Gustav Tom Scheel – Reel to Scheel

1. Favourite knob or fader or switch on a piece of gear and why?

I love the knobs and switches on my Teac 3440 tape machine. The build quality is definitely something else. Also I like the faders on my Juno 60. There is just something about the very tactile feel of the buttons and switches from that age, that I really love.

Teac 3440 tape machine

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I really love my SSL UF8. Probably my favorite peace of gear. I love that you can customize the soft buttons. I just wish the automation and transport functions was more easily accessible. Also the faders feel a bit “plasticy”. I have some experience working on an SSL 4000 g+, and I hoped that the faders felt similar.

3. What setup do you bring on holiday or tour or commute etc.?

I rarely bring anything outside my studio other that my computer 🖥️

4. What software do you wish was hardware and vice versa?

I just hope to see more digitally controlled analog gear that looks and feels like analog equipment.

5. Is there anything you regret selling… or regret buying?

I once owned a pair of Coles 4038, I wish I never sold those..

6. What gear has inspired you to produce the most music?

Probably my Juno 60. It’s just very intuitive and easy to program.

7. If you had to start over, what would you get first?

Probably a cheap Mac mini m1, Apollo twin, good pair of speakers and a lot of acoustic treatment.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My computer and ProTools.

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

Maybe when I found out that there’s a hidden listen mic compressor inside the SSL Fusion.


Artist or Band name?

Gustav Scheel

Genre?

Mixing engineer. Indie, lo-fi, rock, alt-pop.

Selfie?

Gustav Scheel

Where are you from?

I live just outside of Fredericia, Denmark.

How did you get into music?

I was gifted a guitar when I was 13.

What still drives you to make music?

It used to be that I wanted to play in a band and go on tour and stuff. Now I find a lot of joy in building my mixing business.

How do you most often start a new track?

In terms of mixing. I often find myself spending some time editing in the beginning. It’s very rare that I get stuff, that doesn’t need editing and cleaning at all. In my experience, the mixing process is a lot more simple after everything is organized and cleaned. I sometimes look at it like cleaning the kitchen before making dinner

How do you know when a track is finished?

I usually check my mix and both my AirPods and Sonos one in my kitchen. I like to hear the mix a couple of times outside the studio. If it feels right in my kitchen, I know it’s ready to be send off.

Show us your current studio

Studio
Studio Corner
Studio sofa and table
Studio desk

Best creative advice that you’ve ever heard?

If it sounds good, it is good.

Promote your latest thing… Go ahead, throw us a link.

Latest mixes 🎚️

https://open.spotify.com/playlist/6CVQkNPq17BdnlSBlIJ2f9?si=Wlj_1jtKQrSnVcY2ZoV6OQ&pi=SbdhVKsRRJOW5


Jérôme Vergez – Minimanalog

1. Favourite knob or fader or switch on a piece of gear and why?

SSL Console Faders
SSL G serie console faders

My favourite fader is the motorized fader of the first SSL I touched. I wasn’t 20 years old when I had the chance to work as a sound assistant on a SSL G serie console… I’ve always had this fascination for analog consoles, especially SSLs. But I also love fiddling with the Cutoff of my Moog!

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Verbos modules are almost perfect except their price… They are so perfect when they are combined all together.

Verbos Electronics Eurorack
Verbos Electronics Eurorack

3. What setup do you bring on holiday or tour or commute etc.?

I don’t really have a fixed setup. I like to change following desires or projects. On holiday, I usually only bring one machine, like a synth, a mini modular or a drum machine.

4. What software do you wish was hardware and vice versa?

Nothing in particular. The software and hardware offerings are so wide.

5. Is there anything you regret selling… or regret buying?

I am constantly buying and selling… I have even sold and bought back up to 3 or 4 times the same machine… I really have to stop doing this. Today I’m trying to stabilize my setup by keeping only the essential parts.

6. What gear has inspired you to produce the most music?

The eurorack modular modules are the most inspiring instruments for me. There are so many possibilities that you can build the instrument you want according to your style and your objectives. I can’t stand the idea of empty spaces in my case. I try to stay on a certain size of case with modules that I like to exploit at 100%.

Eurorack modules

7. If you had to start over, what would you get first?

Starting over would mean buying a powerful MacBook with Ableton Live as you can produce whatever you want on a laptop. And since I need a knob box and real cables to be inspired… I would buy a Moog Sirin.

Moog Sirin
Moog Sirin

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My Synthi A. This is by far the most inspiring. It is known for being a synth of research and experimentation, but used in a more classical way it produces sounds with extremely rich harmonics. Before realizing my dream and acquiring one in good condition, I think I had all the clones, copies, or modules inspired by this synth.

EMS Synthi A
EMS Synthi A

9. Most surprising tip or trick or technique that you’ve discovered about a bit of kit?

When I discovered that you could use a spring reverb like a drum machine, simply by turning off the power and plugging it back in.

Knas Ekdahl Moisturizer
Knas Ekdahl Moisturizer

Artist or Band name?

Jérôme Vergez

Genre?

Ambient, Minimal, Techno, EBM

Selfie?

Jérôme Vergez

Where are you from?

Toulouse, France.

How did you get into music?

When I was 18, I got my hands on a Roland S50 sampler, and it was already too late, I was infected.

What still drives you to make music?

I’m always looking for something. A quest that still doesn’t seem to me to be finished, a work that is never finished. That’s why I always have trouble finishing my titles. I have to focus on one task at a time, and move forward step by step, preventing myself from referencing the things from the previous stages.

How do you most often start a new track?

I don’t have any rules. It can be a sample, a patch on my modular, a bass line, an idea that’s lying around… etc.

How do you know when a track is finished?

Never! That’s the problem (see above…)

Show us your current studio

Jeromes Studio
Jeromes Studio
Jeromes Analog Synth Rack

Best creative advice that you’ve ever heard?

To not necessarily try to respect the rules that can be heard or found on the web and not to fall into habits (especially those of others…).

Promote your latest thing… Go ahead, throw us a link.

https://linktr.ee/jeromevergez