JayE – Diamonds From The Basement

[Editor: In case you didn’t know this… JayE is a Diamond record producer. That means over 10 million copies sold. And this was back when actual units got shipped and not streamed. He might not be making music in your preferred genre, but he is a heavyweight. And it is quite wonderful for me to share his answers with you all]

1. Favourite knob/fader/switch on a piece of gear and why?

Memory Moog dual Frequency knob

The frequency knob on the Memory Moog. It’s a duel knob that has a center knob inside for fine tuning. Really unique and useful for a single knob.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

My MPC3000, I wish it had CV and Gate out, like the current MPCs (MPCX and MPC One) The 3000 is a beast other than that.

3. What setup do you bring on holiday/tour/commute etc.?

OP1, iPad, and A Pocket Operator. 

OP1, iPad, and a Pocket Operator

4. What software do you wish was hardware and vice versa?

That’s a tough question since so many pieces of hardware are now software. So I would have to say, I wish maybe a iZotope RX9 hardware piece of gear would be awesome. I use it a lot to remove elements from vinyl record samples, like removing the vocals to make instrumentals , or just have the drums or the bass stand alone of a sample.. it’s really powerful and would be pretty awesome to have right next to my turntable at all times and move knobs on the fly to remove elements.

iZotope RX9

5. Is there anything you regret selling… or regret buying?

I sold my OSCar and TR909 a few years back. I really wasn’t using them a lot cause they both had internal issues, that I wasn’t at the time knowledgeable of, but I probably could fix them now on my own, with a bit of help from friends and searching on the internet.

6. What gear has inspired you to produce the most music?

I would say my MPC 3000, it just has an awesome feel and its also the one piece of gear I can be blindfolded and still work with.

Akai MPC 3000

7. If you had to start over, what would you get first?

A Juno 60 or 106… I feel like its a perfect synth to learn synthesis and learn to design sounds.. I started off just using presets and a lot of my early boards were too complicated to sound design on the fly… like the Korg Trinity and K2600.

A chorus of Junos

8. What’s the most annoying piece of gear you have, that you just can’t live without?

That’s tough cause if it is annoying, I usually replace it for something non annoying… I guess I would say the ASR10.. I love the sound, but I still have yet to master it.
It has so many pages of options, and every ASR 10 I have had, has been unstable, where the more tweaking you do, it freezes up or crashes, which is annoying… but it is one of the warmest samplers I have ever heard… nothing sounds like an ASR 10 sampler.

Ensoniq ASR10

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

I recently discovered step sampling on my MPC 3000 I always seen it, but never dove into it.. back then I never found a need for it… and thought it wasn’t practical on how I record, but now I use it a lot.


Artist or Band name?

Jay E

Genre?

HipHop/Pop

Selfie?

Where are you from?

St. Louis.

How did you get into music?

I was a house party DJ that loved music and decided I wanted to make the same kind of records I was spinning.

What still drives you to make music?

New equipment and new music from different genres of music… I rarely listen to hiphop… even though that’s what I’m known for.

How do you most often start a new track?

Lately its been sound designing and wherever that takes me. I used to just start with drums or a melody.. but after 20+ years of making music.. I tend to try new techniques and less obvious ways of starting music making.

How do you know when a track is finished?

When I have a good idea on what the verse and hook sound like. After that I just structure and do breakdowns

Show us your current studio

Fisheye in the studio
Panorama of the JayE’s studio (Hint: this photo is clickable to view a big version)

Best creative advice that you’ve ever heard?

Limit yourself to one or two pieces of gear and it forces you to be creative in a new way.

New sounds are available at JayESounds.com

Instagram/Facebook/YouTube – JayEBeats


A.Trentemøller – Yes! That Trentemøller

1. What is your favourite knob/switch/fader on a piece of gear?

The knobs on my Hohner String Melody II… I just love the colours…

Hohner String Melody 2

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

I really like the sound of the drums on the Volca Beats , especially the kick drum, but I don’t like the snare . I would have loved one which was a bit more aggressive and snappy.

3. What setup do you bring on holiday/tour/commute etc.?

Just my laptop, a midi keyboard, my Apogee Duet Duo and the JHS ColorBox v2 for warming up and EQ’ing softsynhs / hardwaresynths or to record bass or guitar through or re-amping . It sounds so great and it has XLR input for mic as well. Perfect!

JHS ColorBox v2

4. What software do you wish was hardware and vice versa?

I wish my Hughes Retriever could be emulated as a plugin, it has such a unique sound and I love the way it opens up the stereo image.

Hughes Retriever and racked friends

5. Is there anything you regret selling… or regret buying?

A lot I regret buying, ha ha… lately the Yamaha Reface YC. It sounds like plastic and not in the good corny way… don’t know why I bought it.

Yamaha YC

I regret selling my Thermionic Culture Vulture, I didn’t use it enough, but sometimes I have experienced actually missing what it did. The plugin version is not sounding as good at all.

6. What gear has inspired you to produce the most music?

I don’t have one specific thing, but it could actually be my upright piano that I have in my studio. It’s where most of my songs have been made. 

Oluf Pedersen upright piano… where the magic is made

I like to NOT sit in front of a computer, but instead using my ears and I love that the sound is coming from the instrument itself , not through speakers. It’s very intimate and I feel more focused on the songwriting rather than the sound. I also use it with the felt on, and I like that intimate sound it produces. 

Upright piano with hammers on felt

7. If you had to start over, what would you get first?

A Mac not a PC. [Editor: Woah-ho! Easy now everyone. Let’s all be friends, ok?]

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My wireless Mac mouse . It loses the connection to Bluetooth ALL the time , and I tried different Mac mouses, same problem! And I just got a new MacBook Pro, so it shouldn’t happen… but it does!! It drives me crazy!!

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Playing with the reels on my Revox while recording. To give it a bit of wow / flutter here and there.

Revox B77 reel-to-reel

I actually had a controller specifically made for that one thing only.

Revox varispeed controller

Artist or Band name?

Trentemøller

Genre?

Indie / electronica

Selfie?

Anders Trentemøller 🤘

Where are you from?

Copenhagen. Denmark.

How did you get into music?

I started playing on all sorts of stuff, from pots and pans to toy pianos, from when I was 3 or 4 years old, and never stopped loving and playing music!!

What still drives you to make music?

I love the playful energy in it and the fact that I can create my own little musical world!

How do you most often start a new track?

At my upright piano.

How do you know when a track is finished?

It’s easier now, it was hard for me earlier. But I need to, still have that spontaneous vibe I had, when I started working on a song. It’s so easy to overproduce or overdo a track.

Show us your current studio

Trentemoller’s studio… knobs galore!
Trentemoller’s studio DAW setup

Best creative advice that you’ve ever heard?

“Use your ears” and “There is no right or wrong way to do things!“

Promote your latest thing… Go ahead, throw us a link.

Trentemoller – Obverse [Editor: Go listen now! Really]

[Editor: I gotta say it! I’m stupidly glad that Mr. Trentemøller has answered these ‘9 Odd Questions for Music Gear Junkies’, on my tiny little 1 month old blog. It’s been a real pleasure to read about his gear and creative processes. If you have any of the gear he uses? Then leave a comment below]