Kevin Paul Cahay – EuroGuitaRacker

1. Favourite knob/fader/switch on a piece of gear and why?

Teisco Rack Delay

My favorite knob is the volume knob on my old Teisco delay rack, you can be really precise with a knob of that size.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Fender Jaguar

With years spent playing music I never felt the feeling of perfection, I always change and so does my instruments/gear. Yesterday was my lovely Fender Jaguar, today is my modular synthesizer, tomorrow… I don’t know yet. It’s difficult for me to focus on one genre/project, I want to know and to do everything. And my modular synthesizer is the proof, at the beginning I wanted a sort of a west coast synthesizer, after focusing on textures and now a little bit of everything. But now I’m more confident, so I’ll say my modular synthesizer, because I can change a little thing to do utterly beautiful things.

Suitcase Eurorack Modular

3. What setup do you bring on holiday/tour/commute etc. ?

ID700 Buchla iOS app

Either I go on holiday or for a walk (even at work, but don’t tell anyone) I always bring a tape recorder with me.

Also my iPad, with some granular devices, Quanta or the new emulation of the Buchla 700.

4 track and walkman

I like compact gear, recording sounds in the daytime and processing them at night time.

Night time processing

4. What software do you wish was hardware and vice versa?

I’d really like the Music Mouse from Laurie Spiegel in a hardware form for sure, it’s easy enough to program something lovely and yet complex enough to explore a lot of different paths. 

Music Mouse from Laurie Spiegel

5. Is there anything you regret selling… or regret buying?

« Regrets, I’ve had a few, but then again, too few to mention » 

All gear eventually fades to bokeh

I don’t regret any purchase or sale, it was the right time for every separation or acquisition. But who knows ?

Kalimba and Big Muff

There is an adaptation time for everything, especially electronic devices, you see a video or test it for fifteen minutes, and then at home it’s not the same. So you have to delve into it and learn it better to find out if you really like it. Not taking enough time is a common mistake that I made several times…

But don’t feel ashamed or guilty, it’s the right path. Once you know, what you don’t like, it gets easier.

A glutton of gear from above

6. What gear has inspired you to produce the most music?

I think it’s my newly acquired Akai tape recorder, I’ve been messing around with cassettes for quite a long time, but to have a bigger tape to work with, cutting, editing, staring at, is absolutely marvelous.

Akai Reel to Reel tape recorder

7. If you had to start over, what would you get first?

Korg Kaossilator

I think a kaossilator and a cassette tape recorder. You can do plenty of things with the kaossilator. Also if you fool your tape recorder to do it, it’s possible to overdub without erasing anything. So yes, with these two you have a lot of different sounds in your pocket.

Cassette tape recorders

8. What’s the most annoying piece of gear you have, that you just can’t live without?

I think it’s my MicroKorg, it was my second synth (the first one was a Yamaha CS15 that broke). It has a peculiar sound, not the best keys, but I love it anyway.

Korg MicroKorg

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

A very long tape loop, I saw someone doing those kind of things on Instagram (hello, @robotmammal) and I tried for several days. After a lot of effort and moaning, I finally managed to do it ! And… it broke.

Cassette Tape Loops

Artist or Band name?

Kevin Paul Cahay.


Free jazz ? I always wanted to say free jazz.


The many faces of Kevin Paul Cahay

Where are you from?

I’m from Paris/France.

How did you get into music?

Since I was born, my parents were listening to music loudly, and I remember dancing and jumping everywhere to Rage Against The Machine and Weezer.

But at the age of ten I told myself that rather than listening to music I could play it ! So I asked for an electric guitar on my birthday and began to compose some songs and record them with my phone or on Audacity (via the computer microphone…) After that I created my artist name « tomorrow massacre » (tomorrow because one of my favorite song is called tomorrow by The Human Instinct, and massacre because of the Brian Jonestown Massacre) and had a band for a couple of years going on tour, recording albums.

After we broke up, I was alone and wanted to do something else, so I began to have an urge to play modular synthesizer, explore new sounds and embrace experimentation without the intro/verse/chorus thing.

I did my first EP at the beginning of 2021 and I’m planning to have another one out this year as well.

What still drives you to make music?


Grundig EN3 Dictaphone… shaving the sky

How do you most often start a new track?

Nothing is really planned, I always want to try a lot of things (like a video I did with 5 delay pedals) and then something that I like appears (and sometimes not).

How do you know when a track is finished?

Nothing left to add

When I want to add something, but it doesn’t sound good at all.

Show us your current studio

Analog goodies
…and eurorack buddies

Best creative advice that you’ve ever heard?

My French teacher in high school always told me « when there are three words there are two too many » , and I apply this to my music.

Promote your latest thing… Go ahead, throw us a link.

For the moment it’s my EP called « Ruina Sequenti » :

… but check my personal Bandcamp soon enough:

[Hey YOU my dear Reader, it’s Martin the Editor here: I gotta ask, coz it’s been bothering me for a while… how would you suggest that I could encourage more commenting on the this blog? There’s like zilch happening and it’s kinda bumming me, as well as the google search algorithm, out 😉 ]

Emily Hopkins – Harpedalist

1. Favourite knob/fader/switch on a piece of gear and why?

Meris Enzo

This is definitely the little button on the Meris Enzo [US, EU] that puts it in “Arp” mode. It essentially turns the chords you play into sequenced patterns at whatever tempo you set. It was such an amazing experience interacting with that mode for the first time, because I heard Enzo go from doing my bidding, to it having some thoughts of its own and playing alongside me. If you split your signal so one is dry (or going through a separate pedal chain) and the other one is through Enzo on arp mode, the sequences create a wonderful foundation for improvisation. I wouldn’t depend on being able to recreate some of those moments easily; but that’s why I love Enzo. Meris pedals are like people.

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

EarthQuaker Devices Afterneath V3

I’d say the EarthQuaker Devices Afterneath V3 [US, EU]is near-perfect for me. The reverb pairs perfectly with the harp, and pretty much every other instrument (especially voice)! It would work well in any piece I play. The only improvement I can think of is an upgrade to stereo output.

3. What setup do you bring on holiday/tour/commute etc.?

Out and about with a Harp

Unfortunately my electroacoustic Camac harp is too large and too sensitive to the weather/humidity to bring on vacation; I’d just be worrying about it the whole time and not be able to enjoy myself! On vacation or long car rides, I usually bring my Harpsicle; it’s a tiny budget lever harp that I don’t have to worry about as much. If I want to bring a few effects pedals for fun, I’ll bring whichever pedals I got recently, with my tiny travel amp and either my Organelle [US, EU]or keyboard to play through them. I just got my new Lottie Canto Colour Palette electric kalimba, which will now be a vacation staple. My wedding gig schedule doesn’t usually allow me to tour, or perform far from my home state, but I’d love to consider it after the pandemic! 
If you’re wondering how I transport my harp to gigs:

4. What software do you wish was hardware and vice versa?

I wish I had Fab-Filter Pro-Q 3 in a pedal box, with the same spectrum analyzer graphic display on a screen, complete with dynamic EQ. I know, it’s a lot to ask for. I’ll keep dreaming.

5. Is there anything you regret selling… or regret buying?

Cooper FX/Chase Bliss Audio Generation Loss limited edition pedal, hands down. The pandemic hit me really hard. I’m primarily a wedding musician, and at the start of the pandemic, I had so many gigs being cancelled/postponed and the uncertain future forced me to sell the majority of the pedals I owned at the time. I’d have to pay an insane price to get one now due to the limited availability/price inflation. I’m hoping Cooper FX decides to make a Generation Loss V2 so the amazing sounds of Gen Loss can be more available to everyone!

Cooper FX/Chase Bliss Audio Generation Loss

6. What gear has inspired you to produce the most music?

Chase Bliss Audio’s Thermae has such insane chemistry with the harp and my playing style. Whenever I plug into it and improvise some sketches, I create some of my best music. That pedal has resonated with me above most others over the past few months. It’s not so much direct inspiration from understanding the gear or thinking about it; more so the dialogue between Thermae and the harp in real-time has brought my improvisation to a higher level. The first time I used it, I was recording a demo with it for my YouTube channel, and I’ve used pretty much every sound made in that demo for original music releases, or background music across my YouTube channel. The foundation for my new single, Backyard Spaceship, is actually directly from my Thermae YouTube demo! It was such an amazing moment that I couldn’t recreate in the studio, so I just decided to use that audio as the starting point for that project.

Chase Bliss Audio’s Thermae

7. If you had to start over, what would you get first?

If I could go back, I’d definitely get a higher quality amplifier than the one I started with! I was playing my brand new electric harp through a very small $150 amp; it was like putting a bumper sticker on a Ferrari. I was new to gear at the time, and didn’t understand my options and the importance of investing in a higher quality amp.

Harp with PA

I also probably would have got an EarthQuaker Devices Afterneath right away, which is an amazing device to help introduce yourself to more out-of-the-box effects pedals if you’re new to electric instruments and effects.

8. What’s the most annoying piece of gear you have, that you just can’t live without

My camera tripod is currently the bane of my workflow. I do a lot of reamping and desk recording, and it just doesn’t really go well with my setup and what I need it to do. I’m yet to find one in my budget that does what I need, but for now, I’ll have to keep taping mine to the edge of my desk on an angle and contort around it to make it work.

Camera tripods

9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

The other day, I found out the EarthQuaker Devices / Death by Audio Time Shadows pedal has a secret mode. If you put the switch in the center (it doesn’t click in place but it will stay there) it’ll create some interesting Rainbow Machine-like modulation.

EarthQuaker Devices / Death by Audio Time Shadows

Artist or Band name?

Emily Hopkins


‘Cool harp stuff’. I always have trouble putting myself in a genre.


Emily Hopkins

Where are you from?

Long Island, NY.

Working with the harp

How did you get into music?

When I was 8 years old, I went to a Mexican restaurant on my birthday and there was a man playing harp during dinner (I later found out this was the amazing Edmar Castaneda during his college years!). I was absolutely mesmerized by his music, and begged my mom for harp lessons. Since I was homeschooled, I had plenty of time to practice, and was already playing piano for 4 years by the time I started (I tell everyone the harp is essentially just a piano flipped on the side!).

Emily Hopkins early years with the harp

What still drives you to make music?

The desire to connect to others and to break that stereotype of the harp being an exclusively classical / “boring” instrument. I love using effects pedals to show what a versatile instrument the harp is, and to constantly discover the new sounds it can create.

Astral Destiny by Earthquaker Devices

How do you most often start a new track?

Improv! Most of the time, I discover a cool theme while I’m improvising during an effects pedal demo. My new single came exclusively from my CBA Thermae pedal demo, because I’m not overthinking anything.

How do you know when a track is finished?

When you accept that it’s finished, and you stop obsessing over it; whether it’s the composition, mix, or any tiny detail.

Show us your current studio

Emily Hopkins’ Studio

Best creative advice that you’ve ever heard?

The story of the “two bad bricks” really resonated with me. The short version is that Ajahn Brahm, a Buddhist monk, built a wall of a thousand bricks by hand, but two of the bricks ended up crooked. When visitors came to the monastery, he tried to avoid showing them the wall because he was so worried about them noticing those two crooked bricks. One day, someone approached him and told him how beautiful the wall was, but he disagreed, pointing out the two bricks. The visitor said, “There might be two bad bricks, but all I can see are the 998 perfect ones.” Even if you don’t play a piece absolutely flawlessly, most of the time you’re the only person who can hear the imperfections. It’s important to appreciate the successful elements of your work, and understand that imperfections in a piece are what makes it human. Also, I don’t believe in ‘wrong notes’ — only ‘interesting’ ones. 

Promote your latest thing… Go ahead, throw us a link.

Here’s my very first single, Backyard Spaceship!

[Editor: There are affiliate links to the relevant gear throughout the articles. It helps to support this blog. In fact, should you be needing some patch cables or guitar strings. Then clicking on one of the above links and buying any product that you prefer, will help the blog… doesn’t even have to be the ones in the link. Thx]

Close your Eyes – Wide Open

1. Favourite knob/fader/switch on a piece of gear and why?

Feedback knob on my Strymon El Capistan dTape Echo. I like balancing on the edge of a wild totally uncontrollable feedback. Or even crossing this edge sometimes 🙂

Strymon El Capistan

2. Do you have an ‘almost’ perfect bit of kit? What would you change?

Red Panda Particle 2.  For me it’s a perfect granular delay pedal. It can go from gentle reversed echoes to the wall of glitch and chaos in sound. And it’s stereo! It is important, as I use to process synths, drum machines or even groups of tracks through it.

Red Panda Particle

3. What setup do you bring on holiday/tour/commute etc.?

I’ll go with Digitakt and Hokema Electro Kalimba. Digitakt is an in-a-box workstation which allows sketching, playing jams on my own or with fellow musicians, and almost to do a finished track, while this kalimba is just tiny magic.

Elektron Digitakt and Hokema Electro Kalimba

4. What software do you wish was hardware and vice versa?

It’s a tricky question, because all of my favorite plugins already have hardware prototypes. At the same time, I’m not a big fan of software to wish anything hardware turned into soft.
Nonetheless, recently I discovered amazing plugins by Puremagnetik. Although they obviously have some hardware inspiration, the plugins are truly unique and have strong personality in sound and usability. So yes, I wish I could have these in hardware.

Puremagnetik Plugins

5. Is there anything you regret selling… or regret buying?

The only thing I got rid of without any doubt was an AKAI MPK249. Don’t get me wrong, it’s amazing midi controller which is perfect for its purposes, it just doesn’t work for me personally, cause I’m not really a controller-kind person. In this case I clearly realised that I cannot rely on computers in creating music. With this MPK249 in setup, I had an almighty controller and a laptop with awesome software, but I couldn’t come up with any idea for weeks.  Being honest, I actually don’t regret buying it, because it helped me finally to understand that midi-controllers are not my thing, speaking on composing workflows.
Talking about selling, I didn’t sell that much to regret something.

APC Key25 (the midi controller that stuck around)

6. What gear has inspired you to produce the most music?

Definitely my piano. If you’d do me the favour to call it “gear” 🙂

Piano money shot

7. If you had to start over, what would you get first?

No surprises — a piano! 🙂

8. What’s the most annoying piece of gear you have, that you just can’t live without?

Definitely any computer. Now I set myself a goal to reduce the computer part in my music production and live sets. However, I’m far from this right now, the computer still does lots of work. I don’t like endless possibilities which computers give, preferring a simple gear which is capable of very limited things — but does it perfectly.


9. Most surprising tip/trick/technique that you’ve discovered about a bit of kit?

Turning a three-headed cassette recorder into a tape echo by creating a feedback loop on a mixer. I do it with my Marantz PMD 222, it sounds lovely.

Marantz PMD222

Artist or Band name?





Close Your Eyes wide open

Where are you from?

Saint Petersburg, Russia

How did you get into music?

Melodica, Ukulele and Xylophone

I was obsessed with the idea of playing guitar in high school, so I tried to self educate. I played several bands, something like indie/funk/rock, we all know this good old story. Then I realized that composing music with the band doesn’t work for me personally, and no matter how awesome the band is. So I quitted all bands and started to search how I can do music on my own. This led me to electronic music — as a field where I can compose and perform alone. Nonetheless I still love acoustic instruments, therefore I use a lot of them in my production. Like ukulele, melodica, kalimba, flute, toy pianos, obviously not to mention guitar and piano. So the outcome is an electronic music filled with tricky processed acoustic instruments.

Pedals and Toy Pianos

What still drives you to make music?

A conviction that for me it’s the very best way to communicate with the world and to release feelings and ideas that I carry inside.

How do you most often start a new track?

I start with a piano or polyphonic synth mostly. The very first thing is the sound. Usually, I need to prepare my  piano with felt because a quiet sound with a lot of rustle going on is what I really like, and also do some experiments with mics positioning. At the same time I may apply some effects like delay or granular stuff because these effects  drastically change the way I will play the piano. When the sound is ready, the next step is to come up with a nice chord progression or/and melody. At this stage I try to catch the idea of the whole track with all its changes and turning points, and then use other instruments to amplify the emotions which are already included in the piano part.

Behringer DeepMind 12

How do you know when a track is finished?

I listen to it a lot. Mostly while walking in the streets, I listen and ask if I want to add something or get rid of it. When everything’s fine, it’s finished.

Show us your current studio

Close Your Eyes Studio

Best creative advice that you’ve ever heard?

There were two actually.
1) Listen to your most inner voice. You have a lot of inner voices, but there’s one that always was there since your early childhood. Find it and listen to it.
2) Start to compose with the opposite of what you used to associate with yourself. You will add all this to your common features later, but the start should be far far away from your familiar territory.

Promote your latest thing… Go ahead, throw us a link.

Well it’s been a while since I released new music, but something new  is coming really soon, so I’ll leave these links in case you want to stay in touch:
(here I share most recent news, studio sketches and some daily music related routine)
(here I share live sets, both electronic or acoustic, gear demos, tutorials and all this YouTube stuff 🙂
And if you want to support what I do, you are always welcome to my bandcamp

[Editor: Do you have a favorite tip, trick or way of working with any of the gear from this interview?
Then throw a comment below…