1. Favourite knob/fader/switch on a piece of gear and why?
The election of the music gear depends on the emotion feels, desires to learn new music vocabularies or the song itself ask you the tools to create it, but the DMG-01 (any Game Boy model, with LSDJ and other music rooms) is one of my favorite music instruments, because is probably the best example that making music is a game and working with this tool is so fun. You know, you can made the DMG-01 a synth, sequencer, drum machine and MIDI controler; all in one, is fantastic. When you compose music with DMG-01 the form to see the complete music enviromment and aproach the ideas conditions the results, and let you explore unique options, wich would be impossible to conceive with other kinds of music tools; mantra: “one thing is with a guitar and another with a violin”; new mantra, “one thing is with a traditional synth and another with DMG-01”. Another favorite tool to ordering sounds is the Speak & Spell, it´s very rock, and the tape machines are pure magnetism.
2. Do you have an ‘almost’ perfect bit of kit? What would you change?
Another nice odd question my friend. I think if that chaos or randoms sounds are incorporated in all music tools, we could see the extra layers of the marble to create a better scupture. Sometimes we can control and generate our own chaos and random ideas, it´s part of the creative drift, but if we had the option to turn on and off an alternative chaos to compose is that what would change everything.
Optimize the creative cables. We all need the chaos, it´s like an angry ocean, you know, removes sediments, and create opportunities to see new forms of musical life. Imagine a random 5th channel on LSDJ; or more crazy also, like an extra random rope in the guitar, piano, violin, etc., to change its pitch without our being able to prevent it; composing assuming that randomness would be a good exercise.
3. What setup do you bring on holiday/tour/commute etc.?
Game Boy DMG-01 of course (it takes up little space in the suitcase) and a Zoom H6N or H4N. Sometimes I carry my guitar, but a paper and pencil are always the best tools.
Now, let me ask you a similar question.
What setup would you like to carry on a vacation to Mars or Space Station?
And imagine that there is a weight limit per passenger… perhaps Carl Sagan could advise us better at that time.
[Editor: I’d bring a tank of oxygen, it’s great for making sounds and it’s my absolute favourite for breathing. 🙂 Throw us an answers in the comments below]
4. What software do you wish was hardware and vice versa?
Reason´s Subtractor Synth please! But I´d be very happy with all Propellerhead Software hardware racks, and I would like to have a Circuit Bending software, but one in which you can add and also buy toys to short-circuit them, just imagine, go to the library and select a Speak and Spell as a base, and have the possibility of hacking it virtually, for example: add controls for pitch, loops, hold, glitch, CV ports, LFO’s, etc.,
5. Is there anything you regret selling… or regret buying?
Yes, a wrong Mabuchi engine. I bought 2 of those motors to hack the Tascam Porta 03 and due to an inattention I bought the same motor model. Also I bought a TI-82 calculator and it still fills its main functions: addition, subtraction, multiplication and division.
6. What gear has inspired you to produce the most music?
Nice question my friend, and answer is: the Reason from Propellerhead Software, my guitar of course and the LSDJ. Most of my compositions start from any part of this trinity. Sometimes I imagine a melody playing a synth from Reason and continue it on LSDJ and other times I start something on LSDJ and take it to Reason, and my guitar is always there to solve any musical puzzle that comes up and initiate other ideas.
7. If you had to start over, what would you get first?
Tesla and Space X Stock when those companies started too; to be able to by more synths and audio equipment, but I wouldn’t change the order of things with which I started making music: my guitar, and actually, I have the desire to buy a drum set since my childhood.
8. What’s the most annoying piece of gear you have, that you just can’t live without?
TI-83 Calculator! It’s so heavy to use them with the Houston Tracker, sometimes I hate it, don’t get me wrong, because when I can make it sound, the bass lines sound so powerful, and I find it crazy to be able to make music with a calculator and place notes with sine and osine, but maybe I do several things wrong because I cannot turn off the calculator once I use them and I have to do the entire Houston Tracker installation process and when I compose something I have to take photos of the screen as a backup and breathe very deeply if unexpectedly it crash, but that “little calculating bug” produces good sounds and I would live very sad if I did not have my TI-83, I would even miss my TI-82 to which I still cannot install the Houston Tracker; somebody help me with that!
9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?
Synth Rotek’s Atari Punk tunes very well, it is unstable, but with patience it can sound very powerful. Atari Punk in general are valuable wildcards to create and express emotions, when I connect any sound source in its CV ports, like a DMG-01, sounds really fat, on fire!.
If you connect the Atari Punk to an arpeggiator or fuzz pedal, you can rock out for a long time, and with long reverbs they can sound like trival songs. Another trick is to rock the DMG-01. Using an overtone pedal and a distortion, you can get really crazy sounds! Sometimes it’s great to do power chords: two channels sounding at the same time, the first channel does the tonic and the second channel the fifth, but, to this channel different values are applied with the D (delay) command to each note, then you can spice it up with individual wrappers per instrument, put values in with the K (stop) command and Vualá, it sounds so close to a guitar.
Artist or Band name?
I’m going to paraphrase a great musician: Kevin Johansen “Soy un Desgenerado” (without musical genre).
Where are you from?
Guyaquil – Ecuador
How did you get into music?
I honestly don’t remember an exact date, because I liked the music for as long as I can remember, music is part of my biology.
What still drives you to make music?
How do you most often start a new track?
Again, breathe and feel peace by my limbic system, And have the fortune to see an idea that excites me. Jorge Drexler in an interview said that making music is like a hunting ground, with different entrance doors, where you enter to hunt the same, but through different doors. The song that starts from the text, a sequence of chords, a melody, noise or random proceses is different.
How do you know when a track is finished?
Perhaps intuition, you never know, maybe a track is never finished. Songs like that have only single chord have a life and their own and their own evolutionary path. The thermometer that I trust when I make music is the feeling, if the result transmits energy to me and when I add something the original emotion changes or that energy is lost, well, it’s time to stop and let the song breathe on its own, and listen to it after a long time and if it still retains the same feeling, it was always alive from the beginning.
Show us your current studio
Best creative advice that you’ve ever heard?
A universal advice: live with the mistakes that we will make.
Another good advice is one that Leda Valladares gave to Pedro Aznar: feel the ancient cosmic, sing with the guts, without worrying so much about aesthetics, your song must be credible. In spanish you say: cantar desde las entrañas.
Promote your latest thing… Go ahead, throw us a link.
[Editor: Check out the Droid Zen channel below]
[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…]