and seeing what they can produce. It’s more fun with synthesizers and drum machines though, especially through monitors with a subwoofer. I don’t see myself as a musician or producer, I am more of a hobbyist. I am fortunate enough to have collected some nice gear and I see them more along the lines of having nice furniture. It is something to have in the room for you to enjoy on a daily basis. These devices just happen to produce noises that are very pleasing to me.
How do you most often start a new track?
Any random sequence I pull up on a drum machine.
How do you know when a track is finished?
I don’t know what constitutes as finished. I don’t put out much music anyways, most of it is either deleted or just stored in random external hard drives. If on the off chance I decide to put something out I try to finish it as soon as possible and deem it finished when I am tired of listening to it.
Show us your current studio
Ikoseveta’s home studio
Best creative advice that you’ve ever heard?
I don’t think I have ever received creative advice because I have never really actively seeked it nor have I seriously pursued music. There is that cliche saying that you hear musicians reference in interviews about ‘doing it for yourself’ and whatnot. I think that is the right approach. Music does not have to be for monetary or social value. It can be practical like riding a bike or working out, something you do on a daily basis that you enjoy or something to keep your mind focused. I produce my favorite sounds around 3am when I am about to shut everything down after making 5-7 songs prior to that. So I guess not caring about what is produced or what happens to it and ‘doing it for yourself’ is the move for me.
Promote your latest thing… Go ahead, throw us a link.
I have a pretty strict schedule of posting daily beatmaking/performance videos on Instagram and weekly videos on YouTube (different content from Instagram). All of my releases are also on all streaming platforms. I will provide all links below.
