Kevin McKinney – QueTheWash

1. Favourite knob/fader/switch on a piece of gear and why?

Cooper FX Generation Loss V1 mix knob.  Something about the oversized knob, the smoothness with which it moved, and the symmetry of the 6 knob setup with the mix knob proudly in the middle…I ended up parting ways with it to fund the V2 and i have to say, i miss that knob.

Cooper FX Generation Loss V1

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

The Digitakt is so powerful and versatile, I have used it to make beats, ambient loops, and everything in between. For me, I have always wished that it had more playable keys/pads.  I am actually currently looking into pairing it with some kind of external pad controller to fully maximize it’s performance playability.

Elektron Digitakt

3. What setup do you bring on holiday/tour/commute etc.?

The OP-1. I almost put this answer for the previous question as well, because just think if it had bluetooth! That would make the already quintessential travel companion undeniably perfect.

Teenage Engineering OP-1

4. What software do you wish was hardware and vice versa?

I run my studio completely DAWless via the Squarp pyramid, so I don’t have much experience with software synths beyond some of the ones I play with on the iPad. There was this one I remember playing with, ‘Poseidon Synth’, that had a function where it would just randomize all the settings and leave you with something ridiculous. I think that would be fun on a piece of hardware, like say, my DSI Rev2 😛

Poseidon Synth

5. Is there anything you regret selling… or regret buying?

I regret selling my Tascam Portastudio 424 Mk1. I ended up making a pretty penny on it thanks to the recent boom in cassette music being made, but I definitely miss it. I have other cassette recorders, but that one was something special.

Tascam Portastudio 424 Mk1

6. What gear has inspired you to produce the most music?

I compose everything at the piano and then move it to the saxophone, or my electronic gear, or wherever I envisioned it. So, while it might not technically be ‘gear’, it was my first instrument, and everything I do, both electronically and acoustically, stems from the piano.

[Editor: I’d definitely say it is gear 🙂 ]

Kawai Piano

7. If you had to start over, what would you get first?

If I had to start over I would probably buy a really nice audio interface first. I currently run everything into my studio through an Allen & Heath qu-16c, which acts as both mixer and audio interface for me. I have always wondered what things would sound like and how my workflow would change if I was working with an interface from Universal Audio or something comparable.

UAD Apollo

8. What’s the most annoying piece of gear you have, that you just can’t live without

Probably the Keeley compressor on my sax board. I couldn’t live without it because some of the patches I have are really hot and require the use of both a programmable EQ pedal and this compressor/limiter pedal to tame. It’s only annoying because it is not programmable like the EQ, and every time i get my board out of the case I have to readjust the knobs to where I need them.

Keeley compressor

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

A lot of people complain about the OP-1 internal engines sounding extremely digital, tinny, and somewhat like a set of children’s toys. I achieve full, warm sounds on the OP-1 pretty easily with the use of the Elektron Analog Drive at the end of the effects chain. Even just the clean boost setting with a bit of tweaking on the highs and a bit of drive goes a long way and adds a great depth of sound.

Elektron Analog Drive

Artist or Band name?

My name is Kevin McKinney. I play saxophone/effects for the stinky garage jazz band, ‘Doctor Pizza’ in Detroit, Michigan.

Doctor Pizza Stickers
Doctor Pizza Band

Genre?

I am an improviser and saxophonist, although I do a lot of ambient/soundscape work with my electronic instruments.

Selfie?

Kevin McKinney

Where are you from?

I am originally from Cleveland, Ohio.

Cleveland Ohio

How did you get into music?

I got into music as a toddler. I had a little toy piano that I carried around with me and played all the time. My parents noticed this and started piano lessons for me when I was 4 years old. I was hooked for life.

Toy Piano

What still drives you to make music?

I am a new father of boy/girl twin babies, so I have a lot of trouble finding time to make music lately. What drives me to make music, when I do have the time is definitely the way it makes me feel, and the way it can make others feel when they experience it. The rush of holding an altissimo note while the crowd screams..or, contrastingly, the calmness of playing piano alone in your studio with all the lights down… those moments are what make music making so special.

Twin Babies… seeing something hilarious

How do you most often start a new track?

I have lot of gear, so sometimes it can be a case of too many options. I like to pick one piece of gear that will be the focus for that session and then build everything around that. Sometimes I will just pick a single pedal, or a synth, or a set of drum samples…anything that can be a launching point.

Novation Bass Station

How do you know when a track is finished?

With my band and often with my own music, songs are an ever-evolving thing…I will bring in a loose idea, or a lead sheet with some basics and then we shape the rest together during rehearsal.  A lot of times solo sections, the general form of the tune, and even sometimes the melodic information are all up for discussion and debate while we are working through the new idea.  I may go back to things I created years ago and change them if I am having trouble coming up with something new.

Kevin’s band at rehearsal

Show us your current studio

Kevin McKinney’s Studio

Best creative advice that you’ve ever heard?

I forget who told me this, maybe Dave Liebman?… Anyhow, I remember being in a masterclass and being told that you don’t truly know a song, a melody, a transcribed solo, or whatever it may be until you can SING it. The human voice is the most fundamental and primal of instruments and having that connection to your voice before picking up any instrument and attempting to play something is crucial. As an improviser, I try to employ this same thinking… only let out of your horn what you hear in your head as being complementary to the music that is happening around you.

Kevin singing with sax-iness

Promote your latest thing… Go ahead, throw us a link.

Check out my band Doctor Pizza! We are recording our latest album in mid July and hope to have it out later this year. We are on YouTube, Spotify and all major platforms.
www.doctorpizzaband.com

Doctor Pizza Band

Matt Lowery – Cinematique Tones

1. Favourite knob/fader/switch on a piece of gear and why?

Easy- the filter cutoff knob on my Moog Subsequent 25. It’s huge, feels great, and what is does sonically is even better.

Moog Subsequent 25 Filter Knob

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

The Vermona PerFOURMer is 99% perfect. I do sometimes wish I could store presets, but I understand why they kept everything completely manual. It’s inspiring to explore and dial in new sounds, but it would also be fantastic to be able to quickly find my way back to a sound I’ve already incorporated in a song (say, if I’m doing pickups in studio

Vermona PerFOURmer

3. What setup do you bring on holiday/tour/commute etc.?

My most fun, expressive mobile music tool is the norns. It can almost fit in your back pocket, but its scope is pretty limitless.

Monome Norns

4. What software do you wish was hardware and vice versa?

I’d sell a kidney to get Sean Costello’s Valhalla Vintage Verb into pedal form. I’d love to see some of Tom Majeski of Cooper FX’s code (particularly the Generation Loss) make its way to plugin land.

Cooper FX Generatioin Loss

5. Is there anything you regret selling… or regret buying?

Oof. This one hurts. When I was 17, I found an old keyboard looking thing in a closet at the local church my family attended. I messed around with it and dismissed it as some kind of work out garbage, and gave it to a friend. It was a Juno 60. That one pains me to this day.

[Editor: Damn!]

6. What gear has inspired you to produce the most music?

There are about 100 answers to this question, and the most honest answer I can give is “go check out my instagram”, because that’s where I document my adventures with inspiring gear. Lately, the most inspiring thing I’ve played is the Instruo Arbhar, which is this incredible musical granular processor. It’s really wonderful.

Instruo Arbhar

7. If you had to start over, what would you get first?

Wouldn’t change a thing! So the official answer is a Squier Stratocaster.

8. What’s the most annoying piece of gear you have, that you just can’t live without?

My tape decks. There’s always something to clean, maintain, or fix. But working with magnetic tape is something I don’t ever want to give up. The process itself helps me generate better ideas.

Tape Decks

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Recently I found out I could trigger the gate on my Vongon Paragraphs pedal with midi note data, which lets me set up these super tight rhythmic filter opening sequences. Super cool.

Vongon Paragraphs

Artist or Band name?

Matt Lowery

Genre?

Ambient/Electronic

Selfie?

Where are you from?

Oklahoma City, OK, USA.

How did you get into music?

I picked up guitar when I was 12, and have been at it ever since!

What still drives you to make music?

Music and art are the ways that I process the world. I have to be making something meaningful all the time. When I stop making things, I start having trouble in every area of my life.

How do you most often start a new track?

I try to spend time with music every day. So I’ll usually stumble upon a sound, a vibe, or a progression by accident, and that will be the seed for a track. Sometimes it works out, often it doesn’t. That’s the fun!

How do you know when a track is finished?

When I enjoy it as much as I enjoy other people’s music, I try to just walk away. There’s always more you can do, so it’s more that I put it down, rather than saying it’s done.

Show us your current studio

That would require me to clean my current studio 😀

Best creative advice that you’ve ever heard?

Here’s the best advice I’ve ever read, period:

https://sivers.org/balance

[Editor: Spectacularly good advice! If you feel it applies to you? TLDR: Find a balance between income and art by separating the two]

Promote your latest thing… Go ahead, throw us a link.

You can hear my latest LP “Voyager” as well as my newest single “Nearer Now” at my Bandcamp page (mattlowery.bandcamp.com), as well as on all major streaming platforms.


[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…
]