Kumie – Battery Powered Fun

1.  Favourite knob/fader/switch on a piece of gear and why?
Currently, I love the buttons on the Elektron Digitakt. I’m not a gamer, but in the past couple years, I have gotten super into mechanical keyboards. The Digitakt’s keys have that same feel.They have such a satisfying click and light up quite nicely. They aren’t velocity sensitive, but I actually don’t miss that feature on the device.

Elektron Digitakt
Elektron Digitakt

2.  Do you have an _‘almost’_ perfect bit of kit? What would you change?
The OP-Z is sooooooo close to being perfect for me. It’s tiny, portable, the synth engines are solid, it samples, the step components and performance effects are a blast, and the encoders are a close second for favorite knob/fader/switch. But, the sampling could be better. In a perfect world, it would have a little more memory to store samples in a bank the way the Digitakt does. Then using the OP-Z app, I could access and load them for a given project. I’d also make some tweaks to how it sends MIDI because right now lots of crazy things happen when I try to control other hardware.

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Teenage Engineering OPZ

3.  What setup do you bring on holiday/tour/commute etc.?
The OP-Z is with me, always. Though, I did just get a Roland MC-101, so I may start carrying that around too.

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Roland MC-101 and Teenage Engineering OPZ

4.  What software do you wish was hardware and vice versa?
I wish there was something a little more Ableton-like in the hardware world in the $500 range. Looping pedals are nice and in the moment, but not good (in my mind) for planning and arranging finished songs. And, most other samplers I have seen are a little half baked in the loop/slice/time stretch department.

5.  Is there anything you regret selling… or regret buying?
I am a gear hoarder. I hate selling things. I just put them in cold storage until something inspires me to use them again. For example, I got a Yamaha QY70 the summer of 1997. I used it for a couple years, then got really into Reason and Logic and never touched it. About a year ago, I was inspired by someone else’s Instagram post to pull the QY70 out and use it to sequence other gear. Turns out, it is the perfect companion to the Volca line.

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Yamaha QY70 and Korg Volca Drum

BUT, there is one device that I bought and hated so much that I returned a day later: The Boss DR-202 Dr. Groove. I got it around the time it was released. I had this fantasy that it would be my core groove production tool. It wasn’t. Sounds were meh, sequencer was meh, even the buttons were pretty meh.

6.  What gear has inspired you to produce the most music?
I spent about 7 years barely making music even though I had Ableton Live and Reason just sitting loaded on my computer waiting to be used. I just could not get excited about sitting down with a mouse and staring at a screen for fun after staring at one for work all day. Then, the OP-Z came out and thought that maybe it was time to give hardware a try again, which led me to all sorts of other battery-powered music-making devices. It’s exciting to be able to just turn a device on and start instantly making beats and sequences. 

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OPZ with iPad app and Volca Drum

7.  If you had to start over, what would you get first?
Even though bang for your buck answer would be an iPad (so many good music apps), I’d start with hardware. Since I love grooveboxes so much, that would be my starting point. Maybe one of the recent Electribes or a Novation Circuit. Or, of course, an OP-Z.

8.  What’s the most annoying piece of gear you have, that you just can’t live without?
Ableton Live. It is really hard for me to stay focused on a piece of software, but it is just so essential for finishing tracks.

9.  Most surprising tip/trick/technique that you’ve discovered about a bit of kit?
It wasn’t really a surprise, but the most welcome technique I have found in recent hardware (like the Digitakt, OP-Z, and Volca Drum) is parameter locking. It opens so many creative possibilities.


Artist or Band name?
Kumie

Me.jpg
Scott Kumis

Genre?
Soundtracks for sci-fi stories that don’t exist

Where are you from?
Currently, Northern Virginia

How did you get into music?
I started taking drum and percussion lessons in the 5th grade and kept going from there.

What still drives you to make music?
It’s an itch that just needs to be scratched. One of the only places in my life where I can fully focus on something for hours without the urge to check my phone or surf the web.

How do you most often start a new track?
Drums are my original instrument. So things almost always start with a beat.

How do you know when a track is finished?
I’ll let you know when I figure that out.

Show us your current studio
It’s a bit of a mess now as it doubles as my office for telework and also a closet.

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Scott Kumis’ studio

Best creative advice that you’ve ever heard?
Make as much art as you can, no matter how bad. The more you create without holding back, the better you get over time.

Promote your latest thing… Go ahead, throw us a link.
You can fine me in a few places here: https://kumiemusic.com/kumie-links/

[Editor: Hey, anyone else got a good battery powered setup? Using PowerBanks? SolarPanels? HamsterWheel Generator? Leave a comment]


Martin Yam Moller – OPZ FanBoi

[Editor: So I decided to do a blog of artist interviews and this is the pilot episode/article. I’m asking fellow musicians the same “9 Odd Questions for Music Gear Junkies”.
Why am I doing this? Well, I miss the old TrashAudio interview series about Workspace and Environments (not to mention Analog Industries and MusicThing). Also, everything is so damn Podcast-y and YouToob-ish now a days. It would be nice to have a place where one can go to read a little, maybe browse a few photos about music gear and other cool junk. (besides I’m already paying for this website and domain name, might as well use it for something interesting like an old-school blog).
Anyway, I guess I’ll have to go first, so here are my answers to… 9 Odd Questions for Music Gear Junkies
].

1 .What’s your favourite knob/fader/switch on a piece of gear and why?

TE Opz

The knobs on the Teenage Engineering OPZ. Coz they’re flush with the body and work like tiny little turntables. Also they’re compatible with Lego Technics which is so damn cool. I’ve never used it. But it seems fun. The flatness of the knobs isn’t just a nice looking design, it is actually functionally better, because it means you can turn several knobs at once. Using one finger per knob. I don’t quite have the mental capacity to control all 4 knobs at once in a deliberate manner, but then again so much of music is a subconscious process.

Also the flat knobs make the OPZ easier to transport and take with you wherever you go. Which is actually 90% why I love the OPZ.

2. What is your ‘almost’ perfect bit of kit? What would you change?

Acoustic Dreadnought Guitar Larrivee

Acoustic guitar is probably the instrument that I think comes the closest to perfect. I got a lovely 25 year old, dreadnought Larrivee, which feels just like home. But of course, it can’t really do all genres. I guess if I had to select one bit of kit that could do it all. It would be the Akai MPC Live… or Ableton Live, which does pretty much every type of music. If only it didn’t require a computer to run on (with all the internet bagage that comes with it), then it would be perfect 😉

Akai MPC Live with stickers

3. What setup do you bring on holiday/tour/commute etc.?

If I had to be extremely minimal, it would probably be my Yamaha GuitarLele and my iPhone 6s (the last model with a proper headphone output jack) running AUM and a bunch of good apps, lately I’ve been really into Koala Sampler by Elf Audio. And some Sennheiser HD650 headphones. I think I could make a whole album with just that.

Yamaha GuitarLele with piezo pickup. Sennheiser HD650 and iPhone 6S running KoalaSampler

For a setup that I would actually have fun using. It would definitely be the Teenage Engineering OPZ and the Pocket Operators PO33 Knock Out and PO35 Speak, processed with the wonderful Zoom MS70CDR and the super playable the Korg Kaoss Pad Mini-S. This setup would have nearly no menus, be hugely flexible fx and yet very immediate to just make music and have a jam with. Also, all battery powered.

Zoom MS70CDR Teenage Engineering PO33 PO35 OPZ and Korg Kaoss Pad Mini-S

4. What software do you wish was hardware and vice versa?

Is it totally silly to want Ableton Live as a piece of hardware? I guess Ableton’s Push is kind of a hardware version of Live. But the deep and detailed mouse editing is missing. Of course that would be nearly impossible to replicate in hardware.

iPad 3 running Samplr on Griffen soundcard

A more realistic piece of software to make into hardware would be the iOS app Samplr. But maybe the Tasty Chips Granular FX G-R1 is basically that, I dunno, coz I don’t own it. Love Samplr though, have it permanently ready to play on an old iPad3 with a cheap Griffin 30-pin soundcard.

5. Is there anything you regret selling… or regret buying?

Danelectro getting sticker bombed

Yeah, it pains me to admit that I once sold a nearly pristine Yamaha VSS-30 (aka. The ‘Sigur Ros’ lofi maker). That thing plugged into a huge reverb, and you’re done!

I also kinda regret buying a terracotta colored Danelectro via mail ordering, but only because I ordered a ‘Commie’ red one (Danelectros name) and I got another colored guitar instead. The exciting unboxing that revealed a pale pink guitar quickly turned into a disappointment. But the guitar itself sounded great… and I’ve since modded it quite heavily. Installing a piezo pickup and making it fretless and sticker bombed it too.

6. What gear has inspired you to produce the most music?

Probably just Ableton Live. It’s so great to make music with and super quick too. Conversely, I find it really hard to finish music in Ableton Live. Because there are endless possibilities and there are so many avenues to explore, that I never actually make decisions and finalise a composition. One way that I’ve used Ableton a lot, is to record out onto cassette tape with a 4-track recorder. That has become my preferred ‘dj’ setup to play electronic music in a live concert… and also just to get some great lofi soundscapes. The Tascam 424 mk1 has an extra low tape speed setting that just transforms every sound into an orgasmic mush of wonder.

Tascam 424 – 4track cassette recorder

The OPZ, with its limited sonic palette has really been an eye-opener for me as well. I’ve gotten a lot more tracks done and finished with the Opz, than nearly anything else I’ve owned. Mainly because it is so easy to take with you, and doesn’t have a million options.

7. If you had to start over, what would you get first?

OPZ…. If I had the skill-set that I have now, maybe the MPC Live. But if I was 15 and had no knowledge of production, then just a Macbook running Ableton Live 10, connected to the net, so I could see lots of tutorials. That would be awesome.

Although, I wonder what music I would be making if I had stuck to using just the setup that I had at the start. I’d might be making really crazy glitchy Warp level stuff, if I had just stuck to just making music on the transparent green iMac and Cubase VST 3.1, that I had in college.

8. The most annoying thing you have, that you just can’t live without?

I have a couple of Behringer soundcards with lots of inputs and outputs, the UMC1820 with ADA8200 on the ADAT i/o. They are the central part of my tiny studio, connecting my rack of moogerfoogers to my pc running ableton live. They just do the job and they are super cheap. And even though, I gotta admit to having a little bit of gear-snobbish-ness… some Behringer products are just too good a deal to leave alone. Hell, the fact that the UMC1820 has 2 headphone outputs, means that I can drive a couple of Accutonics tanks and return them via mic preamps… and voila: analog spring reverb inside ableton live!

Behringer UMC 1820 soundcard and ADA8200 i/o

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

The Ableton looper has a send-return path. So you can process each pass of the loop with other plugins or even better, with external hardware. I use this to make drones and ambient soundscapes that slowly disintegrate or morph into unrecognisable audio kibble. Fun stuff. Check out this article, which describes howto set up the Looper-Insert-FX


Artist or Band name?

Martin Yam Moller, it’s right there in the url 😉

Genre?

Mainly lofi beats with ambient soundscapes, but also sometimes alt-folk songs with a unique lyrical shock.

Martin Yam Møller

Selfie?

No thanks, I’m trying to quit… haha. Okay, fine…

Where are you from?

I’m half Danish and half Hong Kong Chinese. Currently living in Copenhagen, Denmark.

How did you get into music?

It’s that classic old tale again… Grunge meets boy. Boy plays drums with buddies in high-school. Mainly coz Nirvana’s Nevermind hit HK in ‘92 and also of course, Beatles records at home.

What still drives you to make music?

It still gives me that feeling.

How do you most often start a new track?

On my commute to work with an Opz. Or at home, after dinner with an acoustic guitar.

How do you know when a track is finished?

Well, I listen to the song, and if it’s 3min 20seconds later … and I haven’t gotten annoyed by something. Then it’s done!
It should also be said, that I don’t finish that many tracks or songs!

Go on… show us your current studio!

It ain’t pretty or large or anything else really…. but it’s mine.

Martin Yam Møller Home Studio 2020

Best creative advice that you’ve ever heard?

“Fresh eyes or ears” can be had in 3 ways. Via Time, Space or Empathy. In other words…

  1. Wait a day/week/month and listen again.
  2. Go for a walk//bike/drive and listen someplace else.
  3. Listen with someone you love/respect.

Promote your latest thing… Go ahead, throw us a link.

Check out my Instagram or YouTube here below:

[youtube-feed]

If you want to check out a fuller list of the gear that I use, then go to my Thomann page