1. Favourite knob/fader/switch on a piece of gear and why?
Right now, the RS09 Tuning knob. I like the little struggle that happens inside our brain when a note is slowly approaching the “tuned” area.
Five months ago, was the Grandmother cutoff filter, it’s addictive, I guess they know it and that’s why they made it so big.
2. Do you have an ‘almost’ perfect bit of kit? What would you change?
My Gibson EH150 lap steel, from 1937. It’s 84 years old and sounds like it has always been here and always will. I feel inspired just by looking at her. And I’m not a guitar player myself, just an aficionado. It makes me wonder how my Digitakt is going to look in 84, by the year 2104.
3. What setup do you bring on holiday/tour/commute etc.?
If I have to leave home, I’ll take the iRig2, the reface CP, and the garage band on my phone. It’s a frustrating experience though, it reminds me how little is needed to make music technically acceptable nowadays.
4. What software do you wish was hardware and vice versa?
I don’t use software. Two months ago, I bought Reaper, but I’m using it strictly as a multitrack recorder. Paired with the Softube Fader, so I can have a more tactile experience.
Don’t get me wrong, plugins and VST are as good, and many times better than the real thing. But when I see my studio with all the gadgets, I feel inspired to play. If instead, I see a computer screen, I don’t feel the call at all.
It’s like masturbating versus having sex, you’ll reach the same level of satisfaction. But you’ll miss the joy of the process. Although it will be less tiring, that’s true.
[Editor: Literally I laughed out loud at this comparison…. it’s so true]
5. Is there anything you regret selling… or regret buying?
Due to logistics, I can’t sell anything. The post office is 100 km away and parcel companies are few, and they never find our house. If I was living in a city, I would definitely be selling stuff.
I do regret buying several things, one of them the TC finalizer, I still don’t know what it does. But there’s a small revelation in buying the wrong gear, you slowly find what is adequate for yourself, by elimination.
[Editor: I totally agree, this kinda process is also an essential part of learning and growing. The only thing, is that people get so bummed out by their regrets. Enjoy your regrets! You’ve learned something and it means you’re willing to take creative risk, so it’s all good (I actually just picked up a Finalizer too 🙂 haha)]
6. What gear has inspired you to produce the most music?
Just like others already answered on your blog, the piano. I sit in front of this massive primitive device, and there’s an instant communion. It’s like the whole mechanism is holding plenty of new songs, waiting for someone to take them out. It is an utter physical experience. And this is something I exclusively feel with the piano.
[Editor: Yup, I got that with the acoustic guitar]
7. If you had to start over, what would you get first?
I started years ago with Cakewalk and a Dx7, I don’t wish this on anybody. I suffered so much with the membrane buttons, and the menu written in extraterrestrial code. That was a huge technological wall between electronic music and me. And actually, that’s why I completely stopped making music in my first reincarnation. And also why choosing the right tools, for oneself, is pivotal in the engagement with music.
Today, I would buy the Korg Minilogue, functional, intuitive, and with a great sound. I don’t have one though.
8. What’s the most annoying piece of gear you have, that you just can’t live without?
The Patchbay, but not the front side, the backside of course. It was a pain to set all the cables, but once it’s done, it makes everything much easier. Until you need to change some routing.
9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?
I like to use the Korg Monologue as an analog drum machine. I started diving into this thanks to Oscillator Sink’s rhythm collection on Korg’s site.
Artist or Band name?
Navin Kala
Genre?
I’m still experimenting and trying to find a comfortable place. Right now, this place must be somewhere between electronica with ambient and a bit of experimental.
Selfie?
Where are you from?
Brazil, with mixed blood.
How did you get into music?
I began piano lessons as a child, it was either that or karate.
But it is extremely frustrating, learning with music you don’t like or feel. Stuff like “What Mozart composed when he was 5”. And I was 10, so it was like saying, you are retarded.
What still drives you to make music?
It makes me feel good, I know that without music I don’t feel fulfilled. Creativity, of any sort, sublimates our existence. This and the fact that I have a 70% of hearing loss, since a child, and at some point, I might lose it completely. I want to play as much music as I can before my only working ear falls under a functional threshold. Funny fact, Stereo does not exist in my universe.
[Editor: Damn good reason!]
How do you most often start a new track?
With Instagram, I force myself to make a post, like an exercise, a few every week. Each time with a different instrument. Something comes up. I see people’s reaction, and from there I decide if I keep working on the idea. Is like a focus group.
This first idea narrows down how the next instrument will interact, and so on. Limiting each time your options. I call it the Funnel Paradox. You begin with a universe of options, and as you add layers, these options decrease.
How do you know when a track is finished?
I don’t have a rational answer to this. I have a big folder with tracks I’ve started. Some go a few years back. And I certainly know that they are not finished. But I don’t know what it takes for them to be completed. Paradoxically, when they are finished, I know they are. I suppose is easier when you work with a client, let’s say making a soundtrack. The deadlines will tell you when something is finished.
Show us your current studio
Best creative advice that you’ve ever heard?
I was thirteen years old, my piano teacher was pissed with me, again, because I wasn’t able to prepare the lessons before the class. Instead, I was procrastinating playing popular music (the concept of procrastination didn’t exist back then). He asked me eventually; “When you wake up every day, do you feel a compelling need to play the piano?” I said “Nope”.
And he replied; “Then you must find, quickly, something that you feel like doing daily. You’ll be a realized person.”
I quit piano lessons the next day. He was relieved.
Promote your latest thing… Go ahead, throw us a link
My second album, Horse. Few months old. I hope you like it.
[Editor: Also check out Navins IG… it’s lovely. C’mon join the funnel paradox]
