Modal Plane – Zwuoosh

1. Favourite knob/fader/switch on a piece of gear and why?

I knew this one right away, it’s the “mode selector” knob on the RE-201 Space Echo. It’s big, substantial, and gives a satisfying click when you turn it. It also happens to be super cool looking.

[Editor: Totally agree! It’s a classic knob]

Mode Selector Roland Space Echo 201

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I think this is going to be the Stillson Hammer MKII by Industrial Music Electronics. It’s like a little CV/Gate 4 track machine. I enjoy keeping my euro sequencing “in the case”, and I love analog style sequencers. I dig that each track can have a different clock division, and you can quickly get polyrhythms going. It’s got a built in quantizer, so, you can set scales. Since it’s digital, you can save and recall all your settings. I really clicked with this module, and now I’ve got two of them. Honestly, I may get a third, but let’s see if they make a MKIII:) I can’t think of anything I would change here.

3. What setup do you bring on holiday/tour/commute etc.?

So, the 1010 Black Box is my go-to for a portable sound station. It’s extremely compact. I’ve got samples of my favorite synths and drum machines loaded in it and it runs on USB power. It’s a proper sampler, so you can record directly into it. It’s also built like a little tank. Just, the perfect micro studio IMO. 

4. What software do you wish was hardware and vice versa?

I really enjoy using Spacecraft by Delta-V on the iPad. I’m not sure how a hardware version could improve upon it. It feels perfectly suited for iOS with its touch interface, but I still think I would buy it in hardware form. As for a software version of hardware… That’s a tough one. There’s so much out there already, and I’m unaware of what software emulations are on the market. I’d say……the Radikal Technologies Spectralis, only because I really want to try one out and can’t afford one right now:) That sequence looks like so much fun.

Spacecraft by Delta-V

5. Is there anything you regret selling… or regret buying?

Oh for sure, a few.. but I always think about my ATARI 1040st with Cubase. My dad bought it for me in like 1998 on consignment, and at that time, all I had was a half broken Teac reel to reel and an Akai AX60. I used it for years, but at some point, ended up loaning it to someone I thought was cool, because they had a record deal and worked with some industrial band (I was young and dumb). Anyways, I never saw it again. It got traded for studio time or something.

6. What gear has inspired you to produce the most music?

A nest of modular

For the past few years it’s been my modular. For me, it’s just a great starting point. Starting from nothing and just getting a little loop going usually ends up turning into a full-on recording session. Other synths start coming into play, and an arrangement begins to form. I really like this workflow, I often feel like, if I had come into the studio 5 minutes earlier, or 5 minutes later, that initial patch may have been something else, and this recording wouldn’t exist. Be it for better or worse 🙂

7. If you had to start over, what would you get first?

Ok, so saying my modular is cheating, right:)? For me, I think it would have to be a groovebox of some sort, just because I really like mixing and blending sounds, and forming little compositions. I would need something that would let me do that, right out of the gate.  It’s kind of a toss up between my loaded E-MU PX7, and my MC-909. It really should be the PX7, hands down, but there’s no sampling, and I imagine I’d start wanting to get my own sounds in there. I don’t know man, this is one of those “desert island” synth questions that feels impossible to answer, lol. I’d want my modular, pedal board, GR-1, and Novation PEAK too! I’m just gonna say the E-MU PX-7 and put an end to this madness.

E-MU PX7

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Ohh, I know the answer to this right away. That’s my Sequential Circuits TOM. It’s really aesthetically beautiful, I love the sounds, and its model #420! What’s not to like? Well, the drum trigger pads may or may not respond one second to the next, same is true for a every button on the panel. What menu setting will you get when you press the function select buttons?? Nobody knows, it will just scroll through and choose one at random! But yeah, I can’t get rid of it, I still love you TOM.

Sequential Circuits TOM

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

I feel like a dummy for this because it should’ve been so obvious. I didn’t know that I could sync the sequencer on my JX-3P with an analog clock. My friend VoidModular had to point that out to me. I mean, it says “SEQ TRIGGER IN” right on the panel. Facepalm.

Roland JX-3P

Artist or Band name?

Modal Plane

Genre?

Downtempo.  Tropical chillwave.

Somebody labeled me as “ambient vaporwave” in an interview I did recently, and I think that works, although I don’t fit in either genre separately. I’m not sure, but downtempo seems to encompass most of what I do. Most of my music is driven by sci-fi imagery, and imaginary landscapes, is there a genre for that? 

Selfie

Where are you from?

Florida.

How did you get into music?

My Grandmother got me a Casio SK-5 when I was 6 or 7, and I was obsessed with it. A couple years later my parents got me that red Yamaha keytar, the SHS-10. I was pretty obsessed with those for a while, just kinda banging on them and making noise. I thought synthesizers were cool because you saw them on MTV being used by RUN DMC, Depeche Mode, KLF, Beastie Boys, Nine Inch Nails, etc. I was a kid, and I liked that all this music didn’t sound like things I’d heard before. When I was a little older and started listening to Aphex, Massive Attack, Tricky, DJ shadow, Thievery Corporation, Boards of Canada, Plaid, Mogwai, etc. I knew, that I wanted to learn to do that… I wanted to make THOSE sounds…I’d say when I got that AX60 and reel to reel from a pawn shop at around age 17, that is when I truly started the musical journey. Shortly after that I got that 1040ST and learned midi and laying things out on a piano roll. That thing was already 15 years out of date by then, lol.

What still drives you to make music?

I’ve been doing it longer in my life than I haven’t. I start to feel a bit lost if I go too long without doing something musical. It feels like it’s something I need to do at this point. It keeps me happy, and sane, and connected.

How do you most often start a new track?

Lately it starts at my modular case, the little one I built for live shows. I’ll get something looping there, then add a bassline from some other synth, maybe the Sub37, or MS10, then some chords from another poly, like the vsynth or JX3P… Things usually start resembling something like a “song” or at least a start, at that point.

How do you know when a track is finished?

This one’s tough, lol. If I start to feel like something is nearing completion, I just try to be aware of what I’m doing, so I don’t overwork things. If I start to feel like I’m overworking something, I’ll put it away and come back to it later. I can get so caught up sometime in editing details, like, I stop looking at the big picture, and how things sound as a whole. I’m making an effort to not do that so much lately.

Show us your current studio

Modal Plane Studio

Best creative advice that you’ve ever heard?

Never stop learning, stay humble.

Promote your latest thing… Go ahead, throw us a link.

https://circuitchurch.bandcamp.com/releases

[Editor: Do you have any tips, tricks or fun techniques with any of the gear mentioned in this interview? Leave a comment]


Dr. Sauce – Rollin’ in Roland

1. Favourite knob/fader/switch on a piece of gear and why?

Moog Minitaur Frequency Cutoff

Moog’s Minitaur holds a big spot in my heart, this analog bass synth is the perfect size, vintage looking giving them a classy look and smooth travel; not to mention a phenomenal FILTER CUTOFF KNOB, with freaks ranging from 20Hz to 20KHz allowing me to reach deep down underground and talk to HERMES.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

With all these fantastic magic boxes out for purchase it’s difficult to come to a point of satisfaction. I go weak in the knees for gear, specially gear that is portable and gear that allows me to play without the need of a DAW. I’d agree that my synth collection is ‘almost’ perfect, the couple of things I’m lacking is a polyphonic keyboard synth to lay down proper pads and keys.

Arturia DrumBrute and MicroFreak

3. What setup do you bring on holiday/tour/commute etc.?

The portable synth that I take with me on Holidays/Tours/ & Commutes is non other than Teenage Engineerings OP-Z. The OP-Z is a powerhouse, this synth allows me to arrange and create complex tracks within five minutes time. The foot print is of minimum real estate, generously leaving space for other gear and nonsense in my backpack.

4. What software do you wish was hardware and vice versa?

I’m a DAWLESS Artist, all my gear is physical, no need for software.

Korg Electribe and Volcas

5. Is there anything you regret selling… or regret buying

I’m not one to sell my gear, but I have some regret of not buying a Subsequent 37, the DFAM and Mother-32

6. What gear has inspired you to produce the most music?

The gear which inspired me to produce the most music has been the Roland’s MC-707, SH-01a, and TR-09.

7. If you had to start over, what would you get first?

Roland’s TR8s, MC-707 and Korg’s Monologue DX

Roland Grooveboxes

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My most annoying piece of gear is Roland’s Boutique TR-09, this has ben the most challenging piece of gear to learn and operate, the manner in which the synth is programmed to delete patterns in step mode is a pain in the ass, not to mention laying down the steps for the track write mode is alien when you try and learn to use this part of the synth. Even though it gives me headaches when I don’t play it for a while and forget the procedure to delete patterns and tracks, I just can’t live without it, this machine holds the classic clap and hats sounds of house and techno.

Roland TR-9

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Teenage Engineerings OPZ along with the Pocket Operators have a sort of subtractive synthesis when applying effects to patterns, I really like this, stimulates creativity, but it can be a double edge sword, once you move on its nearly impossible to reproduce the same sounds.


Artist or Band name?

DR.SAUCE

Genre?

Techno, Deep House and House Music

Dr. Sauce

Where are you from?

Currently I reside in San Diego, California – Born in Delicias, Chihuahua, Mexico.

How did you get into music?

In 2004 depression preceded by a night out to a famous night club in Ciudad Juarez, Mexico called La Serata, Dj Carlos Elizondo laid down a phenomenal set that pulled me out of the depression instantaneously; that night the Dj and his underground electronic music saved my life. Days following that night I purchased a pair of Pioneer 200 CDj’s and a Djm 400mixer, this was the start to my Dj career. [Editor: the healing power of music is the closest to real-life magic]

What still drives you to make music?

Currently I’m finishing up a medical degree, soon to graduate this June I’ll become a full fledged Doctor of Naturopathic Medicine; Balance is why I make music, it allows for me to engage the artistic side of my brain allowing for a break and disconnect from the more analytical/logical side.

How do you most often start a new track?

Four to the Floor

How do you know when a track is finished?

Around minute six after the second drop past the last break, all layers removed allowing for a kick solo without the bass.

Show us your current studio

1222_Records Studio

Best creative advice that you’ve ever heard?

Limitations lead to enhanced creativity

Promote your latest thing… Go ahead, throw us a link.

Follow me on IG @1222_records for updates

[Editor: Anyone else experience the healing power of music? Leave a comment]