Asymmetric Cut – Davide Bernardi

1. Favourite knob/fader/switch on a piece of gear and why?

Arturia MicroFreak

One of my favorite knobs are all the Arturia MicroFreak potentiometers, but my fav thing about the MF is the touch sensitive keyboard (I was scared at the beginning, but now I’m totally in love).
Another thing that I like so much, are the wooden and clicky buttons of the OrganelleM.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I don’t own many things, I have the Critter & Guitari Organelle M, Norns Shield by Garret Labs (+ Novation Launchpad Mini MK2 as 64 “Grid”), Arturia MicroFreak, Koma Elektronic Field Kit FX, Zoom MS-70CDR pedal and an old Panasonic Dictaphone.

Panasonic Dictaphone

I use an old version of Ableton Live Intro (8), just as multitrack recorder + Audacity and Adobe Audition for “editing” with Zoom U-22 as audio interface.
I would love to start/switch into the modular world, but for now I’m learning/trying this great and awesome world with VCV Rack 2.
Also the Ciat-Lonbarde ecosystem, it fascinates me a lot.

3. What setup do you bring on holiday/tour/commute etc.?

Critter & Guitari Organelle M

Organelle M is the perfect companion in combination with the Norns Shield (with external power bank) and Zoom MS-70CDR.

Zoom MS-70CDR

4. What software do you wish was hardware and vice versa?

Valhalla Supermassive as a real pedal and almost all the Splice VST effects.
I would love to have all the Ciat-Lonbarde (Cocoquantus, Deerhorn Organ, Sidrax Organ, Tocante, etc …) as virtual instruments, to try/learn their workflow.

5. Is there anything you regret selling… or regret buying?

Regret selling, the Boss SP-202 and the Yamaha MT50 4 track cassette recorder.
Regret buying, probably nothing, all the equipment that I’ve had, have in some way either good or bad things about them, that help me to learn something.

6. What gear has inspired you to produce the most music?

Norns Shield and Organelle M are my main “brains”, especially with generative scripts / patches.
I like to control them with 2host USB (Midi USB-USB) or sequencing the MicroFreak.
Sometimes I like to record samples / fields recording, with piezo mic on the Koma Field Kit FX or with the Dictaphone.

Norns Shield

7. If you had to start over, what would you get first?

I’m not consider myself as “musician”, my workflow is about feelings, insights and following the flow, so maybe probably, learn and study music theory and a lot of things that I don’t know, even if I like (perhaps too much) the transportation and philosophy of the generative music.

Arturia MicroFreak and Organelle M

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Cables and power adapters.

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

I have no real tricks (being self-taught), but I have learned a lot thanks to the various online communities (for Norns and Organelle) and I wanna say thanks to all those who spent time and energy creating new scripts and patches!


Artist or Band name?

Asymmetric Cut

Genre?

Ambient / Soundscape / Drone

Selfie?

Where are you from?

Italy

How did you get into music?

When I was child, I got an xmas gift (Bontempi keyboard) then around 14, playing guitar (hardcore / punk / grunge), then I dive into electronic music with FastTracker 2 on 486 PC.
Later with different gear, such as samplers (E-mu ESI-32 and Boss SP-202) and grooveboxes (Roland MC-303 and MC-505).

What still drives you to make music?

I’m not a professional musician (I’m photographer and teacher), so for me it’s just something to relax, make something (hopefully good) and with the social media, make connections and know nice and talented people (like you and many others).

How do you most often start a new track?

Depends of my mood, but usually I start with the Norns Shield or /with Organelle M and the MicroFreak through the MS 70-CDR, layering some sounds and working on, till I’m ok with the result.

How do you know when a track is finished?

I usually start listening to it many times to understand if I have skipped any steps or made some drafting errors, then I let it settle, like wine and decide if it is usable or not.

Show us your current studio

Desktop Studio

I don’t have studio or studio space in my little apartment, so every time I wanna play I set everything on the living room / work / eating table.

Koma Elektroniks FieldkitFX

Best creative advice that you’ve ever heard?

For me works very well the Samuel Beckett’s quote: “Try again. Fail again. Fail better”.
So this kind of mantra could be … try, try, try, don’t be afraid to fail and then try again, having learned something valuable from your experience.
Eventually it goes without saying, you will achieve success.

Instagram: https://www.instagram.com/asymmetric_cut/
Bandcamp: https://asymmetriccut.bandcamp.com/

SoundCloud: https://soundcloud.com/asymmetriccut


Alexandr – With Meraki

1. Favourite knob/fader/switch on a piece of gear and why?

Microbrute’s filter. First of all, I believe that this Steiner-Parker filter is one of the best I’ve put my hands on. And since the Brute was my first analog synthesizer it holds a special place in my heart. From the first sweep, I fell in love.

Arturia Microbrute

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Hmm it’s really difficult to say that something’s perfect. I will be super super boring and give it to the Launchpad. I work in Ableton’s session view all the time and it makes things so much faster. The only thing I would like to see is a 16×16 version to be able to see my whole project at once. 

Novation Launchpad

3. What setup do you bring on holiday/tour/commute etc.?

I actually was at my summer house for 3 weeks last month and I decided to bring the things I use the least to get to know them. So it was the Volca FM which I haven’t really used since I got it. Although the tiny knobs are horrible, the sounds are excellent. And with that I also used my iPad a lot. The apps you can find on the iPad are simply mind-blowing and highly underrated.

The DRC synthesizer is my absolute favorite iPad app. Beautiful sounds and super easy to program.

DRC Synth iOS app

4. What software do you wish was hardware and vice versa?

Easy one. All the Valhalla DSP stuff. Best effects out there. If they could make hardware versions of their plugins and stay reasonably priced they would just destroy the whole pedal/ effects market. 

Valhalla DSP Vintage Verb

I don’t really think I would want something hardware to become software. The physical connection you can have with a piece of gear is unbeatable in my opinion. 

5. Is there anything you regret selling… or regret buying?

Korg Minilogue

I don’t sell a lot. Even if I don’t use something it’s hard for me to go on and sell it. So from the things I’ve sold through the years, I regret none. And something I regret buying.. If I leave aside all the cheap stuff I got, I would say the Minilogue. I have a love-hate relationship with this synth. It’s great for the price, no argue with that, but it just leaves you every time wanting a bit more. It sounds “ok” but rarely great. So for anyone who’s looking to buy a poly synth, I would recommend to save and get something much better.

Korg Minilogue VCO

6. What gear has inspired you to produce the most music?

Might sound weird but it’s a dirt-cheap Casio digital piano. Having a 61 keys keyboard with full polyphony unlocked so many possibilities. I only use 2 piano sounds that sound decent, but it’s almost on every track I’ve ever released.

Casio digital piano

7. If you had to start over, what would you get first?

Acid Pro 3.0

Ableton Live vs FL Studio. I’ve been making music for 15 years. Actually my first DAW was one called Acid Pro 3.0. Only the 80s kids might know this one.. But my first actual DAW was FL studio. Switching to Ableton was life changing for me. For me, its workflow suits me perfectly and it was a catalyst for me to finish songs instead of just struggling with loops. 

Acid Pro 3.0

8. What’s the most annoying piece of gear you have, that you just can’t live without?

The 4-track cassette recorder for sure. It’s a Yamaha MT100. It’s big, I’ve repaired three times so far but I love using it. Everything is going through tape so I simply cannot live without it.

Yamaha MT100

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Elektron Digitakt screen

I don’t deep dive to my gear. I want them to be simple and I prefer things that do only one thing really well. A nice technique I use for drums is the LFO assigned to sample slot on the Digitakt. I create a project with very few samples on it (10-16) and besides the kick I apply the LFO to the other tracks to come up with new patterns every time. That way you can make cool variations and you also audition sounds for your drum patterns. 

Elektron Digitakt

Artist or Band name?

Alexandr

Genre?

Ambient, IDM, Downtempo

Selfie?

Alexander Voulgaris

Where are you from?

Athens, Greece 

How did you get into music?

I’m drawn to all kinds of art. I take photos, I make videos, I draw, I sculpt.. Music is just another way to express my creative side. And besides that, as a kid I’ve always dreamt to become a rock star but never got into a band. So I’ve decided to have this one man – band thing going on nowadays. 

What still drives you to make music?

I don’t really know. I just can’t wait to get to my studio and start playing around and create something. It is something that relaxes me and I deeply enjoy it. 

How do you most often start a new track?

It always starts with the piano. I write some chords, a melody and start building from there.

How do you know when a track is finished?

Oh that’s so hard.. Once I finish arranging (and this is the hardest part for me) I know I’m really close to call it finished. So when I start mastering and then run it through tape I simply commit and call it a day. 

Show us your current studio

My beautiful mess

Home studio

Best creative advice that you’ve ever heard?

My dad, who is also an artist, always told me that you have to put “meraki” to your art. Meraki is a Greek word that means: “To do something with soul, creativity, or love.”

Promote your latest thing… Go ahead, throw us a link.

My Spotify where I release all my music: https://open.spotify.com/artist/5MPLFK5gfmmo0Tm0EiTnqP?si=cDwtSJ05QXC91wlElXzAAA

I also use Bandcamp a lot and there you can also find the Sample Packs that I create every month: https://alexandristaken.bandcamp.com/music


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]