Hainbach – Good 2 Have U HerrBach

[Editor: Hey! Look everybody… it’s Hainbach! Wuhu! – But seriously. It gives me great pleasure to present to you this interview with the wonderful artist and inspiration to so many a music gear junkie… Mr. Hainbach101 himself]

1. Favourite knob/fader/switch on a piece of gear and why?

Genrad 1516. turn one knob and the other knob moves too. Magic!

Genrad 1516

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Rohde und Schwarz UBM, best Bassdrum in the world. I only wish it was not 18KG.

Rohde und Schwarz UBM [Editor: Note the bend in the metal shelf!]

3. What setup do you bring on holiday/tour/commute etc.?

OP-1 for the longest time.

Teenage Engineering OP-1

4. What software do you wish was hardware and vice versa?

Sonic Charge Permut8

Sonic Charge Permut8 should be a hardware box.
I am also working together with SonicLAB to turn an important piece of test equipment music into software. Fundamental it will be called, release is a few weeks away.

[Editor: This is a bit of an exclusive look at the upcoming VSTi. It has a lovely design and I really look forward to trying it out. Will stick a link here when it is released]

Hainbach & SonicLAB’s Fundamental VSTi

5. Is there anything you regret selling… or regret buying?

I wish I had kept my Roland SH2000, but I did not have the money to have it repaired then. Worst purchase was the Roland MC-303.

6. What gear has inspired you to produce the most music?

Ciat-Lonbarde Cocoquantus, the endless machine.

Ciat-Lonbarde Cocoquantus

7. If you had to start over, what would you get first?

Koma Elektronik Field Kit and Field Kit FX. These have everything to make a whole lot of music at a decent price.

Koma Elektronik Field Kit FX

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Probably any computer I ever had.

Apple MacBook

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Phasers are awesome drum machines.


Artist or Band name?

Hi, I am Hainbach, electro-acoustic composer from Berlin and I talk experimental music and gear on YouTube.

Genre

Experimental and ambient music.

Selfie?

Stefan aka. Hainbach

Where are you from?

Berlin, Germany.

How did you get into music?

I started with piano at age six and got hooked at 15 playing keys in a psychedelic rock band.

What still drives you to make music?

If I don’t make music I get withdrawal symptoms and get sad and grumpy.

How do you most often start a new track?

I write every day I can, starting with either a concrete idea or an experiment I set for myself.

How do you know when a track is finished?

A track is finished when I feel it does not want anything from me anymore, and vice versa.

Show us your current studio

Hainbach’s studio desk

Best creative advice that you’ve ever heard?

Best technical advice was three level technique for mixing, which I was introduced to by Tobias Levin. Basically by watching a peak/rms meter and grouping instruments into three level sets you can get a good mix going easily. Here is a video I made on that: https://youtu.be/FZ4XwbCI0Lw

Best Creative advice was a Little Plaque in my parents kitchen that read: the mind grows by what it feeds on. That had an impact on me as a kid, as corny as that phrase might be. It’s in this video: https://youtu.be/fCJdXA0wNTI

Promote your latest thing… Go ahead, throw us a link.

Check out my new album „Assertion“, wild oscillations and piano loops combining in a colourful world of hope against the the darkness of current events

www.bandcamp.com/album/assertion

[Editor: There are affiliate links to the relevant gear throughout the articles. It helps to support this blog. In fact, should you be needing some patch cables or guitar strings. Then clicking on one of the above links and buying any product that you prefer, will help the blog… doesn’t even have to be the ones in the link. Thx]


Tuesday Night Machines – On a Sunday

1. Favourite knob/fader/switch on a piece of gear and why?

I have a weird fixation with the data wheels on Akai’s MPC 500 and MPC 1000. They’re not really high quality components or feel nice to the touch, but they’re essential to operating those devices efficiently and in my opinion the designers did a great job of integrating them into the software and general MPC workflow. They’re just so quick and easy to rotate and the software reacts so snappily to their motion … it’s a delight.

Akai MPC500

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

AE Modular

This always depends on the situation or musical context, but I’ve been very impressed by the AE Modular synth format and how it developed over the past two years. It’s a fully featured modular synthesizer, which is relatively small and portable and costs only a fraction of a Eurorack system. I’ve dreamed of a system like this ever since I delved into the modular synth rabbit hole ten years ago and it seems that it has finally become reality … at least for my tastes and requirements.

3. What setup do you bring on holiday/tour/commute etc.?

Akai MPC 500 and YouTuber’s toes

I love making music while on vacation or when commuting. The iPad has worked for me greatly as a mobile music workhorse ever since its inception and I always carry it with me and do something musical with it. Sometimes it’s too much like a computer though, meaning that it can distract me with its internet access, notifications, etc. So, especially for vacations, I like to bring other pieces of gear as well, which run on USB power bank power, which is easy nowadays, even for devices requiring a 12V supply, thanks to cheap and efficient step-up adapter cables. Last year I re-bought the aforementioned MPC 500 and created a full album with it during a three week camping vacation. For this year I’m planning to take my freshly modded TI-82 calculator with Houston Tracker 2 and maybe even a Gotharman Little Deformer 3. I have also enjoyed Teenage Engineering’s OP-1 (obviously), the Bastl Microgranny 2 and BitRanger, a Gameboy Advance Micro with LSDJ and various other bits. Somehow, I can concentrate on music best when I’m on vacation and I get the most finished tracks out of those periods of time.

TI-82 calculator with Houston Tracker 2

4. What software do you wish was hardware and vice versa?

Lumen! It’s a really cool analog-style video synth for macOS with MIDI control, which I would really love to have as a standalone and affordable hardware device. Maybe I can snag a Critter & Guitari ETC at some point, which seems close.

Lumen video synth

5. Is there anything you regret selling… or regret buying?

I’m not into vintage synths or rare gear, so I’ve not regretted selling stuff so far, because I could always just buy it again if I wanted to. However, I’m in the heaviest music studio downsizing phase I’ve ever had right now and I might run the risk of finally regretting a thoughtless sale after all. I sometimes get this “reverse GAS”, which makes me feel unattached to all my gear, so I end up selling things left and right. After those phases though, there has always been something new to be acquired and tried out with the new funds. It’s a journey and I enjoy it.

6. What gear has inspired you to produce the most music?

Ciat Lonbarde

While it was not the “most” music I made, my recent foray into Ciat Lonbarde instruments, like the Cocoquantus, Sidrax Organ and Plumbutter, very much inspired me. Those instruments are incredibly well designed for spontaneous, electric forest ambient music live-patching sessions.

Linnstrument and inspiration

Apart from that, I also like to play an MPE synth with the Linnstrument and have the Bastl Thyme or Mooer Ocean Machine attached as audio effects. Somehow this simple setup is an instant relaxation tool for me. I could press, slide and wiggle my fingers for hours on this rubbery control surface and drown in the looping ambient delay and reverb sounds coming through my headphones.

Linstrument and Mooer Ocean Machine

7. If you had to start over, what would you get first?

I think I might try a larger hardware music workstation, like the MPC X and then get some cheap and small gadgets to sample.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Axoloti DSP DIY

I’ve kept a few of my DIY synths for way too long. They took too much space and I hardly used them anymore, yet I couldn’t let go of them. Especially the Axoloti platform is like a drug to me sometimes. It’s so easy to prototype and build synth, sampler and sequencer ideas with it, but all of the sudden you have eight of those DSP boards and a drawer full of wooden boxes which might work as enclosures, electric components and cheap USB MIDI controllers. Still, the Axoloti is one of the most empowering electronic music experiences for me. Making your own hardware instruments from scratch is incredibly satisfying, especially when it’s that easy.

Axoloti DSP board

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Reading Ken Stone’s CGS Serge circuit diagrams made me discover the power and versatility of the 4051 analog multiplexer IC, which is a 3 bit, binary-addressed eight-way switch, perfect as a basic building block for analog sequencers. This has furthered my DIY endeavors tremendously and if everything goes as planned, it will result in my first commercially available modular synth module later this year. [Editor: Cool, I look forward to hearing and seeing what these do. Will insert link when it comes out]

Synth DIY

Tuesday Night Machines logo

Artist or Band name?

The Tuesday Night Machines

Genre?

All over the place. It’s not good to cultivate an audience for my music like this I guess, but I like jumping between genres. I’ve made chiptunes, a beat tape, harsh noise, ambient drones and I’m currently dabbling in Acid. Oh well.

Selfie?

Sure, but I’m writing this on the couch and it’s Sunday, so I look the part.

Felix on a sunday aka. Tuesday Night Machines

Where are you from?

My family moved a lot, so I’m not “from” somewhere really. I currently live in Köln, Germany for over a decade though, so it looks as if I like this city.

How did you get into music?

I had classic piano lessons and some electric keyboard lessons as a child, which I didn’t like too much back then. I’m glad that I got some basic music theory from it though. Later, I learned to play the guitar during university to play my favorite punk rock songs. Electronic music came some time after I started working then, beginning just with a copy of Ableton Live Lite, which seemed like a fun and easy way to make music. Apparently it wasn’t though, as it led me to DAWless hardware setups quickly.

What still drives you to make music?

I work in visual media, so music is basically the counterpiece to my day job. It’s a great way to relax for me, more or less away from the computer.

How do you most often start a new track?

Mostly with a certain sound or melody. Depending on the workflow of the device I’m playing with, I sometimes even just create one single long audio track for that one sound and then layer drums and other instruments on top afterwards.
How do you know when a track is finished?

When I get past the 3 minute mark.

Show us your current studio

The current state of my studio downsizing craze:

Cupboard studio

.. and how it was before, neatly constructed inside an inconspicuous IKEA PAX wardrobe:

Cupboard studio full of knobs

Best creative advice that you’ve ever heard?

That limitation thing which everyone mentions. Limitations are great for music.

Promote your latest thing… Go ahead, throw us a link.

Thicket Whispers, a Ciat Lonbarde album:

https://nightmachines.bandcamp.com/album/thicket-whispers

Thicket Whispers, a Ciat Lonbarde album by Tuesday Night Machines

[Editor: You seen any of TuesdayNightMachines youtube tutorials? Leave a comment]


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]